Singing in Style

Singing in Style
Author: Martha Elliott
Publisher: Yale University Press
Total Pages: 380
Release: 2006-01-01
Genre: Music
ISBN: 9780300109320

Muziekhistorisch en musicologisch overzicht van de klassieke solozang vanaf de barok tot heden.

The Early Pianoforte

The Early Pianoforte
Author: Stewart Pollens
Publisher: Cambridge University Press
Total Pages: 328
Release: 1995-09-14
Genre: Music
ISBN: 9780521417297

This is the first comprehensive study of the history and technology of the early piano.

The Risorgimento Revisited

The Risorgimento Revisited
Author: S. Patriarca
Publisher: Springer
Total Pages: 568
Release: 2011-12-16
Genre: History
ISBN: 0230362753

Bringing together the work of a ground-breaking group of scholars working on the Italian Risorgimento to consider how modern Italian national identity was first conceived and constructed politically, the book makes a timely contribution to current discussions about the role of patriotism and the nature of nationalism in present-day Italy.

Garibaldi

Garibaldi
Author: Lucy Riall
Publisher: Yale University Press
Total Pages: 498
Release: 2008-10-20
Genre: Biography & Autobiography
ISBN: 0300176511

Giuseppe Garibaldi, the Italian revolutionary leader and popular hero, was among the best-known figures of the nineteenth century. This book seeks to examine his life and the making of his cult, to assess its impact, and understand its surprising success. For thirty years Garibaldi was involved in every combative event in Italy. His greatest moment came in 1860, when he defended a revolution in Sicily and provoked the collapse of the Bourbon monarchy, the overthrow of papal power in central Italy, and the creation of the Italian nation state. It made him a global icon, representing strength, bravery, manliness, saintliness, and a spirit of adventure. Handsome, flamboyant, and sexually attractive, he was worshiped in life and became a cult figure after his death in 1882. Lucy Riall shows that the emerging cult of Garibaldi was initially conceived by revolutionaries intent on overthrowing the status quo, that it was also the result of a collaborative effort involving writers, artists, actors, and publishers, and that it became genuinely and enduringly popular among a broad public. The book demonstrates that Garibaldi played an integral part in fashioning and promoting himself as a new kind of “charismatic” political hero. It analyzes the way the Garibaldi myth has been harnessed both to legitimize and to challenge national political structures. And it identifies elements of Garibaldi’s political style appropriated by political leaders around the world, including Mussolini and Che Guevara.

The Oxford Handbook of the New Cultural History of Music

The Oxford Handbook of the New Cultural History of Music
Author: Jane F. Fulcher
Publisher: Oxford University Press
Total Pages: 605
Release: 2013-11-01
Genre: Music
ISBN: 0199711984

As the field of Cultural History grows in prominence in the academic world, an understanding of the history of culture has become vital to scholars across disciplines. The Oxford Handbook of the New Cultural History of Music cultivates a return to the fundamental premises of cultural history in the cutting-edge work of musicologists concerned with cultural history and historians who deal with music. In this volume, noted academics from both of these disciplines illustrate the continuing endeavor of cultural history to grasp the realms of human experience, understanding, and communication as they are manifest or expressed symbolically through various layers of culture and in many forms of art. The Oxford Handbook of the New Cultural History of Music fosters and reflects a sustained dialogue about their shared goals and techniques, rejuvenating their work with new insights into the field itself.

Yvain

Yvain
Author: Chretien de Troyes
Publisher: Yale University Press
Total Pages: 242
Release: 1987-09-10
Genre: Poetry
ISBN: 0300187580

The twelfth-century French poet Chrétien de Troyes is a major figure in European literature. His courtly romances fathered the Arthurian tradition and influenced countless other poets in England as well as on the continent. Yet because of the difficulty of capturing his swift-moving style in translation, English-speaking audiences are largely unfamiliar with the pleasures of reading his poems. Now, for the first time, an experienced translator of medieval verse who is himself a poet provides a translation of Chrétien’s major poem, Yvain, in verse that fully and satisfyingly captures the movement, the sense, and the spirit of the Old French original. Yvain is a courtly romance with a moral tenor; it is ironic and sometimes bawdy; the poetry is crisp and vivid. In addition, the psychological and the socio-historical perceptions of the poem are of profound literary and historical importance, for it evokes the emotions and the values of a flourishing, vibrant medieval past.