Disaster Writing
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| Author | : Mark D. Anderson |
| Publisher | : University of Virginia Press |
| Total Pages | : 329 |
| Release | : 2011-10-17 |
| Genre | : Literary Criticism |
| ISBN | : 0813932033 |
In the aftermath of disaster, literary and other cultural representations of the event can play a role in the renegotiation of political power. In Disaster Writing, Mark D. Anderson analyzes four natural disasters in Latin America that acquired national significance and symbolism through literary mediation: the 1930 cyclone in the Dominican Republic, volcanic eruptions in Central America, the 1985 earthquake in Mexico City, and recurring drought in northeastern Brazil. Taking a comparative and interdisciplinary approach to the disaster narratives, Anderson explores concepts such as the social construction of risk, landscape as political and cultural geography, vulnerability as the convergence of natural hazard and social marginalization, and the cultural mediation of trauma and loss. He shows how the political and historical contexts suggest a systematic link between natural disaster and cultural politics.
| Author | : Maurice Blanchot |
| Publisher | : U of Nebraska Press |
| Total Pages | : 201 |
| Release | : 2015-11 |
| Genre | : Literary Criticism |
| ISBN | : 0803277474 |
Modern history is haunted by the disasters of the century--world wars, concentration camps, Hiroshima, and the Holocaust--grief, anger, terror, and loss beyond words, but still close, still impending. How can we write or think about disaster when by its very nature it defies speech and compels silence, burns books and shatters meaning? The Writing of the Disaster reflects upon efforts to abide in disaster's infinite threat. First published in French in 1980, it takes up the most serious tasks of writing: to describe, explain, and redeem when possible, and to admit what is not possible. Neither offers consolation. Maurice Blanchot has been praised on both sides of the Atlantic for his fiction and criticism. The philosopher Emmanuel Levinas once remarked that Blanchot's writing is a "language of pure transcendence, without correlative." Literary theorist and critic Geoffrey Hartman remarked that Blanchot's influence on contemporary writers "cannot be overestimated."
| Author | : Mark D. Anderson |
| Publisher | : University of Virginia Press |
| Total Pages | : 256 |
| Release | : 2011 |
| Genre | : Literary Criticism |
| ISBN | : 0813931967 |
Annotation In the aftermath of disaster, literary and other cultural representations of the event can play a role in the renegotiation of political power. Here, the author analyses four natural disasters in Latin America that acquired national significance and symbolism through literary mediation.
| Author | : Adriana Craciun |
| Publisher | : Cambridge University Press |
| Total Pages | : |
| Release | : 2016-03-17 |
| Genre | : Literary Criticism |
| ISBN | : 1316539040 |
How did the Victorian fixation on the disastrous John Franklin expedition transform our understanding of the Northwest Passage and the Arctic? Today we still tend to see the Arctic and the Northwest Passage through nineteenth-century perspectives, which focused on the discoveries of individual explorers, their illustrated books, visual culture, imperial ambitions, and high-profile disasters. However, the farther back one looks, the more striking the differences appear in how Arctic exploration was envisioned. Writing Arctic Disaster uncovers a wide range of exploration cultures: from the manuscripts of secretive corporations like the Hudson's Bay Company, to the nationalist Admiralty and its innovative illustrated books, to the searches for and exhibits of disaster relics in the Victorian era. This innovative study reveals the dangerous afterlife of this Victorian conflation of exploration and disaster, in the geopolitical significance accruing around the 2014 discovery of Franklin's ship Erebus in the Northwest Passage.
