Don Delillo Jean Baudrillard And The Consumer Conundrum
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| Author | : Marc Schuster |
| Publisher | : |
| Total Pages | : 231 |
| Release | : 2014-05-14 |
| Genre | : LITERARY CRITICISM |
| ISBN | : 9781624990922 |
Since the publication of his first novel, Americana, in 1971, Don DeLillo has been regarded as a preeminent figure of American letters. Among the more prominent themes the author considers throughout his oeuvre is that of consumerism, a topic that is equally essential to the works of French social theorist Jean Baudrillard. Although many critics have glossed the affinities between DeLillo and Baudrillard, this is the first book-length study to explore the relationship between the American author and the French theorist. Bringing DeLillo and Baudrillard into dialogue with each other, this timely volume proffers a sophisticated theoretical framework for understanding the works of both figures, investigates the relationship between works of art and acts of terror, and examines the potential for the individual to survive in the face of the dehumanizing, market-driven forces that dominate the postmodern world. This book will be a valuable addition to collections in American literature, sociology, critical theory, politics, and philosophy. "This thorough and thoughtful reading of both writers not only acknowledges their affinities but also exhaustively explores the ways in which their writings inform and illuminate each other." - Dr. Ruth Helyer, University of Teesside (UK)
| Author | : |
| Publisher | : Cambria Press |
| Total Pages | : 229 |
| Release | : |
| Genre | : |
| ISBN | : 1621969398 |
| Author | : Laila Sougri |
| Publisher | : Taylor & Francis |
| Total Pages | : 208 |
| Release | : 2023-09-04 |
| Genre | : Literary Criticism |
| ISBN | : 1000928853 |
This book is the first to explore technoculture in all of Don DeLillo’s novels. From Americana (1971) to The Silence (2020), the American author anatomizes the constantly changing relationship between culture and technology in overt and layered aspects of the characters’ experiences. Through a tendency to discover and rediscover technocultural modes of appearance, DeLillo emphasizes settings wherein technological progress is implicated in cultural imperatives. This study brings forth representations of such implication/interaction through various themes, particularly perception, history, reality, space/architecture, information, and the posthuman. The chapters are based on a thematic structure that weaves DeLillo’s novels with the rich literary criticism produced on the author, and with the various theoretical frameworks of technoculture. This leads to the formulation and elaboration on numerous objects of research extracted from DeLillo's novels, namely: the theorization of DeLillo’s "radiance in dailiness," the investigation of various uses of technology as an extension, the role of image technologies in redefining history, the reconceptualization of the ethical and behavioral aspects of reality, the development of tele-visual and embodied perceptions in various technocultural spaces, and the involvement of information technologies in reconstructing the beliefs, behaviors, and activities of the posthuman. One of the main aims of the study is to show how DeLillo’s novels bring to light the constant transformation of technocultural everydayness. It is argued that though such transformation is confusing or resisted at times, it points to a transitional mode of being. This transitional state does not dehumanize DeLillo’s characters; it reveals their humanity in a continually changing world.
| Author | : Richard G. Smith |
| Publisher | : Edinburgh University Press |
| Total Pages | : 336 |
| Release | : 2017-04-28 |
| Genre | : Philosophy |
| ISBN | : 1474417795 |
Originally published between 1968 and 2009, this collection of 25 pieces includes six interviews translated into English for the first time and a new transcription of a Q&A session with Baudrillard following a lecture he gave in London in 1994. The guiding theme of the collection is Baudrillard's engagement with culture. The implications of the implosion of Western culture are dissected and documented in the rich range of material included here.
| Author | : Rachele Dini |
| Publisher | : Bloomsbury Publishing USA |
| Total Pages | : 377 |
| Release | : 2021-10-07 |
| Genre | : Literary Criticism |
| ISBN | : 1501367366 |
Winner of the 2023 Emily Toth Award for Best Single Work in Women's Studies “All-Electric” Narratives is the first in-depth study of time-saving electrical appliances in American literature. It examines the literary depiction of refrigerators, vacuum cleaners, oven ranges, washing machines, dryers, dishwashers, toasters, blenders, standing and hand-held mixers, and microwave ovens between 1945, when the “all-electric” home came to be associated with the nation's hard-won victory, and 2020, as contemporary writers consider the enduring material and spiritual effects of these objects in the 21st century. The appropriation and subversion of the rhetoric of domestic electrification and time-saving comprises a crucial, but overlooked, element in 20th-century literary forms and genres including Beat literature, Black American literature, second-wave feminist fiction, science fiction, and postmodernist fiction. Through close-readings of dozens of literary texts alongside print and television ads from this period, Dini shows how U.S. writers have unearthed the paradoxes inherent to claims of appliances' capacity to “give back” time to their user, transport them into a technologically-progressive future, or “return” them to some pastoral past. In so doing, she reveals literary appliances' role in raising questions about gender norms and sexuality, racial exclusion and erasure, class anxieties, the ramifications of mechanization, the perils and possibilities of conformity, the limitations of patriotism, and the inevitable fallacy of utopian thinking-while both shaping and radically disrupting the literary forms in which they operated.
