Developing Feature Films in Europe

Developing Feature Films in Europe
Author: Angus Finney
Publisher: Routledge
Total Pages: 153
Release: 2013-05-13
Genre: Social Science
ISBN: 1135102325

The European film industry has by now lost most of its audience to American films; US productions take around eighty per cent of Europe's box-office revenues. There are many reasons for this imbalance, but one major difference between the European and the US film industries is easily identified: the Americans spend far more on development. Developing Feature Films in Europe is the first comprehensive study of this critical stage of the film-making process. Based on extensive research and interviews with more than seventy industry practitioners, it examines current funding practices, presents training initiatives for writers and producers, and highlights the potential for further improvements. Angus Finney has also compiled an invaluable directory of contacts, addresses and application procedures for public and private funding bodies throughout Europe.

Developing Feature Films in Europe

Developing Feature Films in Europe
Author: Angus Finney
Publisher:
Total Pages: 160
Release: 1996-02-29
Genre:
ISBN: 9781857130522

Among the approaches and cost structures of the European and American film industries the US invest considerably more than Europe in development. This text provides details of national and pan-European funds for film development, and looks at training initiatives for writers and producers.

The State of European Cinema

The State of European Cinema
Author: Angus Finney
Publisher: Bloomsbury Publishing
Total Pages: 290
Release: 2016-10-06
Genre: Performing Arts
ISBN: 147429071X

The State of European Cinema offers a critical review of the state of the industry at the close of the twentieth century. Finney spent two years researching and carrying out interviews with more than a hundred top film professionals. His findings offer dynamic and fresh perspectives on Europe's film industry and include a detailed analysis of Europe's public subsidy funds, co-production trends and cinema distribution systems, as well as practical information on screenplay development and training and an examination of Europe's declining film-star system.

European Film and Television Co-production

European Film and Television Co-production
Author: Julia Hammett-Jamart
Publisher: Springer
Total Pages: 365
Release: 2019-01-28
Genre: Performing Arts
ISBN: 3319971573

This volume offers an up-to-date analysis of film and television co-production in Europe. It brings together the voices of policy professionals, industry practitioners and media industry scholars to trace the contours of a complex practice that is of increasing significance in the global media landscape. Analysis of the latest production statistics sits alongside interviews with producers and the critical evaluation of public film policies. The volume incorporates contributions from representatives of major public institutions—Eurimages, the European Audiovisual Observatory and the European Commission—and private production companies including the pan-European Zentropa Group. Policy issues are elucidated through case studies including the Oscar-winning feature film Ida, the BAFTA-winning I am not a Witch and the Danish television serial Ride Upon the Storm. Scholarly articles span co-development, co-distribution and regional cinemas as well as emerging policy challenges such as the digital single market. The combination of qualitative and quantitative approaches, and the juxtaposition of industry and scholarly voices, provides a unique perspective on European co-production that is information-rich, complex and stimulating, making this volume a valuable companion for students, scholars, and industry professionals.

The International Film Business

The International Film Business
Author: Angus Finney
Publisher: Routledge
Total Pages: 360
Release: 2014-10-10
Genre: Performing Arts
ISBN: 113629502X

The International Film Business examines the independent film sector as a business, and addresses the specific skills and knowledge it demands. It describes both the present state of the industry, the significant digital and social media developments that are continuing to take place, and what changes these might effect. The International Film Business: describes and analyses the present structure of the film industry as a business, with a specific focus on the film value chain discusses and analyses current digital technology and how it potentially may change the structure and opportunities offered by the industry in the future provides information and advice on the different business and management skills and strategies includes case studies on a variety of films including The Guard (2011), The King’s Speech (2010), The Best Exotic Marigold Hotel (2012), Cloverfield (2008), Pobby & Dingan (aka Opal Dream, 2005), Confessions of a Dangerous Mind (2002), The Reckoning (2002)and The Mother (2003), and company case studies on Pixar, Renaissance, Redbus and Zentropa. Further case studies on films that failed to go into production include Neil LaBute’s Vapor and Terry Gilliam’s Good Omens. Taking an entrepreneurial perspective on what future opportunities will be available to prepared and informed students and emerging practitioners, this text includes case studies that take students through the successes and failures of a variety of real film companies and projects and features exclusive interviews with leading practitioners in all sectors of the industry, from production to exhibition.

In Search of Cinema

In Search of Cinema
Author: Bert Cardullo
Publisher: McGill-Queen's Press - MQUP
Total Pages: 416
Release: 2004-04-16
Genre: Performing Arts
ISBN: 0773571906

The essays collected here reflect the spectacular rise of Iranian cinema in recent years as well as the strong contributions of contemporary filmmakers from countries such as Belgium, Canada, China, Israel, Lebanon, Scotland, and Spain. But In Search of Cinema does not neglect the best recent films from major film-producing nations like the United States, France, and Italy and includes retrospective pieces on the careers of Ingmar Bergman and Woody Allen as well as several essays on the interrelationship between film form, or film genres, and drama and the novel, the two forms from which the cinema continues to draw a wealth of its material.

Media Clusters

Media Clusters
Author: Charlie Karlsson
Publisher: Edward Elgar Publishing
Total Pages: 433
Release: 2011-01-01
Genre: Business & Economics
ISBN: 0857932691

This impressive new book uniquely focuses on the phenomenon of media clusters and is designed to inform policymakers, scholars, and media practitioners about the underlying challenges of media firm agglomerations, their potential, and their effects. Including an array of distinguished contributors, this book explores the rationale and purpose of media clusters, how they compare with clusters in other industries, and the significant differences in characteristics, development processes and drivers among various media clusters worldwide. It incorporates perspectives from economic geography and economics, public development and industrial policy, organizational studies, entrepreneurship, as well as cultural and media studies, to provide a comprehensive view that provides critical insight into these clusters.

The Film Finance Handbook

The Film Finance Handbook
Author: Adam P. Davies
Publisher: Netribution
Total Pages: 247
Release: 2007
Genre: Business & Economics
ISBN: 0955014328

This is a complete guide to film finance around the world, from first web short film to mainstream international multi-million dollar co-production.

Screening European Heritage

Screening European Heritage
Author: Paul Cooke
Publisher: Springer
Total Pages: 315
Release: 2016-09-01
Genre: Social Science
ISBN: 1137522801

This book provides a unique examination of the way Europe’s past is represented on contemporary screens and what this says about contemporary cultural attitudes to history. How do historical dramas come to TV and cinema screens across Europe? How is this shaped by the policies and practices of cultural institutions, from media funding boards to tourist agencies and heritage sites? Who watches these productions and how are they consumed in cinemas, on TV and online?, are just some of the questions this volume seeks to answer. From The Lives of Others to Game of Thrones, historical dramas are a particularly visible part of mainstream European film production, often generating major national debates on the role of the past in contemporary national identity construction.