| Author | : Elisa Gabbert |
| Publisher | : FSG Originals |
| Total Pages | : 171 |
| Release | : 2020-08-11 |
| Genre | : Literary Collections |
| ISBN | : 0374720339 |
"Terror, disaster, memory, selfhood, happiness . . . leave it to a poet to tackle the unthinkable so wisely and so wittily."* A literary guide to life in the pre-apocalypse, The Unreality of Memory collects profound and prophetic essays on the Internet age’s media-saturated disaster coverage and our addiction to viewing and discussing the world’s ills. We stare at our phones. We keep multiple tabs open. Our chats and conversations are full of the phrase “Did you see?” The feeling that we’re living in the worst of times seems to be intensifying, alongside a desire to know precisely how bad things have gotten—and each new catastrophe distracts us from the last. The Unreality of Memory collects provocative, searching essays on disaster culture, climate anxiety, and our mounting collective sense of doom. In this new collection, acclaimed poet and essayist Elisa Gabbert explores our obsessions with disasters past and future, from the sinking of the Titanic to Chernobyl, from witch hunts to the plague. These deeply researched, prophetic meditations question how the world will end—if indeed it will—and why we can’t stop fantasizing about it. Can we avoid repeating history? Can we understand our moment from inside the moment? With The Unreality of Memory, Gabbert offers a hauntingly perceptive analysis of our new ways of being and a means of reconciling ourselves to this unreal new world. "A work of sheer brilliance, beauty and bravery.” *—Andrew Sean Greer, author of Less
| Author | : Stéphane Gerson |
| Publisher | : Crown |
| Total Pages | : 274 |
| Release | : 2017-01-24 |
| Genre | : Biography & Autobiography |
| ISBN | : 1101906707 |
A haunting chronicle of what endures when the world we know is swept away On a day like any other, on a rafting trip down Utah’s Green River, Stéphane Gerson’s eight-year-old son, Owen, drowned in a spot known as Disaster Falls. That night, as darkness fell, Stéphane huddled in a tent with his wife, Alison, and their older son, Julian, trying to understand what seemed inconceivable. “It’s just the three of us now,” Alison said over the sounds of a light rain and, nearby, the rushing river. “We cannot do it alone. We have to stick together.” Disaster Falls chronicles the aftermath of that day and their shared determination to stay true to Alison’s resolution. At the heart of the book is an unflinching portrait of a marriage tested. Husband and wife grieve in radically different ways that threaten to isolate each of them in their post-Owen worlds. (“He feels so far,” Stéphane says when Alison shows him a selfie Owen had taken. “He feels so close,” she says.) With beautiful specificity, Stéphane shows how they resist that isolation and reconfigure their marriage from within. As Stéphane navigates his grief, the memoir expands to explore how society reacts to the death of a child. He depicts the “good death” of his father, which reveals an altogther different perspective on mortality. He excavates the history of the Green River—rife with hazards not mentioned in the rafting company’s brochures. He explores how stories can both memorialize and obscure a person’s life—and how they can rescue us. Disaster Falls is a powerful account of a life cleaved in two—raw, truthful, and unexpectedly consoling.
| Author | : Hanif Abdurraqib |
| Publisher | : Tin House Books |
| Total Pages | : 108 |
| Release | : 2019-09-03 |
| Genre | : Poetry |
| ISBN | : 1947793527 |
“When an author’s unmitigated brilliance shows up on every page, it’s tempting to skip a description and just say, Read this! Such is the case with this breathlessly powerful, deceptively breezy book of poetry.” —Booklist, Starred Review In his much-anticipated follow-up to The Crown Ain't Worth Much, poet, essayist, biographer, and music critic Hanif Abdurraqib has written a book of poems about how one rebuilds oneself after a heartbreak, the kind that renders them a different version of themselves than the one they knew. It's a book about a mother's death, and admitting that Michael Jordan pushed off, about forgiveness, and how none of the author's black friends wanted to listen to "Don't Stop Believin'." It's about wrestling with histories, personal and shared. Abdurraqib uses touchstones from the world outside—from Marvin Gaye to Nikola Tesla to his neighbor's dogs—to create a mirror, inside of which every angle presents a new possibility.
