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| Author | : Jeff Swimmer |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 185 |
| Release | : 2014-12-18 |
| Genre | : Performing Arts |
| ISBN | : 1623569435 |
A behind-the-scenes look into the stories behind the making of award-winning non-fiction films - from development, fundraising and pre-production, through production and then post-production.
| Author | : Jeff Swimmer |
| Publisher | : Bloomsbury Publishing USA |
| Total Pages | : 185 |
| Release | : 2014-12-18 |
| Genre | : Performing Arts |
| ISBN | : 1623567556 |
Documentary students and fans revel in stories about filmmakers conquering extraordinary challenges trying to bring their work to the screen. This book brings vividly to life the sometimes humorous, sometimes excruciating-and always inspiring-stories behind the making of some of the greatest documentaries of our time. All of the filmmakers and films profiled are Oscar-nominated or Oscar-winning. Documentary Case Studies walks readers through the fixes and missteps that today's documentary leaders worked through at all stages to create their masterworks-from development, fundraising and pre-production, through production and then post. There are plenty of “how to” documentary filmmaking books in circulation, but this book will instead deploy a personal, intimate, and candid approach to unlocking the secrets of the craft and the business by meeting filmmakers who tackle production challenges in the most resourceful and unconventional ways.
| Author | : Charles del Busto |
| Publisher | : ICC Publications |
| Total Pages | : 168 |
| Release | : 1995 |
| Genre | : Business & Economics |
| ISBN | : |
Case Studies on Documentary Credits under UCP 500 analyzes real cases involving ICC's Uniform Customs and Practice for Documentary Credits, UCP 500. Taken from formal and informal queries submitted to the ICC, Case Studies sets out the facts of each case, poses the key questions to be answered and provides clear and detailed responses from the ICC. Each of the 33 case studies in this book is referenced to a specific Article of the UCP 500. Each case study is then presented in four parts: Background: Type of Credit, Application, Issuing Bank, Advising Bank, Negotiating Bank, Availability, Expiry Circumstances: Specific facts of the case Queries: Questions to be answered Answers to the Questions: Answers provided by the ICC Answers to the queries are grouped, case by case, in Part Two of the book in order to encourage individual comprehension and training. Case Studies also includes: -- Sample Documents -- A test highlighting possible discrepancies in the documents -- Index of key words and UCP Articles to which cases refer -- Full text of UCP 500 and related ICC Position Papers Case Studies on Documentary Credits under UCP 500 is a practical, user-friendly workbook designed to bring an added dimension to your knowledge of the UCP rules. Ideal for bankers, traders, lawyers, students of international trade and international banking. Related publications and software from ICC Publishing UCP 500 -- UCP 500 Diskette -- UCP 500 + 400 Compared -- Guide to Documentary Credit Operations -- Standard Documentary Credit Forms -- Opinions of the ICC Banking Commission
| Author | : Michael Rabiger |
| Publisher | : Routledge |
| Total Pages | : 895 |
| Release | : 2020-05-10 |
| Genre | : Performing Arts |
| ISBN | : 1000054780 |
Directing the Documentary is the definitive book on the documentary form, that will allow you to master the craft of documentary filmmaking. Focusing on the hands-on work needed to make your concept a reality, it covers the documentary filmmaking process from top to bottom, providing in-depth lessons on every aspect of preproduction, production, and postproduction. The book includes dozens of projects, practical exercises, and thought-provoking questions, and offers best practices for researching and honing your documentary idea, developing a crew, guiding your team, and much more. This fully revised and updated 7th edition also includes brand new content on the rise of the documentary series, the impact of video on-demand and content aggregators, updated information on prosumer and professional video (including 4K+), coverage of new audio & lighting solutions and trends in post-production, coverage of the immersive documentary, and provides practical sets of solutions for low, medium, and high budget documentary film productions throughout. The companion website has also been fully updated to a variety of new projects and forms. By combining expert advice on the storytelling process, the technical aspects of filmmaking and commentary on the philosophical underpinnings of the art, this book provides the practical and holistic understanding you need to become a highly regarded, original, and ethical contributor to the genre. Ideal for both aspiring and established documentary filmmakers, this book has it all.
| Author | : Stephen Most |
| Publisher | : Berghahn Books |
| Total Pages | : 288 |
| Release | : 2017-06 |
| Genre | : Literary Collections |
| ISBN | : 1785335766 |
Since the beginning of human history, stories have helped people make sense of their lives and their world. Today, an understanding of storytelling is invaluable as we seek to orient ourselves within a flood of raw information and an unprecedented variety of supposedly true accounts. In Stories Make the World, award-winning screenwriter Stephen Most offers a captivating, refreshingly heartfelt exploration of how documentary filmmakers and other storytellers come to understand their subjects and cast light on the world through their art. Drawing on the author’s decades of experience behind the scenes of television and film documentaries, this is an indispensable account of the principles and paradoxes that attend the quest to represent reality truthfully.
