Documentary Resistance

Documentary Resistance
Author: Angela J. Aguayo
Publisher:
Total Pages: 297
Release: 2019
Genre: Performing Arts
ISBN: 0190676213

Documentary Resistance: Social Change and Participatory Media offers a new approach to understanding the networked capacity of documentary media to create public commons areas, crafting connections between unlikely interlocutors. In this process communities invest in the exchange of documentary moving image discourse around politics and social change. This book advances a new argument suggesting that documentary's capacity for social change is found in its ability to establish forms of collective identification and political agency capable of producing and sustaining activist media cultures. It advances the creation of a conceptual, theoretical, and historical space in which documentary and social change can be examined, drawing upon research in cinema, media, and communication studies as well as cultural theory to explore how political ideas move into participatory action. This book takes a distinctive approach, understanding how struggles for social justice are located, reflected, and represented on the documentary screen, but also in pre- and post-production processes. To address this living history, this project includes over sixty unpublished field interviews with documentary filmmakers, critics, funders, activists, and distributors.

Resistance

Resistance
Author: Jennifer A. Nielsen
Publisher:
Total Pages: 0
Release: 2018
Genre: Juvenile Fiction
ISBN: 9781338148473

The "New York Times"-bestselling author of the Ascendence Trilogy tells the extraordinary story of a Jewish girl's courageous efforts to resist the Nazis during the occupation of Poland.

WE HEREBY REFUSE

WE HEREBY REFUSE
Author: Frank Abe
Publisher: Chin Music Press
Total Pages: 164
Release: 2021-07-16
Genre: Comics & Graphic Novels
ISBN: 1634050312

Three voices. Three acts of defiance. One mass injustice. The story of camp as you’ve never seen it before. Japanese Americans complied when evicted from their homes in World War II -- but many refused to submit to imprisonment in American concentration camps without a fight. In this groundbreaking graphic novel, meet JIM AKUTSU, the inspiration for John Okada’s No-No Boy, who refuses to be drafted from the camp at Minidoka when classified as a non-citizen, an enemy alien; HIROSHI KASHIWAGI, who resists government pressure to sign a loyalty oath at Tule Lake, but yields to family pressure to renounce his U.S. citizenship; and MITSUYE ENDO, a reluctant recruit to a lawsuit contesting her imprisonment, who refuses a chance to leave the camp at Topaz so that her case could reach the U.S. Supreme Court. Based upon painstaking research, We Hereby Refuse presents an original vision of America’s past with disturbing links to the American present.

Latino Images in Film

Latino Images in Film
Author: Charles Ramírez Berg
Publisher: University of Texas Press
Total Pages: 329
Release: 2009-09-15
Genre: Performing Arts
ISBN: 0292783000

The bandido, the harlot, the male buffoon, the female clown, the Latin lover, and the dark lady—these have been the defining, and demeaning, images of Latinos in U.S. cinema for more than a century. In this book, Charles Ramírez Berg develops an innovative theory of stereotyping that accounts for the persistence of such images in U.S. popular culture. He also explores how Latino actors and filmmakers have actively subverted and resisted such stereotyping. In the first part of the book, Berg sets forth his theory of stereotyping, defines the classic stereotypes, and investigates how actors such as Raúl Julia, Rosie Pérez, José Ferrer, Lupe Vélez, and Gilbert Roland have subverted stereotypical roles. In the second part, he analyzes Hollywood's portrayal of Latinos in three genres: social problem films, John Ford westerns, and science fiction films. In the concluding section, Berg looks at Latino self-representation and anti-stereotyping in Mexican American border documentaries and in the feature films of Robert Rodríguez. He also presents an exclusive interview in which Rodríguez talks about his entire career, from Bedhead to Spy Kids, and comments on the role of a Latino filmmaker in Hollywood and how he tries to subvert the system.

Sensing Justice Through Contemporary Spanish Cinema

Sensing Justice Through Contemporary Spanish Cinema
Author: Mónica López Lerma
Publisher: Edinburgh Critical Studies in
Total Pages: 192
Release: 2021-01-31
Genre: Art
ISBN: 9781474442046

Sensing Justice examines the aesthetic frames that mediate the sensory perception and signification of law and justice in the context of 21st century Spain.

Peter Lilienthal

Peter Lilienthal
Author: Claudia Sandberg
Publisher: Berghahn Books
Total Pages: 222
Release: 2021-07-16
Genre: Performing Arts
ISBN: 1800730926

Best known for his 1979 film David, Peter Lilienthal was an unusual figure within postwar filmmaking circles. A child refugee from Nazi Germany who grew up in Uruguay, he was uniquely situated at the crossroads of German, Jewish, and Latin American cultures: while his work emerged from West German auteur filmmaking, his films bore the unmistakable imprints of Jewish thought and the militant character of New Latin American cinema. Peter Lilienthal is the first comprehensive study of Lilienthal’s life and career, highlighting the distinctively cross-cultural and transnational dimensions of his oeuvre, and exploring his role as an early exemplar of a more vibrant, inclusive European film culture.

