Diversity And Satire
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| Author | : Charisse L'Pree Corsbie-Massay |
| Publisher | : John Wiley & Sons |
| Total Pages | : 230 |
| Release | : 2022-10-28 |
| Genre | : Social Science |
| ISBN | : 1119651964 |
The first textbook to explore diversity by demonstrating how satirical content can advance the discussion and change attitudes Engaging in diversity and promoting inclusion means working to remove institutional inequities and actively assist those who have suffered from these inequities. In our changing media and cultural environment, satire has emerged as an increasingly popular approach for promoting diversity and inclusion. Effective satire highlights the absurdity of marginalization processes, but misinterpretation can potentially reinforce historical power dynamics and perpetuate marginalization. Diversity and Satire examines how satire in both traditional media and new spaces reinforces or disrupts issues of marginalization in the United States. Critically analyzing many different forms of satire, this innovative textbook helps students understand what makes effective satire, describe the value of satirical content to others, and recognize how satirical artifacts advance or hinder efforts to diversify institutions. Beginning with an introduction to satire and how it can drive conversations about diversity, the text addresses how satire can be used to address historical discriminatory practices. Each chapter features satirical artifacts that contextualize the material as well as practical advice and tips to consider when engaging with satirical content and distinguishing satire. This textbook also: Illustrates the difference between satire that disrupts discourse and content that merely reinforces stereotypes Explains the historical relevance of satire and its importance in addressing the marginalization of certain populations Describes the nature of satire in the changing media and cultural environment of the twenty-first century Features engaging case studies drawn from a wide variety of satirical sources such as The Daily Show (with Jon Stewart and Trevor Noah), The Onion, Saturday Night Live, The Hunger Games, Weird Al Yankovic, Family Guy, Rick and Morty, Sinclair Lewis, MTV, and College Humor Based on the author’s popular course at the S.I. Newhouse School of Public Communications at Syracuse University, Diversity and Satire: Laughing at Processes of Marginalization is an important resource for students, instructors, and general readers looking to explore disparities related to Class, Gender, Sexuality, and Race through the lens of satire.
| Author | : Angeliki Athanasiadou |
| Publisher | : Walter de Gruyter GmbH & Co KG |
| Total Pages | : 316 |
| Release | : 2020-02-24 |
| Genre | : Language Arts & Disciplines |
| ISBN | : 3110652242 |
Although the figure of irony has enjoyed extensive attention through important contributions to the diverse literatures addressing figurative thought and language, it still remains relatively in the background compared to other figures such as metaphor and metonymy. The present volume, together with a 2017 collection by Angeliki Athanasiadou and Herbert L. Colston, aims to the further exploration of verbal and situational irony, its gestural accompaniments, its comprehension and interpretation, its constructional diversity and its cooperation with other figures such as metaphor and hyperbole. The present volume is a highly interesting collection of chapters dealing with both theoretical investigations and descriptive applications of a central figure pervading human thought and language. Its aim is to draw more attention to irony’s diversity and its concomitant connections to other aspects of figurativeness.
| Author | : Matt Fotis |
| Publisher | : Routledge |
| Total Pages | : 258 |
| Release | : 2020-03-31 |
| Genre | : Art |
| ISBN | : 0429807295 |
Satire & The State focuses on performance-based satire, most often seen in sketch comedy, from 1960 to the present, and explores how sketch comedy has shaped the way Americans view the president and themselves. Numerous sketch comedy portrayals of presidents that have seeped into the American consciousness – Chevy Chase’s Gerald Ford, Dana Carvey’s George H.W. Bush, and Will Ferrell’s George W. Bush all worked to shape the actual politician’s public persona. The book analyzes these sketches and many others, illustrating how comedy is at the heart of the health and function of American democracy. At its best, satire aimed at the presidency can work as a populist check on executive power, becoming one of the most important weapons for everyday Americans against tyranny and political corruption. At its worst, satire can reflect and promote racism, misogyny, and homophobia in America. Written for students of Theatre, Performance, Political Science, and Media Studies courses, as well as readers with an interest in political comedy, Satire & The State offers a deeper understanding of the relationship between comedy and the presidency, and the ways in which satire becomes a window into the culture, principles, and beliefs of a country.
| Author | : James E. Caron |
| Publisher | : Penn State Press |
| Total Pages | : 357 |
| Release | : 2021-04-19 |
| Genre | : Humor |
| ISBN | : 0271090332 |
Stephen Colbert, Samantha Bee, John Oliver, and Jimmy Kimmel—these comedians are household names whose satirical takes on politics, the news, and current events receive some of the highest ratings on television. In this book, James E. Caron examines these and other satirists through the lenses of humor studies, cultural theory, and rhetorical and social philosophy, arriving at a new definition of the comic art form. Tracing the history of modern satire from its roots in the Enlightenment values of rational debate, evidence, facts, accountability, and transparency, Caron identifies a new genre: “truthiness satire.” He shows how satirists such as Colbert, Bee, Oliver, and Kimmel—along with writers like Charles Pierce and Jack Shafer—rely on shared values and on the postmodern aesthetics of irony and affect to foster engagement within the comic public sphere that satire creates. Using case studies of bits, parodies, and routines, Caron reveals a remarkable process: when evidence-based news reporting collides with a discursive space asserting alternative facts, the satiric laughter that erupts can move the audience toward reflection and possibly even action as the body politic in the public sphere. With rigor, humor, and insight, Caron shows that truthiness satire pushes back against fake news and biased reporting and that the satirist today is at heart a citizen, albeit a seemingly silly one. This book will appeal to anyone interested in and concerned about public discourse in the current era, especially researchers in media studies, communication studies, political science, and literary and cultural studies.
| Author | : Ashley Marshall |
| Publisher | : JHU Press |
| Total Pages | : 452 |
| Release | : 2013-06-28 |
| Genre | : Humor |
| ISBN | : 1421408163 |
Rather, it is a collection of episodic little histories.
| Author | : Marijke Meijer Drees |
| Publisher | : John Benjamins Publishing Company |
| Total Pages | : 293 |
| Release | : 2015-10-15 |
| Genre | : Language Arts & Disciplines |
| ISBN | : 902726855X |
Satire is clearly one of today’s most controversial socio-cultural topics. In this edited volume, The Power of Satire, it is studied for the first time as a dynamic, discursive mode of performance with the power of crossing and contesting cultural boundaries. The collected essays reflect the fundamental shift from literary satire or straightforward literary rhetoric with a relatively limited societal impact, to satire’s multi-mediality in the transnational public space where it can cause intercultural clashes and negotiations on a large scale. An appropriate set of heuristic themes – space, target, rhetoric, media, time – serves as the analytical framework for the investigations and determines the organization of the book as a whole. The contributions, written by an international group of experts with diverse disciplinary backgrounds, manifest academic standards with a balance between theoretical analyses and evaluations on the one hand, and in-depth case studies on the other.
| Author | : Kevin Rulo |
| Publisher | : Liverpool University Press |
| Total Pages | : 288 |
| Release | : 2021-04-19 |
| Genre | : Literary Criticism |
| ISBN | : 1949979903 |
In this book, Kevin Rulo reveals the crucial linkages between satire and modernism. He shows how satire enables modernist authors to evaluate modernity critically and to explore their ambivalence about the modern. Through provocative new readings of familiar texts and the introduction of largely unknown works, Satiric Modernism exposes a larger satiric mentality at work in well-known authors like T.S. Eliot, James Joyce, Wyndham Lewis, Ezra Pound, Virginia Woolf, and Ralph Ellison and in less studied figures like G.S. Street, the Sitwells, J.J. Adams, and Herbert Read, as well as in the literature of migration of Sam Selvon and John Agard, in the films of Paolo Sorrentino, and in the drama of Sarah Kane. In so doing, Rulo remaps the last hundred years as an era marked distinctively by a new kind of satiric critique of and aesthetic engagement with the temporal fissures, logics, and regimes of modernity. This ambitious, expansive study reshapes our understanding of modernist literary history and will be of interest to scholars of twentieth century and contemporary literature as well as of satire.
| Author | : Emmett Stinson |
| Publisher | : Bloomsbury Publishing USA |
| Total Pages | : 233 |
| Release | : 2017-06-01 |
| Genre | : Literary Criticism |
| ISBN | : 1501329081 |
Satirizing Modernism examines 20th-century novels that satirize avant-garde artists and authors while also using experimental techniques associated with literary modernism. These novels-such as Wyndham Lewis's The Apes of God, William Gaddis's The Recognitions, and Gilbert Sorrentino's Imaginative Qualities of Actual Things-were under-recognized and received poor reviews at the time of publication, but have increasingly been acknowledged as both groundbreaking and deeply influential. Satirizing Modernism analyzes these novels in order to present an alternative account of literary modernism, which should be viewed neither as a radical break with the past nor an outmoded set of aesthetics overtaken by a later postmodernism. In self-reflexively critiquing their own aesthetics, these works express an unconventional modernism that both revises literary history and continues to be felt today.
| Author | : William Fitzgerald |
| Publisher | : University of Chicago Press |
| Total Pages | : 254 |
| Release | : 2016-03-08 |
| Genre | : Literary Criticism |
| ISBN | : 022629952X |
The idea of variety may seem too diffuse, obvious, or nebulous to be worth scrutinizing, but modern usage masks the rich history of the term. This book examines the meaning, value, and practice of variety from the vantage point of Latin literature and its reception and reveals the enduring importance of the concept up to the present day. William Fitzgerald looks at the definition and use of the Latin term varietas and how it has played out in different works and with different authors. He shows that, starting with the Romans, variety has played a key role in our thinking about nature, rhetoric, creativity, pleasure, aesthetics, and empire. From the lyric to elegy and satire, the concept of variety has helped to characterize and distinguish different genres. Arguing that the ancient Roman ideas and controversies about the value of variety have had a significant afterlife up to our own time, Fitzgerald reveals how modern understandings of diversity and choice derive from what is ultimately an ancient concept.
| Author | : Amanda Hiner |
| Publisher | : Cambridge University Press |
| Total Pages | : 319 |
| Release | : 2022-04-07 |
| Genre | : Literary Criticism |
| ISBN | : 1108945090 |
This collection of innovative essays by leading scholars on eighteenth-century British women satirists showcases women's contributions to the satiric tradition and challenges the assumption that women were largely targets, rather than practitioners, of satire during the long eighteenth century. The essays examine women's satires across diverse genres, from the fable to the periodical, and attend to women writers' appropriation of a literary style and form often viewed as exclusively masculine. The introduction features a new theory of women's satire and proposes a framework for analyzing satiric techniques employed by women writers. Organized chronologically, the contributors' essays address a wide range of authors and explore the ways in which satiric writings by women engaged in contemporary cultural conversations, influencing assumptions about gender, sociability, politics, and literary practices. This inclusive yet tightly-focused collection formulates an innovative and provocative new feminist theory of satire.
