Wait, Later this Will be Nothing
Author | : Sarah J. S. Suzuki |
Publisher | : The Museum of Modern Art |
Total Pages | : 97 |
Release | : 2013 |
Genre | : Art |
ISBN | : 0870708503 |
Catalog of an exhibition held Feb. 13-June 24, 2013.
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Author | : Sarah J. S. Suzuki |
Publisher | : The Museum of Modern Art |
Total Pages | : 97 |
Release | : 2013 |
Genre | : Art |
ISBN | : 0870708503 |
Catalog of an exhibition held Feb. 13-June 24, 2013.
Author | : Dirk Dobke |
Publisher | : Thames & Hudson |
Total Pages | : 152 |
Release | : 2004 |
Genre | : Art |
ISBN | : 9780500976425 |
Interviews with the people who worked with Roth during the artist's time spent in Chicago, Providence, New York, Philadelphia, and Los Angeles.Dieter Roth (1930-1998) was one of the most innovative and challenging artists of the twentieth century. During preparations for a recent retrospective at the Museum of Modern Art in New York, it became clear that America played a crucial role in Roth's artistic development. In Philadelphia he and his students experimented with new graphic and photographic techniques, which resulted in SNOW, a major work now owned by MoMA. It was in Providence that he had his first large studio, and the work made there is pivotal in the development of Roth's oeuvre, including his paintings and prints that incorporated perishable foodstuffs. In Los Angeles, Roth made his famous Steeple Chase (A Race) exhibition, using suitcases filled with different cheeses. Many of the works Roth created during that period are illustrated here in full color. 780 color illustrations.
Author | : Dirk Dobke |
Publisher | : The Museum of Modern Art |
Total Pages | : 312 |
Release | : 2003 |
Genre | : Architecture |
ISBN | : 9780870700354 |
Sculptor, poet, diarist, graphic designer, pioneer artist's book maker, performer, publisher, musician, and, most of all, provocateur, Dieter Roth has long been beloved as an artist's artist. Known for his mistrust of all art institutions and commercial galleries--he once referred to museums as funeral homes--he was also known for his generosity to friends, his collaborative spirit, and for including his family in his art making. Much to the frustration of any gallery that tried to exhibit his work (supposedly none more than once), Roth thumbed his nose at those who valued high purpose and permanence in art. Constantly trying to undo his art education, he would set up systems that discouraged the conventional and the consistent: he drew with both hands at once, preserved the discarded, and reveled in the transitory. Grease stains, mold formations, insect borings, and rotting foodstuffs were just some of the materials used, both out of a fascination with their painterly, textural aspects and for their innate ability to make time visible and play to chance. "More is better," he once said, and more there always was. Roth never stopped working, and he believed that everything could be art, from his sketch pad to the table he sat at, the telephone he talked on, or his friend's kitchen (the kitchen was later sold to a museum). Roth Time: A Dieter Roth Retrospective is published to mark the first major survey exhibition of the artist's work since his death in 1998. Five decades of drawings, graphics, books, paintings, objects, installations, films and video works are represented. The publication offers a window into Roth's creative world, reflecting him and his era. The exhibition is organized by the Schaulager with The Museum of Modern Art, New York and the Museum Ludwig, Cologne.
Author | : Richard Hamilton |
Publisher | : |
Total Pages | : 132 |
Release | : 1977 |
Genre | : Artistic collaboration |
ISBN | : |
Published as the catalogue of a travelling exhibition, 1976 and 1977.
Author | : Dirk Dobke |
Publisher | : |
Total Pages | : 212 |
Release | : 2006 |
Genre | : Art |
ISBN | : |
Unique Editions collects a group of key artist's books and editions by the German-born, sometimes-Swiss, sometimes-Icelandic cult artist, Dieter Roth (1930 -1998). All of the books, graphic and multiple editions gathered here are one-of-a-kind works of art, for Roth eschewed traditional artistic procedures. (He regularly made use of non-art mediums such as chocolate, cheese, sausage and banana to create unique, fugitive works.) What distinguishes this publication is that at least two examples of each edition are shown together, demonstrating Roth's exploration of difference within structures of sameness. The majority of the works collected here were made by the artist in his studio, and they clarify the ways in which his hands-on, do-it-yourself approach challenged conventional genres. Roth influenced many artists over the last four decades of his life, inlcuding Martin Kippenberger and Jason Rhoades. These books and editions are arguably his most significant contributions to art history.
Author | : Dieter Roth |
Publisher | : Edition Hansjorg Mayer |
Total Pages | : 222 |
Release | : 2003 |
Genre | : Art |
ISBN | : |
Author | : Dieter Roth |
Publisher | : Holzwarth Publications |
Total Pages | : 230 |
Release | : 2005 |
Genre | : Art, Modern |
ISBN | : |
Essays by Dietmar Elger, Oliver Koerner von Gustorf and Bernadette Walter. Interview by Dirk Dobke with Dorothy Iannone.
Author | : Mildred Lane Kemper Art Museum |
Publisher | : Mildred Lane Kemper Art Museum |
Total Pages | : 0 |
Release | : 2020 |
Genre | : Art, Modern |
ISBN | : 9780936316475 |
"The catalog presents the entirety of Edition MAT's three collections--from 1959, 1964, and 1965--with three scholarly essays and biographical entries on each of the participating artists that illuminate this unique constellation of practitioners ... An appendix of historical documents, many translated here for the first time, includes artist interviews and manifestos, offering rare insight into the aesthetic agendas of this innovative program"--From publisher's website, viewed March 12, 2020.