Die Schwarze Spinne

Die Schwarze Spinne
Author: Jeremias Gotthelf
Publisher: University Press of America
Total Pages: 201
Release: 2010-06-09
Genre: Religion
ISBN: 0761852107

Die Schwarze Spinne is a religious allegory about morals and religious living in the mid-nineteenth century, written by Jeremias Gotthelf. This work is an interlinear translation of Gotthelf's Die Schwarze Spinne with introductions to both the author and the work itself. In a small Swiss community, a baptism is the backdrop for a village elder to tell the story of his family and their life and death struggle with the devil himself. The elder relates the story of a knight and his ill treatment of the farmers of the area. The knight's inhuman demands upon the peasants bring about unforeseen consequences, which lead to the decimation of the village and, ultimately, the knight's own death. The plague released through a pact with the devil, the black spider, haunts the village for hundreds of years and must be fought with religious piety, courage, and devotion to traditional values. It is when one forgets God and his commandments that the black spider is at its most deadly. A true tale of morality written by a pastor in 1842, The Black Spider serves as a warning to those who, according to Gotthelf, go against the will of God.

The Black Spider

The Black Spider
Author: Jeremias Gotthelf
Publisher: Alma Classics
Total Pages: 0
Release: 2009
Genre: Spiders
ISBN: 9781847491084

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Black Spider

Black Spider
Author: Jeremias Gotthelf
Publisher: University Press of America
Total Pages: 201
Release: 2010-06-09
Genre: Literary Collections
ISBN: 0761852093

Die Schwarze Spinne is a religious allegory about morals and religious living in the mid-nineteenth century, written by Jeremias Gotthelf. This work is an interlinear translation of Gotthelf's Die Schwarze Spinne with introductions to both the author and the work itself. In a small Swiss community, a baptism is the backdrop for a village elder to tell the story of his family and their life and death struggle with the devil himself. The elder relates the story of a knight and his ill treatment of the farmers of the area. The knight's inhuman demands upon the peasants bring about unforeseen consequences, which lead to the decimation of the village and, ultimately, the knight's own death. The plague released through a pact with the devil, the black spider, haunts the village for hundreds of years and must be fought with religious piety, courage, and devotion to traditional values. It is when one forgets God and his commandments that the black spider is at its most deadly. A true tale of morality written by a pastor in 1842, The Black Spider serves as a warning to those who, according to Gotthelf, go against the will of God.

Metamorphosis

Metamorphosis
Author: David Gallagher
Publisher: BRILL
Total Pages: 470
Release: 2009-01-01
Genre: Literary Criticism
ISBN: 9042027096

The origins of selected instances of metamorphosis in Germanic literature are traced from their roots in Ovid’s Metamorphoses, grouped roughly on an ‘ascending evolutionary scale’ (invertebrates, birds, animals, and mermaids). Whilst a broad range of mythological, legendary, fairytale and folktale traditions have played an appreciable part, Ovid’s Metamorphoses is still an important comparative analysis and reference point for nineteenth- and twentieth-century German-language narratives of transformations. Metamorphosis is most often used as an index of crisis: an existential crisis of the subject or a crisis in a society’s moral, social or cultural values. Specifically selected texts for analysis include Jeremias Gotthelf’s Die schwarze Spinne (1842) with the terrifying metamorphoses of Christine into a black spider, the metamorphosis of Gregor Samsa in Kafka’s Die Verwandlung (1915), ambiguous metamorphoses in E. T. A. Hoffmann’s Der goldne Topf (1814), Hermann Hesse’s Piktors Verwandlungen (1925), Der Steppenwolf (1927) and Christoph Ransmayr’s Die letzte Welt (1988). Other mythical metamorphoses are examined in texts by Bachmann, Fouqué, Fontane, Goethe, Nietzsche, Nelly Sachs, Thomas Mann and Wagner, and these and many others confirm that metamorphosis is used historically, scientifically, for religious purposes; to highlight identity, sexuality, a dream state, or for metaphoric, metonymic or allegorical reasons.

Metamorphosis

Metamorphosis
Author: David Gallagher
Publisher: Rodopi
Total Pages: 471
Release: 2009
Genre: Literary Criticism
ISBN: 9042027088

The origins of selected instances of metamorphosis in Germanic literature are traced from their roots in Ovid's Metamorphoses, grouped roughly on an 'ascending evolutionary scale' (invertebrates, birds, animals, and mermaids). Whilst a broad range of mythological, legendary, fairytale and folktale traditions have played an appreciable part, Ovid's Metamorphoses is still an important comparative analysis and reference point for nineteenth- and twentieth-century German-language narratives of transformations. Metamorphosis is most often used as an index of crisis: an existential crisis of the subject or a crisis in a society's moral, social or cultural values. Specifically selected texts for analysis include Jeremias Gotthelf's Die schwarze Spinne (1842) with the terrifying metamorphoses of Christine into a black spider, the metamorphosis of Gregor Samsa in Kafka's Die Verwandlung (1915), ambiguous metamorphoses in E. T. A. Hoffmann's Der goldne Topf (1814), Hermann Hesse's Piktors Verwandlungen (1925), Der Steppenwolf (1927) and Christoph Ransmayr's Die letzte Welt (1988). Other mythical metamorphoses are examined in texts by Bachmann, Fouqué, Fontane, Goethe, Nietzsche, Nelly Sachs, Thomas Mann and Wagner, and these and many others confirm that metamorphosis is used historically, scientifically, for religious purposes; to highlight identity, sexuality, a dream state, or for metaphoric, metonymic or allegorical reasons.

