Diana The Goddess Who Hunts Alone
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Author | : Carlos Fuentes |
Publisher | : A&C Black |
Total Pages | : 224 |
Release | : 2012-08-16 |
Genre | : Fiction |
ISBN | : 1408837234 |
___________________ AN EXPLORATION OF LOVE, LUST AND BETRAYAL Part novel, part expose, Diana is a stirring portrait of a passionate affair amid the cultural chaos of the 1960s and 1970s. The central character is Diana Soren, an elegy for a decade that refused to die. She is a predator set on self-destruction, and a casualty of her own times and beauty. Mexico's pre-eminent novelist presents a poignant story of bittersweet love that was a huge success in his native country.
Author | : Carlos Fuentes |
Publisher | : A&C Black |
Total Pages | : 224 |
Release | : 1996-01-01 |
Genre | : English fiction |
ISBN | : 0747525412 |
An exploration of love, lust and betrayal.
Author | : Carlos Fuentes |
Publisher | : A&C Black |
Total Pages | : 226 |
Release | : 2013-05-18 |
Genre | : Social Science |
ISBN | : 1408845008 |
From time immemorial, Mexico's legendary beauty has been matched by intense historical drama. Mayan mythmakers, Aztec emperors, Spanish conquistadors, Yankee and French invaders, dictators and peasant revolutionaries are still vivid influences on Mexico's present. In this stunning collection of essays, first published in Britain in 1997, Carlos Fuentes examines mexico as it faces a new time. Torn between tradition and modernity, impatient with an exhausted political system but unsure how and with what to replace it, Mexicans are struggling to make the transition from authoritarian to democratic politics. Fuentes' bold and timely study discusses the origins and nature of the unforeseen events that have transformed Mexico's politics and scoiety: the 1994 rebellion in Chiapas, the subsequent rash of assassinations, the break between Presidents Salinas and Zedillo, and continual traumas for democratic self-rule.
Author | : Ralph Schoolcraft |
Publisher | : University of Pennsylvania Press |
Total Pages | : 227 |
Release | : 2012-05-26 |
Genre | : Biography & Autobiography |
ISBN | : 0812203208 |
In this book Ralph Schoolcraft explores the extraordinary career of the modern French author, film director, and diplomat—a romantic and tragic figure whose fictions extended well beyond his books. Born Roman Kacew, he overcame an impoverished boyhood to become a French Resistance hero and win the coveted Goncourt Prize under the pseudonym—and largely invented persona—Romain Gary. Although he published such acclaimed works as The Roots of Heaven and Promise at Dawn, the Gaullist traditions that he defended in the world of French letters fell from favor, and his critical fortunes suffered at the hands of a hostile press. Schoolcraft details Gary's frustrated struggle to evolve as a writer in the eye of a public that now considered him a known quantity. Identifying the daring strategies used by this mysterious character as he undertook an elaborate scheme to reach a new readership, Schoolcraft offers new insight into the dynamics of authorship and fame within the French literary institutions. In the early 1970s Gary made his departure from the conservative literary establishment, publishing works that boasted a quirky, elliptical style under a variety of pseudonymous personae, the most successful of which was that of an Algerian immigrant by the name of Emile Ajar. Moving behind the mask of his new creation, Gary was able to win critical and popular acclaim and a second Goncourt in 1975. But as Schoolcraft suggests, Gary may have "sold his shadow"—that is, lost his authorial persona—by marketing himself too effectively. Going so far as to recruit a cousin to stand in as the public face of this phantom author, Gary kept the secret of his true authorship until his violent death in 1980 from a self-inflicted gunshot wound. The press reacted with resentment over the scheme, and he was shunned into the ranks of literary oddities. Schoolcraft draws from archives of the several thousand documents related to Gary housed at the French publishing firms of Gallimard and Mercure de France, as well as the Butler Library at Columbia University. Exploring the depths of a story that has long remained shrouded in mystery, Romain Gary: The Man Who Sold His Shadow is as much a fascinating biographical sketch as it is a thought-provoking reflection on the assumptions made about identities in the public sphere.
Author | : Emanuel Levy |
Publisher | : NYU Press |
Total Pages | : 648 |
Release | : 1999 |
Genre | : Business & Economics |
ISBN | : 0814751245 |
The most important development in American culture of the last two decades is the emergence of independent cinema as a viable alternative to Hollywood's safe and innocuous entertainment. Indeed, while Hollywood studios devote much of their time and energy to churning out big-budget, star-studded event movies, a renegade independent cinema that challenges mainstream fare continues to flourish with strong critical support and loyal audiences.
Author | : Carlos Fuentes |
Publisher | : Dalkey Archive Press |
Total Pages | : 78 |
Release | : 2012-07-18 |
Genre | : Fiction |
ISBN | : 156478780X |
Where, Carlos Fuentes asks, is a modern-day vampire to roost? Why not Mexico City, populated by ten million blood sausages (that is, people), and a police force who won’t mind a few disappearances? “Vlad” is Vlad the Impaler, of course, whose mythic cruelty was an inspiration for Bram Stoker’s Dracula. In this sly sequel, Vlad really is undead: dispossessed after centuries of mayhem by Eastern European wars and rampant blood shortages. More than a postmodern riff on “the vampire craze,” Vlad is also an anatomy of the Mexican bourgeoisie, as well as our culture’s ways of dealing with death. For—as in Dracula—Vlad has need of both a lawyer and a real-estate agent in order to establish his new kingdom, and Yves Navarro and his wife Asunción fit the bill nicely. Having recently lost a son, might they not welcome the chance to see their remaining child live forever? More importantly, are the pleasures of middle-class life enough to keep one from joining the legions of the damned?
Author | : Carlos Fuentes |
Publisher | : Macmillan |
Total Pages | : 212 |
Release | : 2007-02-20 |
Genre | : Fiction |
ISBN | : 9780374530525 |
"The Old Gringo tells the story of Ambrose Bierce, the American author, soldier, and journalist, and of his last mysterious days in Mexico living among Pancho villa's soldiers - particularly his encounter with one of Villa's generals, Tomas Arroyo, as well as with a spirited young american woman named Harriet Winslow. In the end, the incompatibility between Mexico and the United States (or paradoxically, their intimacy) claims both Bierce and Arroyo, in a novel that is, most of all, about the tragic history of these two cultures in conflict."--Publisher description
Author | : Maarten Van Delden |
Publisher | : Vanderbilt University Press |
Total Pages | : 276 |
Release | : 1998 |
Genre | : History |
ISBN | : 9780826513458 |
In Carlos Fuentes, Mexico, and Modernity, Maarten van Delden argues that there is a fundamental paradox at the heart of Fuentes's vision of Mexico and in his role as novelist and critic in putting forth that vision. This paradox hinges on the tension between national identity and modernity. A significant internal conflict emerges in Fuentes's work from his attempt to stake out two different positions for himself, as experimental novelist and as politically engaged and responsible intellectual. Drawing from the fiction, literary essays, and political journalism, van Delden places these tensions in Fuentes's work in relation to the larger debates about modernity and postmodernity in Latin America. He concludes that Fuentes is fundamentally a modernist writer, in spite of the fact that he occasionally gravitates toward the postmodernist position in literature and politics. Van Delden's thorough command of the subject matter, his innovative and sometimes iconoclastic conclusions, and his clear and engaging writing style make this study more than just an interpretation of Fuentes's work. Carlos Fuentes, Mexico, and Modernity offers nothing less than a comprehensive analysis of Fuentes's work. Carlos Fuentes, Mexico, and Modernity offers nothing less than a comprehensive analysis of Fuentes's intellectual development in the context of modern Mexican political and cultural life.
Author | : Manash Firaq Bhattacharjee |
Publisher | : SCB Distributors |
Total Pages | : 162 |
Release | : 2020-01-01 |
Genre | : Self-Help |
ISBN | : 1909394769 |
How does one record an extraordinary time? Confined to his Delhi apartment, Manash Firaq Bhattacharjee unravels the intimate paradoxes of life he encounters in the first weeks of a global pandemic. His stories about local fish sellers, gardeners, barbers and lovers merge with his concerns for the exodus of migrant labourers, the challenges faced by health workers, and a mother braving checkposts to bring her son home. Drawing inspiration from contemporary literature and cinema, The Town Slowly Empties is a unique window on a world desperate for love, care and hope. Manash is our Everyman, urging us to slow down and mend our broken ties with nature. Written with rare candour and elegance, this meditative book is a compelling account of the human condition that soars high above the empty streets.
Author | : Tim Woods |
Publisher | : Routledge |
Total Pages | : 538 |
Release | : 2008-02-21 |
Genre | : Biography & Autobiography |
ISBN | : 1134709900 |
Taking in novelists from all over the globe, from the beginning of the century to the present day, this is the most comprehensive survey of the leading lights of twentieth century fiction. Superb breadth of coverage and over 800 entries by an international team of contributors ensures that this fascinating and wide-ranging work of reference will be invaluable to anyone with an interest in modern fiction. Authors included range from Joseph Conrad to Albert Camus and Franz Kafka to Chinua Achebe. Who's Who of Twentieth Century Novelists gives a superb insight into the richness and diversity of the twentieth century novel.