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| Author | : Franz Lehár |
| Publisher | : |
| Total Pages | : 104 |
| Release | : 2006 |
| Genre | : Music |
| ISBN | : |
A definitive reference for the diction, pronunciation and translation of Lustige Witwe authored by the leading authority (Nico Castel) on opera diction.
| Author | : Micaela Baranello |
| Publisher | : Univ of California Press |
| Total Pages | : 250 |
| Release | : 2021-06 |
| Genre | : History |
| ISBN | : 0520379128 |
"When the world comes to an end," Viennese writer Karl Kraus lamented in 1908, "all the big city orchestras will still be playing The Merry Widow." Viennese operettas like Franz Lehár's The Merry Widow were preeminent cultural texts during the Austro-Hungarian Empire's final years. Alternately hopeful and nihilistic, operetta staged contemporary debates about gender, nationality, and labor. The Operetta Empire delves into this vibrant theatrical culture, whose creators simultaneously sought the respectability of high art and the popularity of low entertainment. Case studies examine works by Lehár, Emmerich Kálmán, Oscar Straus, and Leo Fall in light of current musicological conversations about hybridity and middlebrow culture. Demonstrating a thorough mastery of the complex early twentieth‐century Viennese cultural scene, and a sympathetic and redemptive critique of a neglected popular genre, Micaela Baranello establishes operetta as an important element of Viennese cultural life—one whose transgressions helped define the musical hierarchies of its day.
| Author | : Anastasia Belina |
| Publisher | : Cambridge University Press |
| Total Pages | : 347 |
| Release | : 2020 |
| Genre | : Music |
| ISBN | : 1107182166 |
A collection of essays revealing how operetta spread across borders and became popular on the musical stages of the world.
| Author | : Michael Haas |
| Publisher | : Yale University Press |
| Total Pages | : 505 |
| Release | : 2013-04-15 |
| Genre | : Music |
| ISBN | : 0300154313 |
DIV With National Socialism's arrival in Germany in 1933, Jews dominated music more than virtually any other sector, making it the most important cultural front in the Nazi fight for German identity. This groundbreaking book looks at the Jewish composers and musicians banned by the Third Reich and the consequences for music throughout the rest of the twentieth century. Because Jewish musicians and composers were, by 1933, the principal conveyors of Germany’s historic traditions and the ideals of German culture, the isolation, exile and persecution of Jewish musicians by the Nazis became an act of musical self-mutilation. Michael Haas looks at the actual contribution of Jewish composers in Germany and Austria before 1933, at their increasingly precarious position in Nazi Europe, their forced emigration before and during the war, their ambivalent relationships with their countries of refuge, such as Britain and the United States and their contributions within the radically changed post-war music environment. /div
| Author | : Derek B. Scott |
| Publisher | : Cambridge University Press |
| Total Pages | : 393 |
| Release | : 2022-06-23 |
| Genre | : Music |
| ISBN | : 9781108723329 |
Academic attention has focused on America's influence on European stage works, and yet dozens of operettas from Austria and Germany were produced on Broadway and in the West End, and their impact on the musical life of the early twentieth century is undeniable. In this ground breaking book, Derek B. Scott examines the cultural transfer of operetta from the German stage to Britain and the USA and offers a historical and critical survey of these operettas and their music. In the period 1900-1940, over sixty operettas were produced in the West End, and over seventy on Broadway. A study of these stage works is important for the light they shine on a variety of social topics of the period - from modernity and gender relations to new technology and new media - and these are investigated in the individual chapters. This book is also available as Open Access on Cambridge Core.
| Author | : Robert L. Larsen |
| Publisher | : Hal Leonard Corporation |
| Total Pages | : 256 |
| Release | : 2004-07-01 |
| Genre | : Music |
| ISBN | : 1480319961 |
(Vocal Collection). The G. Schirmer Opera Anthology series revolutionized opera aria study after its release in 1991. There are so many wonderful soprano arias that a second volume was warranted. The music is predominantly for lyric soprano. As in the original volumes, these are new, clean editions, with historical and plot information about each of the 32 arias included.
| Author | : Susan Ross |
| Publisher | : Holiday House |
| Total Pages | : 178 |
| Release | : 2019-03-05 |
| Genre | : Juvenile Fiction |
| ISBN | : 0823442195 |
Lottie, a talented violinist, disappeared during the Holocaust. Can her grand-niece, Charlie, discover what happened? A long-lost cousin, a mysterious locket, a visit to Nana Rose in Florida, a diary written in German, and a very special violin all lead twelve-year-old Charlie to the truth about her great-aunt Lottie in this intriguing, intergenerational mystery. Charlie, a budding violinist, decides to research the life of her great-aunt and namesake for her middle school ancestry project. Everyone in Charlie's family believes Great-Aunt Charlotte (called Lottie), a violin prodigy, died at the hands of the Nazis, but the more Charlie uncovers about her long-lost relative, the more muddied Great-Aunt Lottie's story becomes. Could it be that Lottie somehow survived the war by hiding in Hungary? Could she even still be alive today? In Searching for Lottie, Susan Ross has written a highly personal work of historical fiction that is closely inspired by her own family history, exploring the ongoing effects of the Holocaust on families today. Includes a letter from the author describing the research that shaped this story.
| Author | : Richard Traubner |
| Publisher | : Routledge |
| Total Pages | : 511 |
| Release | : 2004-06 |
| Genre | : Art |
| ISBN | : 1135887837 |
Considered the classic history of this important musical theater form. Traubner's book, first published in 1983, is still recognized as the key history of the people and productions that made operetta a worldwide phenomenon.
