Die Lustige Witwe
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Author | : Franz Lehár |
Publisher | : |
Total Pages | : 104 |
Release | : 2006 |
Genre | : Music |
ISBN | : |
A definitive reference for the diction, pronunciation and translation of Lustige Witwe authored by the leading authority (Nico Castel) on opera diction.
Author | : Micaela Baranello |
Publisher | : Univ of California Press |
Total Pages | : 250 |
Release | : 2021-06 |
Genre | : History |
ISBN | : 0520379128 |
"When the world comes to an end," Viennese writer Karl Kraus lamented in 1908, "all the big city orchestras will still be playing The Merry Widow." Viennese operettas like Franz Lehár's The Merry Widow were preeminent cultural texts during the Austro-Hungarian Empire's final years. Alternately hopeful and nihilistic, operetta staged contemporary debates about gender, nationality, and labor. The Operetta Empire delves into this vibrant theatrical culture, whose creators simultaneously sought the respectability of high art and the popularity of low entertainment. Case studies examine works by Lehár, Emmerich Kálmán, Oscar Straus, and Leo Fall in light of current musicological conversations about hybridity and middlebrow culture. Demonstrating a thorough mastery of the complex early twentieth‐century Viennese cultural scene, and a sympathetic and redemptive critique of a neglected popular genre, Micaela Baranello establishes operetta as an important element of Viennese cultural life—one whose transgressions helped define the musical hierarchies of its day.
Author | : Anastasia Belina |
Publisher | : Cambridge University Press |
Total Pages | : 347 |
Release | : 2020 |
Genre | : Music |
ISBN | : 1107182166 |
A collection of essays revealing how operetta spread across borders and became popular on the musical stages of the world.
Author | : Franz Lehár |
Publisher | : |
Total Pages | : 77 |
Release | : 1985 |
Genre | : Operas |
ISBN | : |
Author | : Michael Haas |
Publisher | : Yale University Press |
Total Pages | : 505 |
Release | : 2013-04-15 |
Genre | : Music |
ISBN | : 0300154313 |
DIV With National Socialism's arrival in Germany in 1933, Jews dominated music more than virtually any other sector, making it the most important cultural front in the Nazi fight for German identity. This groundbreaking book looks at the Jewish composers and musicians banned by the Third Reich and the consequences for music throughout the rest of the twentieth century. Because Jewish musicians and composers were, by 1933, the principal conveyors of Germany’s historic traditions and the ideals of German culture, the isolation, exile and persecution of Jewish musicians by the Nazis became an act of musical self-mutilation. Michael Haas looks at the actual contribution of Jewish composers in Germany and Austria before 1933, at their increasingly precarious position in Nazi Europe, their forced emigration before and during the war, their ambivalent relationships with their countries of refuge, such as Britain and the United States and their contributions within the radically changed post-war music environment. /div
Author | : Derek B. Scott |
Publisher | : Cambridge University Press |
Total Pages | : 393 |
Release | : 2022-06-23 |
Genre | : Music |
ISBN | : 9781108723329 |
Academic attention has focused on America's influence on European stage works, and yet dozens of operettas from Austria and Germany were produced on Broadway and in the West End, and their impact on the musical life of the early twentieth century is undeniable. In this ground breaking book, Derek B. Scott examines the cultural transfer of operetta from the German stage to Britain and the USA and offers a historical and critical survey of these operettas and their music. In the period 1900-1940, over sixty operettas were produced in the West End, and over seventy on Broadway. A study of these stage works is important for the light they shine on a variety of social topics of the period - from modernity and gender relations to new technology and new media - and these are investigated in the individual chapters. This book is also available as Open Access on Cambridge Core.
Author | : |
Publisher | : |
Total Pages | : 160 |
Release | : 1970* |
Genre | : |
ISBN | : |
Author | : Robert L. Larsen |
Publisher | : Hal Leonard Corporation |
Total Pages | : 256 |
Release | : 2004-07-01 |
Genre | : Music |
ISBN | : 1480319961 |
(Vocal Collection). The G. Schirmer Opera Anthology series revolutionized opera aria study after its release in 1991. There are so many wonderful soprano arias that a second volume was warranted. The music is predominantly for lyric soprano. As in the original volumes, these are new, clean editions, with historical and plot information about each of the 32 arias included.
Author | : Franz Lehar |
Publisher | : Sagwan Press |
Total Pages | : 228 |
Release | : 2018-02-09 |
Genre | : History |
ISBN | : 9781377243702 |
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author | : Candice Hern |
Publisher | : Candice Hern |
Total Pages | : 319 |
Release | : 2011-10-11 |
Genre | : England |
ISBN | : 0983866562 |
800x600 Normal 0 false false false EN-US X-NONE X-NONE MicrosoftInternetExplorer4 /* Style Definitions */ table.MsoNormalTable {mso-style-name:"Table Normal"; mso-tstyle-rowband-size:0; mso-tstyle-colband-size:0; mso-style-noshow:yes; mso-style-priority:99; mso-style-parent:""; mso-padding-alt:0in 5.4pt 0in 5.4pt; mso-para-margin:0in; mso-para-margin-bottom:.0001pt; mso-pagination:widow-orphan; font-size:10.0pt; font-family:"Times New Roman","serif";} Fans of the historical romances of Sabrina Jeffries, Loretta Chase, and Jo Beverly will enjoy this sexy, award-winning romance by New York Times bestselling author Candice Hern. Meet the Merry Widows – a group of respectable ladies with a secret pact that is anything but respectable! The five friends who act as patronesses of charity balls are assured of money and position. None are interested in marrying again. But they have no intention of forsaking physical passion for the rest of their lives. Instead, they make a daring pact to seek out lovers for the pure pleasure of it. Marianne Nesbitt adored her late husband, David, but the racy reminiscences of the Merry Widows make her wonder if she missed something special. Might she find it now through a love affair? Uncertain how to go about it, she asks Adam Cazenove, an old friend and notorious rake, to tutor her in the arts of seduction. The brazen request turns Adam's world upside down. He never imagined his best friend's very proper and exceedingly attractive widow would seek out a lover. If not for his recent betrothal to a young beauty, he would jump at the chance to warm Marianne's bed. Since he cannot bear the thought of another man doing so, he foils her every attempt at seduction. Until one night of unintended passion changes everything. "Hern gracefully crafts a tale of friendship and romance between two beautifully matched protagonists that is delectably sexy, delightfully clever, and simply superb." – Booklist