Discoursing Sweet Music
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Author | : Kenneth Morgan |
Publisher | : University of Illinois Press |
Total Pages | : 360 |
Release | : 2010-04 |
Genre | : Biography & Autobiography |
ISBN | : 025207730X |
"Kenneth Morgan, who began collecting Reiner's recordings while still a schoolboy, has consulted printed and archival resources and undertaken new interviews with Reiner's associates, critics, and family. Fritz Reiner, Maestro and Martinet also offers the first close and systematic look at Reiner's recordings, interpretations, and musicality, vividly characterizing Reiner's distinctive qualities as a conductor."--Jacket.
Author | : Tim Brooks |
Publisher | : University of Illinois Press |
Total Pages | : 656 |
Release | : 2010-10-01 |
Genre | : Music |
ISBN | : 0252090632 |
A groundbreaking history of African Americans in the early recording industry, Lost Sounds examines the first three decades of sound recording in the United States, charting the surprising roles black artists played in the period leading up to the Jazz Age and the remarkably wide range of black music and culture they preserved. Drawing on more than thirty years of scholarship, Tim Brooks identifies key black recording artists and profiles forty audio pioneers. Brooks assesses the careers and recordings of George W. Johnson, Bert Williams, George Walker, Noble Sissle, Eubie Blake, the Fisk Jubilee Singers, W. C. Handy, James Reese Europe, Wilbur Sweatman, Harry T. Burleigh, Roland Hayes, Booker T. Washington, and boxing champion Jack Johnson, plus a host of lesser-known voices. Many of these pioneers struggled to be heard in an era of rampant discrimination. Their stories detail the forces––black and white––that gradually allowed African Americans to enter the mainstream entertainment industry. Lost Sounds includes Brooks's selected discography of CD reissues and an appendix by Dick Spottswood describing early recordings by black artists in the Caribbean and South America.
Author | : Steve Cushing |
Publisher | : University of Illinois Press |
Total Pages | : 401 |
Release | : 2014-06-15 |
Genre | : Music |
ISBN | : 0252096207 |
Steve Cushing, the award-winning host of the nationally syndicated public radio staple Blues before Sunrise, has spent over thirty years observing and participating in the Chicago blues scene. In Pioneers of the Blues Revival, he interviews many of the prominent white researchers and enthusiasts whose advocacy spearheaded the blues' crossover into the mainstream starting in the 1960s. Opinionated and territorial, the American, British, and French interviewees provide fascinating first-hand accounts of the era and movement. Experts including Paul Oliver, Gayle Dean Wardlow, Sam Charters, Ray Flerledge, Paul Oliver, Richard K. Spottswood, and Pete Whelan chronicle in their own words their obsessive early efforts at cataloging blues recordings and retrace lifetimes spent loving, finding, collecting, reissuing, and producing records. They and nearly a dozen others recount relationships with blues musicians, including the discoveries of prewar bluesmen Mississippi John Hurt, Son House, Skip James, and Bukka White, and the reintroduction of these musicians and many others to new generations of listeners. The accounts describe fieldwork in the South, renew lively debates, and tell of rehearsals in Muddy Waters's basement and randomly finding Lightning Hopkins's guitar in a pawn shop. Blues scholar Barry Lee Pearson provides a critical and historical framework for the interviews in an introduction.
Author | : Bar Biszick-Lockwood |
Publisher | : University of Illinois Press |
Total Pages | : 330 |
Release | : 2010 |
Genre | : Music publishers |
ISBN | : 025207694X |
Restless Giant is a fascinating account of the life and times of Jean Aberbach, the elusive music publishing legend who, with his brother Julian, built one of music history's most powerful popular music publishing companies: Hill and Range Songs. During the 1940s and 1950s music publishers, rather than artists and record companies, controlled the American hit-making machine. Using corporate records, Aberbach's daybooks, and extensive interviews with top performers and songwriters, Biszick-Lockwoodweaves an adventure story thatdemystifies this occupation, showing how Aberbach's keen insights, behind-the-scenes manipulations, and bold business moves fundamentally changed the music industry and nurtured the careers of some of America's biggest popular performers and songwriters. The Austrian-born Aberbach brothers overtook their American competitors, capturing entire genres of music to build a privately owned international "empire of song" while at the same time affording songwriters unmatched control over their work. This business model resulted in more than three hundred chart hits and the first-ever song royalties being paid to songwriters and performers including Bill Monroe and the Sons of the Pioneers. Biszick-Lockwood also brings new, intriguing material to the story of Elvis Presley, who shared ownership with the Aberbachs in two music publishing companiesthroughout his entire career.