| Author | : Philipp Wolf |
| Publisher | : Routledge |
| Total Pages | : 217 |
| Release | : 2022-05-30 |
| Genre | : Literary Criticism |
| ISBN | : 1000587797 |
This book offers the first systematic study of death in the later novels of Don DeLillo. It focuses on Underworld to The Silence, along with his 1984 novel White Noise, in which the fear of death dominates the protagonists most hauntingly. The study covers eight novels, which mark the development of one of the most philosophical and prestigious novelists writing in English. Death, in its close relation to time, temporality and transience, has been an ongoing subject or motif in Don DeLillo’s oeuvre. His later work is shot through with the cultural and sociopsychological symptoms and responses death elicits. His "reflection on dying" revolves around defensive mechanisms and destruction fantasies, immortalism and cryonics, covert and overt surrogates, consumerism and media, and the mortification of the body. His characters give themselves to mourning and are afflicted with psychosis, depression and the looming of emptiness. Yet writing about death also means facing the ambiguity and failing representability of "death." The book considers DeLillo’s use of language in which temporality and something like "death" may become manifest. It deals with the transfiguration of time and death into art, with apocalypse as a central and recurring subject, and, as a kind of antithesis, epiphany. The study eventually proposes some reflections on the meaning of death in an age fully contingent on media and technology and dominated by financial capitalism and consumerism. Despite all the distractions, death remains a sinister presence, which has beset the minds not only of DeLillo’s protagonists.
| Author | : Stacey Olster |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 208 |
| Release | : 2011-02-17 |
| Genre | : Literary Criticism |
| ISBN | : 1441182470 |
A collection of original, stimulating interpretations of key texts by Don DeLillo, designed for students and edited and written by leading scholars in the field. The book offers new perspectives on two of the most important pre-millennial novels by any American writer Mao II and Underworld and the first extended discussions of Falling Man, DeLillo's exploration of 9/11 and its aftermath. An American Studies approach to the texts brings together both established DeLillo scholars and other academics whose interdisciplinary methodologies drawn from history, ethnic studies, new economic criticism, women's studies, art history, and urban studies shed new light on DeLillo's work and demonstrate its wide-ranging significance in contemporary American culture.
| Author | : Katherine Da Cunha Lewin |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 209 |
| Release | : 2018-10-04 |
| Genre | : Literary Criticism |
| ISBN | : 1350040886 |
Don DeLillo is widely regarded as one of the most significant, and prescient, writers of our time. Since the 1960s, DeLillo's fiction has been at the cutting edge of thought on American identity, globalization, technology, environmental destruction, and terrorism, always with a distinctively macabre and humorous eye. Don DeLillo: Contemporary Critical Perspectives brings together leading scholars of the contemporary American novel to guide readers through DeLillo's oeuvre, from his early short stories through to 2016's Zero K, including his theatrical work. As well as critically exploring DeLillo's engagement with key contemporary themes, the book also includes a new interview with the author, annotated guides to further reading, and a chronology of his life and work.
| Author | : Henry Veggian |
| Publisher | : Univ of South Carolina Press |
| Total Pages | : 226 |
| Release | : 2014-11-10 |
| Genre | : Literary Criticism |
| ISBN | : 1611174457 |
Henry Veggian introduces readers to one of the most influential American writers of the last half- century. Winner of the National Book Award, American Book Award, and the first Library of Congress Prize for American Fiction, Don DeLillo is the author of short stories, screenplays, and fifteen novels, including his breakthrough work White Noise (1985) and Pulitzer Prize finalists Mao II (1992) and Underworld (1998). Veggian traces the evolution of DeLillo's work through the three phases of his career as a fiction writer, from the experimental early novels, through the critically acclaimed works of the mid-1980s and 1990s, into the smaller but newly innovative novels of the last decade. He guides readers to DeLillo's principal concerns—the tension between biography and anonymity, the blurred boundary between fiction and historical narrative, and the importance of literary authorship in opposition to various structures of power—and traces the evolution of his changing narrative techniques. Beginning with a brief biography, an introduction to reading strategies, and a survey of the major concepts and questions concerning DeLillo's work, Veggian proceeds chronologically through his major novels. His discussion summarizes complicated plots, reflects critical responses to the author's work, and explains the literary tools used to fashion his characters, narrators, and events. In the concluding chapter Veggian engages notable examples of DeLillo's other modes, particularly the short stories that reveal important insights into his "modular" working method as well as the evolution of his novels.
| Author | : Christina Cavedon |
| Publisher | : BRILL |
| Total Pages | : 424 |
| Release | : 2015-09-01 |
| Genre | : Literary Criticism |
| ISBN | : 900430598X |
In Cultural Melancholia: US Trauma Discourses Before and After 9/11, Christina Cavedon frames her examination of 9/11 fiction, especially Jay McInerney’s The Good Life and Don DeLillo’s Falling Man, with a thorough discussion of what US reactions to the terrorist attacks of September 11, 2001 disclose about American culture. Offering a comparative reading of pre- and post-9/11 literary, public, and academic discourses, she deconstructs the still commonly held belief that cultural repercussions of the attacks primarily testify to a cultural trauma in the wake of the collectively witnessed media event. She innovatively re-interprets discourses to be symptomatic of a malaise which had afflicted American culture already prior to 9/11 and can best be approached with melancholia as an analytical concept.
