Dialogue On Poetry And Literary Aphorisms
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| Author | : Friedrich von Schlegel |
| Publisher | : |
| Total Pages | : 184 |
| Release | : 1968 |
| Genre | : Literary Criticism |
| ISBN | : |
The Dialogue on Poetry is one of the most important of Schlegel's critical and philosophical writings. Modeled on Plato's Symposium, it comprises eulogies on poetry delivered by participants in a fictitious conversation, who represent the historical figures of the German Romantic School. Thus the Dialogue expounds the main critical ideas of German Romanticism and simultaneously provides a panorama of the early Romantic Movement. Schlegel was the leading critical thinker of the German Romanticists. His importance for the theory of Romantic poetry and the history of criticism becomes increasingly obvious with the growing interest in Romanticism. René Welleck called Schlegel "one of the greatest critics of history"; George Lukacs based his theory of the novel on Schlegel's ideas; and Ernest Robert Curtius said about Schlegel's position within the history of literary criticism: "In Germany we have Friedrich Schlegel--and beginnings." This first English edition of Dialogue on Poetry, which also contains a carefully chosen selection of Schlegel's poetic aphorisms, affords scholars and students in the field of Philosophy and in Comparative, General, and German Literature a new avenue of approach to European Romanticism.
| Author | : Madeleine Schechter |
| Publisher | : Königshausen & Neumann |
| Total Pages | : 182 |
| Release | : 2008 |
| Genre | : Aesthetics |
| ISBN | : 382603953X |
| Author | : Michael Steven Macovski |
| Publisher | : New York : Oxford University Press |
| Total Pages | : 244 |
| Release | : 1994 |
| Genre | : Literary Criticism |
| ISBN | : 019506965X |
Extending and modifying the works of Bakhtin, Gadamer, Ong and Foucault, this treatise constructs a theoretical model of dialogic romanticism and applies it to a range of Romantic texts. The author argues that dialogic forms and meanings are particularly pronounced during the Romantic epoch.
| Author | : Friedrich von Schlegel |
| Publisher | : |
| Total Pages | : 167 |
| Release | : 1968 |
| Genre | : |
| ISBN | : |
| Author | : Paolo Euron |
| Publisher | : BRILL |
| Total Pages | : 251 |
| Release | : 2019-08-12 |
| Genre | : Education |
| ISBN | : 9004409238 |
This book introduces the reader to the literary work and to an understanding of its cultural background and its specific features. In doing so, it refers to two main traditions of Western culture: one of aesthetics and the theory of art and the other of literary theory. In our postmodern world, language and artistic creation (and above all literature as the art of language) occupy a special role in understanding the human world and become existential issues. A critical attitude requires knowledge of the relevant past in order to understand what we are today. The author presents key topics, ideas, and representatives of aesthetics, theory, and the interpretation of works of art in an historical perspective, in order to explain the Western tradition with constant attention to the present condition. Aesthetics, Theory and Interpretation of the Literary Work offers an outline of essential concepts and authors of aesthetics and theories of the literary work, presenting basic topics and ideas in their historical context and development, considering their relevance to the contemporary debate, and highlighting the specificity of the experience of the art work in our present world. The best way to approach a work of art is to enjoy it. In order to enjoy a literary work, we have to consider its correct context and its specific artistic qualities. The book is conceived as a general and enjoyable introduction to the experience of the work of art in Western culture. See inside the book.
| Author | : Friedrich von Schlegel |
| Publisher | : U of Minnesota Press |
| Total Pages | : 146 |
| Release | : 1991 |
| Genre | : Philosophy |
| ISBN | : 1452902402 |
Philosophical Fragments was first published in 1991. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions. At a time when the function of criticism is again coming under close skeptical scrutiny, Schlegel's unorthodox, highly original mind, as revealed in these foundational "fragments," provides the critical framework for reflecting on contemporary experimental texts.
| Author | : Sean Pryor |
| Publisher | : Routledge |
| Total Pages | : 286 |
| Release | : 2016-02-24 |
| Genre | : Literary Criticism |
| ISBN | : 1317000757 |
Emphasizing the interplay of aesthetic forms and religious modes, Sean Pryor's ambitious study takes up the endlessly reiterated longing for paradise that features throughout the works of W. B. Yeats and Ezra Pound. Yeats and Pound define poetry in terms of paradise and paradise in terms of poetry, Pryor suggests, and these complex interconnections fundamentally shape the development of their art. Even as he maps the shared influences and intellectual interests of Yeats and Pound, and highlights those moments when their poetic theories converge, Pryor's discussion of their poems' profound formal and conceptual differences uncovers the distinctive ways each writer imagines the divine, the good, the beautiful, or the satisfaction of desire. Throughout his study, Pryor argues that Yeats and Pound reconceive the quest for paradise as a quest for a new kind of poetry, a journey that Pryor traces by analysing unpublished manuscript drafts and newly published drafts that have received little attention. For Yeats and Pound, the journey towards a paradisal poetic becomes a never-ending quest, at once self-defeating and self-fulfilling - a formulation that has implications not only for the work of these two poets but for the study of modernist literature.
| Author | : Ulrika Maude |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 561 |
| Release | : 2018-11-01 |
| Genre | : Literary Criticism |
| ISBN | : 1780936559 |
In this book, leading international scholars explore the major ideas and debates that have made the study of modernist literature one of the most vibrant areas of literary studies today. The Bloomsbury Companion to Modernist Literature offers a comprehensive guide to current research in the field, covering topics including: · The modernist everyday: emotion, myth, geographies and language scepticism · Modernist literature and the arts: music, the visual arts, cinema and popular culture · Textual and archival approaches: manuscripts, genetic criticism and modernist magazines · Modernist literature and science: sexology, neurology, psychology, technology and the theory of relativity · The geopolitics of modernism: globalization, politics and economics · Resources: keywords and an annotated bibliography
| Author | : Reginald McGinnis |
| Publisher | : Routledge |
| Total Pages | : 293 |
| Release | : 2013-10-17 |
| Genre | : Literary Criticism |
| ISBN | : 1135024618 |
Are legal concepts of intellectual property and copyright related to artistic notions of invention and originality? Do literary and legal scholars have anything to learn from each other, or should the legal debate be viewed as separate from questions of aesthetics? Bridging what are usually perceived as two distinct areas of inquiry, this interdisciplinary volume begins with a reflection on the "origins" of literary and legal questions in the Enlightenment to consider their ramifications in the post-Enlightenment and contemporary world. Tying in to the growing scholarly interest in connections between law and literature, on the one hand, and to the contemporary interrogation of "originality" and "authorship," on the other hand, the present volume furthers research in the field by providing a dense study of the legal and historical context to re-examine our current assumptions about supposed earlier Enlightenment and Romantic ideals of individual authorship and originality.
| Author | : Marion Thain |
| Publisher | : Edinburgh University Press |
| Total Pages | : 280 |
| Release | : 2016-08-16 |
| Genre | : Literary Criticism |
| ISBN | : 1474415687 |
This study explores lyric poetry's response to a crisis of relevance in Victorian Modernity, offering an analysis of literature usually elided by studies of the modern formation of the genre and uncovering previously unrecognized discourses within it. Setting the focal aestheticist poetry (c. 1860 to 1914) within much broader historical, theoretical and aesthetic frames, it speaks to those interested in Victorian and modernist literature and culture, but also to a burgeoning audience of the 'new lyric studies'. The six case studies introduce fresh poetic voices as well as giving innovative analyses of canonical writers (such as D. G. Rossetti, Ezra Pound, A. C. Swinburne).