Author | : Vivian Perlis |
Publisher | : University of Illinois Press |
Total Pages | : 268 |
Release | : 2002 |
Genre | : Biography & Autobiography |
ISBN | : 9780252070785 |
Through their reminiscences, Ives's relatives, friends, colleagues, and associates reveal aspects of his life, character, and personality, as well as his musical activities.
Author | : Francis Hindes Groome |
Publisher | : |
Total Pages | : 414 |
Release | : 1880 |
Genre | : |
ISBN | : |
Author | : Francis Hindes Groome |
Publisher | : |
Total Pages | : 416 |
Release | : 1881 |
Genre | : Romanies |
ISBN | : |
Author | : Sarah Morelli |
Publisher | : University of Illinois Press |
Total Pages | : 259 |
Release | : 2019-12-20 |
Genre | : Performing Arts |
ISBN | : 0252051726 |
An important modern exponent of Asian dance, Pandit Chitresh Das brought kathak to the United States in 1970. The North Indian classical dance has since become an important art form within the greater Indian diaspora. Yet its adoption outside of India raises questions about what happens to artistic practices when we separate them from their broader cultural contexts. A Guru's Journey provides an ethnographic study of the dance form in the San Francisco Bay Area community formed by Das. Sarah Morelli, a kathak dancer and one of Das's former students, investigates issues in teaching, learning, and performance that developed around Das during his time in the United States. In modifying kathak's form and teaching for Western students, Das negotiates questions of Indianness and non-Indianness, gender, identity, and race. Morelli lays out these issues for readers with the goal of deepening their knowledge of kathak aesthetics, technique, and theory. She also shares the intricacies of footwork, facial expression in storytelling, and other aspects of kathak while tying them to the cultural issues that inform the dance.
Author | : Barney Josephson |
Publisher | : University of Illinois Press |
Total Pages | : 455 |
Release | : 2009-03-12 |
Genre | : Biography & Autobiography |
ISBN | : 0252095839 |
Set against the drama of the Great Depression, the conflict of American race relations, and the inquisitions of the House Un-American Activities Committee, Cafe Society tells the personal history of Barney Josephson, proprietor of the legendary interracial New York City night clubs Cafe Society Downtown and Cafe Society Uptown and their successor, The Cookery. Famously known as "the wrong place for the Right people," Cafe Society featured the cream of jazz and blues performers--among whom were Billie Holiday, boogie-woogie pianists, Big Joe Turner, Lester Young, Buck Clayton, Big Sid Catlett, and Mary Lou Williams--as well as comedy stars Imogene Coca, Zero Mostel, and Jack Gilford, and also gospel and folk singers. A trailblazer in many ways, Josephson welcomed black and white artists alike to perform for mixed audiences in a venue whose walls were festooned with artistic and satiric murals lampooning what was then called "high society." Featuring scores of photographs that illustrate the vibrant cast of characters in Josephson's life, this exceptional book speaks richly about Cafe Society's revolutionary innovations and creativity, inspired by the vision of one remarkable man.
Author | : Murphy Hicks Henry |
Publisher | : University of Illinois Press |
Total Pages | : 530 |
Release | : 2013-05-01 |
Genre | : Music |
ISBN | : 025209588X |
The first book devoted entirely to women in bluegrass, Pretty Good for a Girl documents the lives of more than seventy women whose vibrant contributions to the development of bluegrass have been, for the most part, overlooked. Accessibly written and organized by decade, the book begins with Sally Ann Forrester, who played accordion and sang with Bill Monroe's Blue Grass Boys from 1943 to 1946, and continues into the present with artists such as Alison Krauss, Rhonda Vincent, and the Dixie Chicks. Drawing from extensive interviews, well-known banjoist Murphy Hicks Henry gives voice to women performers and innovators throughout bluegrass's history, including such pioneers as Bessie Lee Mauldin, Wilma Lee Cooper, and Roni and Donna Stoneman; family bands including the Lewises, Whites, and McLains; and later pathbreaking performers such as the Buffalo Gals and other all-girl bands, Laurie Lewis, Lynn Morris, Missy Raines, and many others.