| Author | : Rebecca Behrens |
| Publisher | : Sourcebooks, Inc. |
| Total Pages | : 246 |
| Release | : 2019-10-01 |
| Genre | : Juvenile Fiction |
| ISBN | : 1492673323 |
Hatchet meets The Babysitters Club in this epic and thrilling survival story about pushing oneself to the limit in the face of a crisis. We were all alone, in a shaken and shattered house, in the dark. And I was in charge. Hannah Steele loves living on Pelling, a tiny island near Seattle. She's always felt totally safe there. So when she's asked to babysit after school one day, it's no big deal. Zoe and Oscar are her next-door neighbors, and Hannah just took a babysitting class, which she's pretty sure makes her an expert. She isn't even worried that she left her inhaler at home. Then the shaking begins. The terrifying earthquake only lasts four minutes, but it changes everything—damaging the house, knocking out the power, and making cell service nonexistent. Even worse, the ferry and the bridge connecting the kids to help—and their parents—are both blocked, which means they're stranded alone. And Hannah's in charge as things go from bad to worse. Praise for The Disaster Days: "A realistic, engrossing survival story that's perfect for aspiring babysitters and fans of John Macfarlane's Stormstruck!, Sherry Shahan's Ice Island, or Wesley King's A World Below."—School Library Journal "The strength of this steadily paced novel that stretches over four days of a scary disaster scenario is that Hannah doesn't figure everything out; she stumbles, doubts, and struggles throughout it all."—The Bulletin of the Center for Children's Books "Fans of survival thrillers in the vein of Gary Paulsen's Hatchet will enjoy this tense, honest tale of bravery...an excellent (and refreshingly not didactic) teaching tool on natural-disaster preparedness."—Booklist "The relentless progression of a variety of disaster scenarios will keep readers turning pages...equally suspenseful and informative."—School Library Connection "Behrens uses immersive details and situations effectively viewed from Hannah's perspective to create a suspenseful, vivid story filled with lessons about responsibility and overcoming adversity."—Publishers Weekly The Disaster Days is a perfect... gift for preteen survival story fans earthquake fiction chapter book for tween girls ages 11-14 survivalist fiction book for middle grade girls summer reading book for preteens preteen gift for girls
| Author | : Aimee Lucido |
| Publisher | : HarperCollins |
| Total Pages | : 357 |
| Release | : 2021-09-14 |
| Genre | : Juvenile Fiction |
| ISBN | : 0358387167 |
In this heartfelt middle school drama, Hannah's schemes for throwing her own bat mitzvah unleash family secrets, create rivalries with best friends, and ultimately teach Hannah what being Jewish is all about. With a delicious mix of prose, poetry, and recipes, this hybrid novel is another fresh, thoughtful, and accessible Versify novel that is cookin’. - New York Times Best-Selling Author Kwame Alexander Hannah Malfa-Adler is Jew . . . ish. Not that she really thinks about it. She'd prefer to focus on her favorite pastime: baking delicious food! But when her best friend has a beyond-awesome Bat Mitzvah, Hannah starts to feel a little envious ...and a little left out. Despite her parents firm no, Hannah knows that if she can learn enough about her own faith, she can convince her friends that the party is still in motion. As the secrets mount, a few are bound to explode. When they do, Hannah learns that being Jewish isn't about having a big party and a fancy dress and a first kiss -- it's about actually being Jewish. Most importantly, Hannah realizes that the only person's permission she needs to be Jewish, is her own.
| Author | : Karol Ann Hoeffner |
| Publisher | : Regal House Publishing |
| Total Pages | : 0 |
| Release | : 2020-09-25 |
| Genre | : Bourbon Street (New Orleans, La.) |
| ISBN | : 9781646030095 |
"Named after a hurricane, Camille is the rebellious 16-year-old daughter of a New Orleans bar-owner who grows up in the shadow of Bourbon Street, raised on stories of hauntings, lusty encounters and voodoo magic. And even though her family loses their home in a hurricane, she counts herself among the lucky until she discovers that her 18-year-old Creole neighbor whom she secretly loves died heroically in the storm. Devastated by Antwone's death, Camille begins taking unnecessary risks as if to prove she can be safe in an unsafe world. Her downward spiral is stopped by a spirit intercession. Based on the strength of her love and with the help of a dead voodoo queen, Camille wills Antwone back to earth. Because she is the only one who can see him--not his grandmother or his ex-girlfriend--she takes a kind of ownership of him in death that she never had in life. But gradually, she seeks something in their union beyond sex or love or passion--an understanding of the thin line between life and death itself and a need to find answers where none might lie. Camille's story unfolds as a Mardi Gras memoir, one girl's journey through the parties and parades as her community comes together and rises up from the chaos following the devastating storm. Like all good tales born of the bayou, hers involves the dead, the living, and the one trapped in the brackish waters between heaven and hell--a story of true love and true disaster."--
