Domestic Culture In Womans Weekly 1918 1958
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Author | : Eleanor Reed |
Publisher | : Liverpool University Press |
Total Pages | : 280 |
Release | : 2022-03-23 |
Genre | : Literary Criticism |
ISBN | : 1837646589 |
A unique intersection between periodical and literary scholarship, and class and gender history, this book showcases a brand-new approach to surveying a popular domestic magazine. Reading Woman’s Weekly alongside titles including Good Housekeeping, My Weekly, Peg’s Paper and Woman’s Own, and works by authors including Dot Allan, E.M. Delafield, George Orwell and J.B. Priestley, it positions the publication within both the contemporary magazine market and the field of literature more broadly, redrawing the parameters of that field as it approaches the domestic magazine as a literary genre in its own right. Between 1918 and 1958, Woman’s Weekly targeted a lower middle-class readership: broadly, housewives and unmarried clerical workers on low incomes, who viewed or aspired to view themselves as middle-class. Examining the magazine’s distinctively lower middle-class treatment of issues including the First World War’s impact on gender, the status of housewives and working women, women’s contribution to the Second World War effort, and Britain’s post-war economic and social recovery, this book supplies fresh and challenging insights into lower middle-class culture, during a period in which Britain’s lower middle classes were gaining prominence, and middle-class lifestyles were undergoing rapid and radical change.
Author | : Sue Kennedy |
Publisher | : Liverpool English Texts and St |
Total Pages | : 304 |
Release | : 2020 |
Genre | : Literary Criticism |
ISBN | : 1789621828 |
This volume contributes to the vibrant, ongoing recuperative work on women's writing by shedding new light on a group of authors commonly dismissed as middlebrow in their concerns and conservative in their styles and politics. The neologism 'interfeminism' - coined to partner Kristin Bluemel's 'intermodernism' - locates this group chronologically and ideologically between two 'waves' of feminism, whilst also forging connections between the political and cultural monoliths that have traditionally overshadowed them. Drawing attention to the strengths of this 'out-of-category' writing in its own right, this volume also highlights how intersecting discourses of gender, class and society in the interwar and post-war periods pave the way for the bold reassessments of female subjectivity that characterise second and third wave feminism. The essays showcase the stylistic, cultural and political vitality of a substantial group of women authors of fiction, non-fiction, drama, poetry and journalism including Vera Brittain, Storm Jameson, Nancy Mitford, Phyllis Shand Allfrey, Rumer Godden, Attia Hosain, Doris Lessing, Kamala Markandaya, Susan Ertz, Marghanita Laski, Elizabeth Bowen, Edith Pargeter, Eileen Bigland, Nancy Spain, Vera Laughton Matthews, Pamela Hansford Johnson, Dorothy Whipple, Elizabeth Taylor, Daphne du Maurier, Barbara Comyns, Shelagh Delaney, Stevie Smith and Penelope Mortimer. Additional exploration of the popular magazines Woman's Weekly and Good Housekeeping and new material from the Vera Brittain archive add an innovative dimension to original readings of the literature of a transformative period of British social and cultural history.
Author | : Eleanor Reed |
Publisher | : |
Total Pages | : 0 |
Release | : 2024 |
Genre | : Middle class |
ISBN | : 9781802073560 |
A unique intersection between periodical and literary scholarship, and class and gender history, this book showcases a brand-new approach to surveying a popular domestic magazine. Reading Woman's Weekly alongside titles including Good Housekeeping, My Weekly, Peg's Paper and Woman's Own, and works by authors including Dot Allan, E.M. Delafield, George Orwell and J.B. Priestley, it positions the publication within both the contemporary magazine market and the field of literature more broadly, redrawing the parameters of that field as it approaches the domestic magazine as a literary genre in its own right.
Author | : |
Publisher | : |
Total Pages | : 1290 |
Release | : 1970 |
Genre | : Canada, Eastern |
ISBN | : |
Author | : Hilary Hinds |
Publisher | : Routledge |
Total Pages | : 241 |
Release | : 2020-05-11 |
Genre | : Social Science |
ISBN | : 1000182088 |
A Cultural History of Twin Beds challenges our most ingrained assumptions about intimacy, sexuality, domesticity and hygiene by tracing the rise and fall of twin beds as a popular sleeping arrangement for married couples between 1870 and 1970. Modern preconceptions of the twin bed revolve around their use by couples who have no desire to sleep in the same bed space. Yet, for the best part of a century, twin beds were not only seen as acceptable but were championed as the sign of a modern and forward-thinking couple. But what lay behind this innovation? And why did so many married couples ultimately abandon the twin bed?In this book, Hilary Hinds presents a fascinating insight into the combination of beliefs and practices that made twin beds an ideal sleeping solution. Using nuanced close readings of marriage guidance and medical advice books, furnishing catalogues, novels, films and newspapers, this volume offers an accessible and rigorous account of the curious history of twin beds. This is vital reading for those with an interest in cultural history, sociology, anthropology and psychology.