| Author | : Alan S. Marcus |
| Publisher | : Routledge |
| Total Pages | : 209 |
| Release | : 2010-02-25 |
| Genre | : Education |
| ISBN | : 1135187835 |
Offers a fresh overview of teaching with film to effectively enhance social studies instruction.
| Author | : Malcolm Tight |
| Publisher | : SAGE |
| Total Pages | : 233 |
| Release | : 2019-04 |
| Genre | : Reference |
| ISBN | : 1526480670 |
From diaries and letters to surveys and interview transcripts, documents are a cornerstone of social science research. This book guides you through the documentary research process, from choosing the best research design, through data collection and analysis, to publishing and sharing research findings. Using extensive case studies and examples, it situates documentary research within a current context and empowers you to use this method to meet new challenges like digital research and big data head on. In a jargon-free style perfect for beginner researchers, this book helps you to: · Interrogate documentary material in meaningful ways · Choose the best research design for your project, from literature reviews to policy research · Understand a range of approaches, including quantitative, qualitative and mixed methods. Accessible, clear and focused, this book gives you the tools to conduct your own documentary research and celebrates the importance of documentary analysis across the social sciences.
| Author | : Paul Ward |
| Publisher | : Columbia University Press |
| Total Pages | : 129 |
| Release | : 2006-03-17 |
| Genre | : Performing Arts |
| ISBN | : 0231850093 |
In using case studies such as Touching the Void (2003) and the films of Nick Broomfield, this timely introduction to the growing field of documentary explores the definition and understanding of the form, as well as the relationship between documentary and drama, specifically the notion of reconstruction and reenactment. Paul Ward also discusses animated documentaries, the fertile genre of comedy, and feature-length contemporary works that have achieved widespread cinematic release.
| Author | : Jane Chapman |
| Publisher | : Polity |
| Total Pages | : 225 |
| Release | : 2009-08-17 |
| Genre | : Social Science |
| ISBN | : 0745640095 |
Documentary is fast changing: with the digital revolution and the enormous increase in Internet usage, the range of information and outlets for distribution continues to become more diverse. In this context, are the traditional themes and frequently irreconcilable critical positions of study still valid – or are they changing, and if so, how? In short, what are the issues for documentary studies now? The starting point of Issues in Contemporary Documentary is that although documentary history cannot be ignored, the genre needs to be understood as complex, multi-faceted, and influenced by a range of different contexts. Jane Chapman brings to life the challenges of contemporary documentary in an accessible way by balancing theoretical discussion with use of cutting edge material from Europe and North America and the developing world. Whilst the need for critical appraisal of documentary is greater than ever before, Chapman believes that future discourses are likely to be shared between academics and specialist online communities as viewers become makers, and both categories may also become activists. Maintaining all parties can benefit from an awareness of continuity and change, she predicts that activist documentary will increasingly become a category to follow in the future. Each chapter contains recent international case studies, and the content evolves thematically with definitions, representation, objectivity, subjectivity, censorship, authorial voice, reflexivity, and ethics as headings. This free standing, innovative study can also be used in conjunction with Documentary in Practice (Polity 2007) by the same author. The two books provide an essential 2 volume introduction for all students and scholars of film and media, plus those practitioners seeking insight into their craft.
| Author | : Lee Grieveson |
| Publisher | : Duke University Press |
| Total Pages | : 481 |
| Release | : 2008-11-24 |
| Genre | : Performing Arts |
| ISBN | : 0822388677 |
Inventing Film Studies offers original and provocative insights into the institutional and intellectual foundations of cinema studies. Many scholars have linked the origins of the discipline to late-1960s developments in the academy such as structuralist theory and student protest. Yet this collection reveals the broader material and institutional forces—both inside and outside of the university—that have long shaped the field. Beginning with the first investigations of cinema in the early twentieth century, this volume provides detailed examinations of the varied social, political, and intellectual milieus in which knowledge of cinema has been generated. The contributors explain how multiple instantiations of film study have had a tremendous influence on the methodologies, curricula, modes of publication, and professional organizations that now constitute the university-based discipline. Extending the historical insights into the present, contributors also consider the directions film study might take in changing technological and cultural environments. Inventing Film Studies shows how the study of cinema has developed in relation to a constellation of institutions, technologies, practices, individuals, films, books, government agencies, pedagogies, and theories. Contributors illuminate the connections between early cinema and the social sciences, between film programs and nation-building efforts, and between universities and U.S. avant-garde filmmakers. They analyze the evolution of film studies in relation to the Museum of Modern Art, the American Film Council movement of the 1940s and 1950s, the British Film Institute, influential journals, cinephilia, and technological innovations past and present. Taken together, the essays in this collection reveal the rich history and contemporary vitality of film studies. Contributors: Charles R. Acland, Mark Lynn Anderson, Mark Betz, Zoë Druick, Lee Grieveson, Stephen Groening, Haden Guest, Amelie Hastie, Lynne Joyrich, Laura Mulvey, Dana Polan, D. N. Rodowick, Philip Rosen, Alison Trope, Haidee Wasson, Patricia White, Sharon Willis, Peter Wollen, Michael Zryd
