Diana of the Crossways
Author | : George Meredith |
Publisher | : ReadHowYouWant.com |
Total Pages | : 446 |
Release | : 1897 |
Genre | : Great Britain |
ISBN | : |
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Author | : George Meredith |
Publisher | : ReadHowYouWant.com |
Total Pages | : 446 |
Release | : 1897 |
Genre | : Great Britain |
ISBN | : |
Author | : George Meredith |
Publisher | : Wayne State University Press |
Total Pages | : 372 |
Release | : 2001 |
Genre | : Fiction |
ISBN | : 9780814328941 |
Nikki Lee Manos' introduction draws upon a wide range of historical and critical texts, from John Stuart Mill's feminist tract of 1869 to Mary Poovey's contemporary theories about gender in Victorian fiction.".
Author | : Randall Craig |
Publisher | : University of Delaware Press |
Total Pages | : 204 |
Release | : 1989 |
Genre | : Fiction |
ISBN | : 9780874133394 |
Theoretically grounded in classical and Renaissance writings, as well as in the work of modern theorists, this study analyzes the role of tragicomedy in the development of the English novel from the late nineteenth to the early twentieth century. Diana of the Crossways, the Awkward Age, the Old Wives' Tale, and Ulysses are among the illustrative works discussed.
Author | : Tim Dolin |
Publisher | : Routledge |
Total Pages | : 241 |
Release | : 2016-12-05 |
Genre | : Literary Criticism |
ISBN | : 135191720X |
This exploration of gender and property ownership in eight important novels argues that property is a decisive undercurrent in narrative structures and modes, as well as an important gender signature in society and culture. Tim Dolin suggests that the formal development of nineteenth-century domestic fiction can only be understood in the context of changes in the theory and laws of property: indeed femininity and its representation cannot be considered separately from property relations and their reform. He presents original readings of novels in which a woman owns, acquires or loses property, focusing on exchanges between patriarchal cultural authority, the 'woman question' and narrative form, and on the place of domestic fiction in a culture in which property relations and gender relations are subject to radical review. Each chapter revolves around a representative text, but refers substantially to other material, both other novels and contemporary social, legal, political and feminist commentary.
Author | : Diane Johnson |
Publisher | : New York Review of Books |
Total Pages | : 273 |
Release | : 2020-06-23 |
Genre | : Biography & Autobiography |
ISBN | : 1681374463 |
A classic of alternative biography and feminist writing, this empathetic and witty book gives due to a "lesser" figure of history, Mary Ellen Peacock Meredith, who was brilliant, unconventional, and at odds with the constraints of Victorian life. “Many people have described the Famous Writer presiding at his dinner table. . . . He is famous; everybody remembers his remarks. . . . We forget that there were other family members at the table—a quiet person, now muffled by time, shadowy, whose heart pounded with love, perhaps, or rage.” So begins The True History of the First Mrs. Meredith and Other Lesser Lives, an uncommon biography devoted to one of those “lesser lives.” As the author points out, “A lesser life does not seem lesser to the person who leads one.” Such sympathy and curiosity compelled Diane Johnson to research Mary Ellen Peacock Meredith (1821–1861), the daughter of the famous artist Thomas Love Peacock (1785–1866) and first wife of the equally famous poet George Meredith (1828–1909). Her life, treated perfunctorily and prudishly in biographies of Peacock or Meredith, is here exquisitely and unhurriedly given its due. What emerges is the portrait of a brilliant, well-educated woman, raised unconventionally by her father only to feel more forcefully the constraints of the Victorian era. First published in 1972, Lesser Lives has been a key text for feminists and biographers alike, a book that reimagined what biography might be, both in terms of subject and style. Biographies of other “lesser” lives have since followed in its footsteps, but few have the wit, elegance, and empathy of Johnson’s seminal work.
Author | : George Gissing |
Publisher | : Broadview Press |
Total Pages | : 416 |
Release | : 2021-05-21 |
Genre | : Fiction |
ISBN | : 1770488286 |
George Gissing’s The Odd Women dramatizes key issues relating to class and gender in late-Victorian culture: the changing relationship between the sexes, the social impact of ‘odd’ or ‘redundant’ women, the cultural impact of ‘the new woman,’ and the opportunities for and conditions of employment in the expanding service sector of the economy. At the heart of these issues as many late Victorians saw them was a problem of the imbalance in the ratio of men to women in the population. There were more females than males, which meant that more and more women would be left unmarried; they would be ‘odd’ or ‘redundant,’ and would be forced to be independent and to find work to support themselves. In the Broadview edition, Gissing’s text is carefully annotated and accompanied by a range of documents from the period that help to lay out the context in which the book was written. In Gissing’s story, Virginia Madden and her two sisters are confronted upon the death of their father with sudden impoverishment. Without training for employment, and desperate to maintain middle-class respectability, they face a daunting struggle. In Rhoda Nunn, a strong feminist, Gissing also presents a strong character who draws attention overtly to the issues behind the novel. The Odd Women is one of the most important social novels of the late nineteenth century.
Author | : Barbara Leah Harman |
Publisher | : University of Virginia Press |
Total Pages | : 248 |
Release | : 1998 |
Genre | : Literary Collections |
ISBN | : 9780813917726 |
In this book, Barbara Leah Harman convincingly establishes a new category in Victorian fiction: the feminine political novel. By studying Victorian female protagonists who participate in the public universe conventionally occupied by men - the world of mills and city streets, of political activism and labor strikes, of public speaking and parliamentary debates - she is able to reassess the public realm as the site of noble and meaningful action for women in Victorian England. Harman examines at length Bronte's Shirley, Gaskell's North and South, Meredith's Diana of the Crossways, Gissing's In the Year of Jubilee, and Elizabeth Robins's The Convert, reading these novels in relation to each other and to developments in the emerging British women's movement. She argues that these texts constitute a countertradition in Victorian fiction: neither domestic fiction nor fiction about the public "fallen" woman, these novels reveal how nineteenth-century English writers began to think about female transgression into the political sphere and about the intriguing meanings of women's public appearances.
Author | : Mrs. Humphry Ward |
Publisher | : IndyPublish.com |
Total Pages | : 524 |
Release | : 1903 |
Genre | : Fiction |
ISBN | : |