Author | : Jane A. Bowden |
Publisher | : |
Total Pages | : 652 |
Release | : 1977 |
Genre | : Authors |
ISBN | : 9780810300293 |
Arranged alphabetically from Alvar Aalto to Eva Zumwalt, each author biography includes personal information, addresses, career history, writings, work in progress, and more.
Author | : Sybil Oldfield |
Publisher | : Taylor & Francis |
Total Pages | : 241 |
Release | : 2022-08-24 |
Genre | : History |
ISBN | : 1000634256 |
Originally published in 1994, This Working-Day World is lively collection of essays presenting a social, political and cultural view of British women’s lives in the period 1914–45. The volume describes women’s activities in many different areas, ranging from the weekly wash to the rescue of child refugees. Each essay, from an international list of contributors, is based on new research which will complement existing studies in a range of disciplines by adding information on, among other topics, women’s teacher training colleges, and women in the BBC, in medical laboratories and in Art schools. The book does not, however, idealise women: the militarism and racism of the period infected women too, and this is revealed in the account of women in the British Union of Fascists, and the analysis of the Pankhursts’ merging of patriotism and gender issues. Through studies and personal accounts, This Working-Day World reveals past issues that are still pertinent to debates in today’s society. As we read the chapter on the recently discovered Diary of Doreen Bates which outlines possibly the first female civil servant campaign for rights as a single mother, we hear echoes of issues being discussed today. Indeed, as we approach the end of the century it is a good moment to look back and re-evaluate areas and degrees of progress – or the reverse – in society, and in British women’s lives in particular. With its unusual photographs, this accessible and informative collection provides a rich resource for students in twentieth century social and cultural history, and women’s studies courses, and an enlightening volume for general readers.
Author | : Catherine Clay |
Publisher | : Edinburgh University Press |
Total Pages | : 321 |
Release | : 2018-05-15 |
Genre | : Literary Collections |
ISBN | : 1474418198 |
"The first in-depth study of the landmark modern feminist magazine, "Time and Tide." Unique in establishing itself as the only female-run intellectual weekly in the golden age of the weekly review, "Time and Tide" both challenged persistent prejudices against women's participation in public life and played an instrumental role in redefining women's gender roles and identities. Drawing on extensive new archival research, Catherine Clay recovers the contributions to this magazine of both well- and lesser-known British women writers, editors, critics and journalists and explores a cultural dialogue about literature, politics and the arts that took place beyond the parameters of modernist 'little magazines.' The book makes a major contribution to the history of women's writing and feminism in Britain between the wars."--Publisher's description
Author | : Ann Oakley |
Publisher | : A&C Black |
Total Pages | : 465 |
Release | : 2011-06-08 |
Genre | : Biography & Autobiography |
ISBN | : 1849664706 |
This book is available as open access through the Bloomsbury Open Access programme and is available on www.bloomsburycollections.com. Barbara Wootton was one of the extraordinary public figures of the twentieth century. She was an outstanding social scientist, an architect of the welfare state, an iconoclast who challenged conventional wisdoms and the first woman to sit on the Woolsack in the House of Lords. Ann Oakley has written a fascinating and highly readable account of the life and work of this singular woman, but the book goes much further. It is an engaged account of the making of British social policy at a critical period seen through the lens of the life and work of a pivotal figure. Oakley tells a story about the intersections of the public and the private and about the way her subject's life unfolded within, was shaped by, and helped to shape a particular social and intellectual context.
Author | : Brigitte Georgi-Findlay |
Publisher | : University of Arizona Press |
Total Pages | : 374 |
Release | : 2022-05-10 |
Genre | : Literary Criticism |
ISBN | : 0816549346 |
Although the myth of the American frontier is largely the product of writings by men, a substantial body of writings by women exists that casts the era of western expansion in a different light. In this study of American women's writings about the West between 1830 and 1930, a European scholar provides a reconstruction and new vision of frontier narrative from a perspective that has frequently been overlooked or taken for granted in discussions of the frontier. Brigitte Georgi-Findlay presents a range of writings that reflects the diversity of the western experience. Beginning with the narratives of Caroline Kirkland and other women of the early frontier, she reviews the diaries of the overland trails; letters and journals of the wives of army officers during the Indian wars; professional writings, focusing largely on travel, by women such as Caroline Leighton from the regional publishing cultures that emerged in the Far West during the last quarter of the century; and late-nineteenth- and early-twentieth-century accounts of missionaries and teachers on Indian reservations. Most of the writers were white, literate women who asserted their own kind of cultural authority over the lands and people they encountered. Their accounts are not only set in relation to a masculine frontier myth but also investigated for clues about their own involvement with territorial expansion. By exploring the various ways in which women writers actively contributed to and at times rejected the development of a national narrative of territorial expansion based on empire building and colonization, the author shows how their accounts are implicated in expansionist processes at the same time that they formulate positions of innocence and detachment. Georgi-Findlay has drawn on American studies scholarship, feminist criticism, and studies of colonial discourse to examine the strategies of women's representation in writing about the West in ways that most theorists have not. She critiques generally accepted stereotypes and assumptions--both about women's writing and its difference of view in particular, and about frontier discourse and the rhetoric of westward expansion in general--as she offers a significant contribution to literary studies of the West that will challenge scholars across a wide range of disciplines.