Man and His Symbols

Man and His Symbols
Author: Carl G. Jung
Publisher: Bantam
Total Pages: 433
Release: 2012-02-01
Genre: Social Science
ISBN: 0307800555

The landmark text about the inner workings of the unconscious mind—from the symbolism that unlocks the meaning of our dreams to their effect on our waking lives and artistic impulses—featuring more than a hundred images that break down Carl Jung’s revolutionary ideas “What emerges with great clarity from the book is that Jung has done immense service both to psychology as a science and to our general understanding of man in society.”—The Guardian “Our psyche is part of nature, and its enigma is limitless.” Since our inception, humanity has looked to dreams for guidance. But what are they? How can we understand them? And how can we use them to shape our lives? There is perhaps no one more equipped to answer these questions than the legendary psychologist Carl G. Jung. It is in his life’s work that the unconscious mind comes to be understood as an expansive, rich world just as vital and true a part of the mind as the conscious, and it is in our dreams—those personal, integral expressions of our deepest selves—that it communicates itself to us. A seminal text written explicitly for the general reader, Man and His Symbolsis a guide to understanding the symbols in our dreams and using that knowledge to build fuller, more receptive lives. Full of fascinating case studies and examples pulled from philosophy, history, myth, fairy tales, and more, this groundbreaking work—profusely illustrated with hundreds of visual examples—offers invaluable insight into the symbols we dream that demand understanding, why we seek meaning at all, and how these very symbols affect our lives. By illuminating the means to examine our prejudices, interpret psychological meanings, break free of our influences, and recenter our individuality, Man and His Symbols proves to be—decades after its conception—a revelatory, absorbing, and relevant experience.

Biology of Spiders

Biology of Spiders
Author: Rainer Foelix
Publisher: OUP USA
Total Pages: 428
Release: 2011-05-05
Genre: Nature
ISBN: 0199734828

One of the only books to treat the whole spider, from its behavior and physiology to its neurobiology and reproductive characteristics, Biology of Spiders is considered a classic in spider literature. First published in German in 1979, the book is now in its third edition, and has established itself as the supreme authority on these fascinating creatures. Containing five hundred new references, this book incorporates the latest research while dispelling many oft-heard myths and misconceptions that surround spiders. Of special interest are chapters on the structure and function of spider webs and silk, as well as those on spider venom. A new subchapter on tarantulas will appeal especially to tarantula keepers and breeders. The highly accessible text is supplemented by exceptional, high-quality photographs, many of them originals, and detailed diagrams. It will be of interest to arachnologists, entomologists, and zoologists, as well as to academics, students of biology, and the general reader curious about spiders.

The Last World

The Last World
Author: Christoph Ransmayr
Publisher: Grove Press
Total Pages: 260
Release: 1996
Genre: Fiction
ISBN: 9780802134585

A man goes in search of the Roman poet Ovid, banished to the end of the world. He finds that Ovid's personality and stories have undergone a sea-change, and have fragmented themselves into lots of clues - people, bizarre events, odd stretches of landscape, and a story emerges.

The Cambridge Companion to Twentieth-Century Opera

The Cambridge Companion to Twentieth-Century Opera
Author: Mervyn Cooke
Publisher: Cambridge University Press
Total Pages: 430
Release: 2005-12-08
Genre: Music
ISBN: 9780521780094

This Companion celebrates the extraordinary riches of the twentieth-century operatic repertoire in a collection of specially commissioned essays written by a distinguished team of academics, critics and practitioners. Beginning with a discussion of the century's vital inheritance from late-romantic operatic traditions in Germany and Italy, the text embraces fresh investigations into various aspects of the genre in the modern age, with a comprehensive coverage of the work of individual composers from Debussy and Schoenberg to John Adams and Harrison Birtwistle. Traditional stylistic categorizations (including symbolism, expressionism, neo-classicism and minimalism) are reassessed from new critical perspectives, and the distinctive operatic traditions of Continental and Eastern Europe, Russia and the Soviet Union, the United Kingdom and United States are subjected to fresh scrutiny. The volume includes essays devoted to avant-garde music theatre, operettas and musicals, filmed opera, and ends with a discussion of the position of the genre in today's cultural marketplace.

The Amber Witch

The Amber Witch
Author: Wilhelm Meinhold
Publisher:
Total Pages: 206
Release: 1893
Genre: Paranormal fiction
ISBN: