Djuna Barnes And Theology
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Author | : Zhao Ng |
Publisher | : Bloomsbury Publishing |
Total Pages | : 216 |
Release | : 2022-01-13 |
Genre | : Literary Criticism |
ISBN | : 135025603X |
Modernism, religion, and queer bodies come together in this study of Djuna Barnes's writings and art. Examining the role of Barnes's theological imagination in relation to a phenomenology of suffering, joy, and sexed embodiment, this book unfolds an intricate synthesis of theology, psychoanalysis, and narrative theory to interrogate how queerness informs her art. Providing an original contribution to religious and literary theory, Ng develops a neo-ontological account of melancholy in relation to the myth of the Fall and provides a novel framework for understanding comedy and tragedy in relation to the question of theodicy. Presented in light of a large body of new archival evidence, Barnes's works are also examined for the first time in relation to a wide range of intertextual and intermedial encounters, including the medieval mysticism of Marguerite Porete, Stravinsky's music, 16th- and 18th-century engravings by Albrecht Dürer and Joseph Ottinger, and French and Russian literature from Baudelaire and Lautréamont to Proust and Dostoevsky.
Author | : Charles Andrews |
Publisher | : Bloomsbury Publishing |
Total Pages | : 300 |
Release | : 2024-01-11 |
Genre | : Literary Criticism |
ISBN | : 1350362050 |
Exploring novels by Virginia Woolf, D. H. Lawrence, Evelyn Waugh, and Sylvia Townsend Warner as political theology works that imagine a resistance to the fusion of Christianity and patriotism which fuelled and supported the First World War this book shows how we can gain valuable insights from their works for anti-militarist, anti-statist, and anti-nationalist efforts today. While none of the four novelists in this study were committed Christians during the 1920s, Andrews explores how their fiction written in the wake of the First World War operates theologically when it challenges English civil religion the rituals of the nation that elevate the state to a form of divinity. Bringing these novels into a dialogue with recent political theologies by theorists and theologians including Giorgio Agamben, William Cavanaugh, Simon Critchley, Michel Foucault, Stanley Hauerwas and Jürgen Moltmann, this book shows the myriad ways that we can learn from the authors' theopolitical imaginations. Andrews demonstrates the many ways that these novelists issue a challenge to the problems with civil religion and the sacralized nation state and, in so doing, offer alternative visions to coordinate our inner lives with our public and collective actions.
Author | : Jane Marcus |
Publisher | : Rutgers University Press |
Total Pages | : 276 |
Release | : 2004 |
Genre | : Literary Criticism |
ISBN | : 9780813529639 |
"Marcus (English, CUNY-Graduate Center and City College of New York) explores race, gender, and reading in Europe during the 1920s and 30s--a period coinciding with the end of empire and the rise of fascism. The author analyzes the work of such novelists as Virginia Woolf, Nancy Cunard, Mulk Raj Anand, and Djuna Barnes, and their treatment of cultural issues of their time--particularly imperialism and totalitarianism--in an effort to "relocate the heart of darkness in London and Paris, away from those light-filled lands of Africa and India where it has lodged in the Western imagination." Annotation ©2004 Book News, Inc., Portland, OR.
Author | : Elizabeth Pender |
Publisher | : Penn State University Press |
Total Pages | : 248 |
Release | : 2020-03 |
Genre | : |
ISBN | : 9780271082219 |
A collection of essays on the work of Djuna Barnes, including her early journalism, poetry, prose, visual art, and drama.
Author | : Andrew Ball |
Publisher | : Bloomsbury Publishing |
Total Pages | : 273 |
Release | : 2022-04-07 |
Genre | : Literary Criticism |
ISBN | : 1350231681 |
Examining how economic change influences religion, and the way literature mediates that influence, this book provides a thorough reassessment of modern American culture. Focusing on the period 1840-1940, the author shows how the development of capitalism reshaped American Protestantism and addresses the necessary role of literature in that process. Arguing that the “spirit of capitalism” was not fostered by traditional Puritanism, Ball explores the ways that Christianity was transformed by the market and industrial revolutions. This book refutes the long-held secularization thesis by showing that modernity was a time when new forms of the sacred proliferated, and that this religious flourishing was essential to the production of American culture. Ball draws from the work of Émile Durkheim and cultural sociology to interpret modern social upheavals like religious awakenings, revivalism, and the labor movement. Examining work from writers like Rebecca Harding Davis, Jack London, and Countee Cullen, he shows how concepts of salvation fundamentally intersect with matters of race, gender, and class, and proposes a theory that explains the enchantment of modern American society.
Author | : Djuna Barnes |
Publisher | : |
Total Pages | : 254 |
Release | : 1923 |
Genre | : American fiction |
ISBN | : |
Author | : Lesa Scholl |
Publisher | : Bloomsbury Publishing |
Total Pages | : 168 |
Release | : 2022-01-27 |
Genre | : Literary Criticism |
ISBN | : 1350256528 |
Through an interdisciplinary lens of theology, medicine, and literary criticism, this book examines the complicated intersections of food consumption, political economy, and religious conviction in nineteenth-century Britain. Scholarship on fasting is gendered. This book deliberately faces this gendering by looking at the way in which four Victorian women writers - Christina Rossetti, Alice Meynell, Elizabeth Gaskell and Josephine Butler - each engage with food restraint from ethical, social and theological perspectives. While many studies look at fasting as a form of spiritual discipline or punishment, or alternatively as anorexia nervosa, this book positions limiting food consumption as an ethical choice in response to the food insecurity of others. By examining their works in this way, this study repositions feminine religious practice and writing in relation to food consumption within broader contexts of ecocriticism, economics and social justice.
Author | : Diane Warren |
Publisher | : Ashgate Publishing, Ltd. |
Total Pages | : 212 |
Release | : 2008 |
Genre | : Literary Criticism |
ISBN | : 9780754639206 |
Diane Warren argues that Barnes' writings were significant in their immediate early twentieth-century context, in which gender boundaries were being effectively redrawn, and continue to contribute to present-day debates on identity. By considering all of her major writings, Warren illuminates the danger of assessing individual texts, such as Barnes' best-known novel, Nightwood, in isolation.
Author | : Darryl Pinckney |
Publisher | : Macmillan |
Total Pages | : 323 |
Release | : 1992-02 |
Genre | : Fiction |
ISBN | : 0374169985 |
High Cotton is an extraordinarily rich account of the dreams and inner turmoils of a new generation of the black upper middle class, capturing the essence of a part of American society that has mostly been ignored in literature. The novel's protagonist journeys from his childhood home in the midwest to college, a stint in New York publishing, and Europe, yet the issue of his "blackness" remains at the heart of his being.
Author | : Hannah Roche |
Publisher | : Columbia University Press |
Total Pages | : 278 |
Release | : 2019-05-28 |
Genre | : Literary Criticism |
ISBN | : 0231547692 |
In a lecture delivered before the University of Oxford’s Anglo-French Society in 1936, Gertrude Stein described romance as “the outside thing, that . . . is always a thing to be felt inside.” Hannah Roche takes Stein’s definition as a principle for the reinterpretation of three major modernist lesbian writers, showing how literary and affective romance played a crucial yet overlooked role in the works of Stein, Radclyffe Hall, and Djuna Barnes. The Outside Thing offers original readings of both canonical and peripheral texts, including Stein’s first novel Q.E.D. (Things As They Are), Hall’s Adam’s Breed and The Well of Loneliness, and Barnes’s early writing alongside Nightwood. Is there an inside space for lesbian writing, or must it always seek refuge elsewhere? Crossing established lines of demarcation between the in and the out, the real and the romantic, and the Victorian and the modernist, The Outside Thing presents romance as a heterosexual plot upon which lesbian writers willfully set up camp. These writers boldly adopted and adapted the romance genre, Roche argues, as a means of staking a queer claim on a heteronormative institution. Refusing to submit or surrender to the “straight” traditions of the romance plot, they turned the rules to their advantage. Drawing upon extensive archival research, The Outside Thing is a significant rethinking of the interconnections between queer writing, lesbian living, and literary modernism.