The Documentary Film Book

The Documentary Film Book
Author: Brian Winston
Publisher: Bloomsbury Publishing
Total Pages: 416
Release: 2019-07-25
Genre: Performing Arts
ISBN: 1838718753

Powerfully posing questions of ethics, ideology, authorship and form, documentary film has never been more popular than it is today. Edited by one of the leading British authorities in the field, The Documentary Film Book is an essential guide to current thinking on documentary film. In a series of fascinating essays, key international experts discuss the theory of documentary, outline current understandings of its history (from pre-Flaherty to the post-Griersonian world of digital 'i-Docs'), survey documentary production (from Africa to Europe, and from the Americas to Asia), consider documentaries by marginalised minority communities, and assess its contribution to other disciplines and arts. Brought together here in one volume, these scholars offer compelling evidence as to why, over the last few decades, documentary has come to the centre of screen studies.

Kill the Documentary

Kill the Documentary
Author: Jill Godmilow
Publisher: Columbia University Press
Total Pages: 140
Release: 2022-03-22
Genre: Performing Arts
ISBN: 0231554702

Can the documentary be useful? Can a film change how its viewers think about the world and their potential role in it? In Kill the Documentary, the award-winning director Jill Godmilow issues an urgent call for a new kind of nonfiction filmmaking. She critiques documentary films from Nanook of the North to the recent Ken Burns/Lynn Novick series The Vietnam War. Tethered to what Godmilow calls the “pedigree of the real” and the “pornography of the real,” they fail to activate their viewers’ engagement with historical or present-day problems. Whether depicting the hardships of poverty or the horrors of war, conventional documentaries produce an “us-watching-them” mode that ultimately reinforces self-satisfaction and self-absorption. In place of the conventional documentary, Godmilow advocates for a “postrealist” cinema. Instead of offering the faux empathy and sentimental spectacle of mainstream documentaries, postrealist nonfiction films are acts of resistance. They are experimental, interventionist, performative, and transformative. Godmilow demonstrates how a film can produce meaningful, useful experience by forcefully challenging ways of knowing and how viewers come to understand the world. She considers her own career as a filmmaker as well as the formal and political strategies of artists such as Luis Buñuel, Georges Franju, Harun Farocki, Trinh T. Minh-ha, Rithy Panh, and other directors. Both manifesto and guidebook, Kill the Documentary proposes provocative new ways of making and watching films.

The Concise Routledge Encyclopedia of the Documentary Film

The Concise Routledge Encyclopedia of the Documentary Film
Author: Ian Aitken
Publisher: Routledge
Total Pages: 1104
Release: 2013
Genre: Performing Arts
ISBN: 0415596424

This reference work explores the history of the documentary film. It discusses individual films and filmmakers; examines national and regional filmmaking traditions; elaborates on production companies, organizations, festivals, and institutions; explores themes, issues, and representations; and describes various styles, techniques, and technical issues.

We the Resistance

We the Resistance
Author: Michael G. Long
Publisher: City Lights Books
Total Pages: 526
Release: 2021-01-29
Genre: Political Science
ISBN: 0872868516

"A highly relevant, inclusive collection of voices from the roots of resistance. . . . Empowering words to challenge, confront, and defy."--Kirkus Reviews "This book fights fascism. This books offers hope. We The Resistance is essential reading for those who wish to understand how popular movements built around nonviolence have changed the world and why they retain the power to do so again."—Jonathan Eig, author of Ali: A Life "This comprehensive documentary history of non-violent resisters and resistance movements is an inspiring antidote to any movement fatigue or pessimism about the value of protest. It tells us we can learn from the past as we confront the present and hope to shape the future. Read, enjoy and take courage knowing you are never alone in trying to create a more just world. Persevere and persist and win, but know that even losing is worth the fight and teaches lessons for later struggles."—Mary Frances Berry, author of History Teaches Us to Resist: How Progressive Movements Have Succeeded in Challenging Times "We the Resistance illustrates the deeply rooted, dynamic, and multicultural history of nonviolent resistance and progressive activism in North America and the United States. With a truly comprehensive collection of primary sources, it becomes clear that dissent has always been a central feature of American political culture and that periods of quiescence and consensus are aberrant rather than the norm. Indeed, the depth and breadth of resistant and discordant voices in this collection is simply outstanding."—Leilah Danielson, author of American Gandhi: A.J. Muste and the History of American Radicalism in the Twentieth Century While historical accounts of the United States typically focus on the nation's military past, a rich and vibrant counterpoint remains basically unknown to most Americans. This alternate story of the formation of our nation—and its character—is one in which courageous individuals and movements have wielded the weapons of nonviolence to resist policies and practices they considered to be unjust, unfair, and immoral. We the Resistance gives curious citizens and current resisters unfiltered access to the hearts and minds—the rational and passionate voices—of their activist predecessors. Beginning with the pre-Revolutionary era and continuing through the present day, readers will directly encounter the voices of protesters sharing instructive stories about their methods (from sit-ins to tree-sitting) and opponents (from Puritans to Wall Street bankers), as well as inspirational stories about their failures (from slave petitions to the fight for the ERA) and successes (from enfranchisement for women to today's reform of police practices). Instruction and inspiration run throughout this captivating reader, generously illustrated with historic graphics and photographs of nonviolent protests throughout U.S. history.