Landlord Colors

Landlord Colors
Author: Laura Mott
Publisher:
Total Pages: 268
Release: 2019-10-22
Genre: Art
ISBN: 9780989186490

"Landlord Colors: On Art, Economy, and Materiality reconsiders periods of economic and social collapse through the lens of artistic innovations and material-driven narratives. It examines five art scenes generated during heightened periods of upheaval: America’s Detroit from the 1967 rebellion to the present; the cultural climate of the Italian avant-garde during the 1960s-1980s; authoritarian-ruled South Korea of the 1970s; Cuba since the collapse of the Soviet Union in the 1990s to the present; and contemporary Greece since the financial crisis of 2009. Featuring more than sixty artists, Landlord Colors is a landmark exhibition, publication, and public art and performance series. While the project unearths microhistories and vernaculars specific to place, it also examines a powerful global dialogue communicated through materiality. Landlord Colors discovers textured and unexpected relationships between these artists whose investigations share themes of ingenuity, resourcefulness, and resistance." -- Cranbrook Art Museum website

Detroit from Above

Detroit from Above
Author: Brian Day
Publisher:
Total Pages:
Release: 2021-11
Genre:
ISBN: 9781737931607

The photographs of Brian Day depicting his hometown of Detroit.

Art in Detroit Public Places

Art in Detroit Public Places
Author: Dennis Alan Nawrocki
Publisher: Wayne State University Press
Total Pages: 260
Release: 2008
Genre: Architecture
ISBN: 9780814333785

Profiles in Diversity explores the momentous transformation in Europe from 1750-1870 by looking at the lives of European Jews who experienced it.

A Museum on the Verge

A Museum on the Verge
Author: Jeffrey Abt
Publisher: Wayne State University Press
Total Pages: 332
Release: 2001
Genre: Architecture
ISBN: 9780814328415

The Detroit Institute of Arts is one of America's largest and oldest municipal art museums. However, even as the museum grew into a distinguished collection, there were threats of closure. The DIA has walked a financial tightrope since it opened just over a century ago, and was nearly closed by government funding cuts in the 1970s and 1990s. Now Jeffrey Abt tells how the DIA has had to struggle to maintain its fine art collection with barely enough income to remain open. A Museum on the Verge goes behind the scenes at the DIA to disclose the political, economic, and social forces that shaped the museum from its founding to the present day. Drawing on new archival research, Abt reveals that the growing discrepancy between the museum's size and its operating budget was the result of a century of ad hoc solutions to institutional problems that left the DIA vulnerable to annual income losses -- especially reductions of government funding. He also explains its complex relations with private and government entities and delineates the integral role of the museum's support group, the Founders Society. Abt's account is supplemented by a wealth of material, including legal documents and numerical data taken at five-year intervals from the 1880s through 2000 that is presented in both tables and graphs. The data, which comprehensively survey vital statistics such as attendance, collections growth, and finances, provide a rich resource for comparative research on other museums. As a case study of a prominent public institution, A Museum on the Verge offers an invaluable research model for scholars and museum professionals alike.

Diego Rivera

Diego Rivera
Author: Linda Bank Downs
Publisher:
Total Pages: 202
Release: 1999
Genre: Industries in art
ISBN:

Detroit Collects

Detroit Collects
Author: Valerie J. Mercer
Publisher:
Total Pages: 136
Release: 2019-10-30
Genre: African American art
ISBN: 9780895580023

By Her Hand

By Her Hand
Author: Eve Straussman-Pflanzer
Publisher: Detroit Institute of Arts
Total Pages: 192
Release: 2021-09-28
Genre:
ISBN: 9780300256369

A brand new look at the extraordinary accomplishments of early modern Italian women artists This generously illustrated volume surveys a sweeping range of early modern Italian women artists, exploring their practice and paths to success within the male-dominated art world of the period. New attention to archival documents and detailed technical analyses of the beautiful paintings featured here--ranging from historical subjects to portraits and still lifes--offer new insight into the ways these women worked and their accomplishments. Essays and catalogue entries by an international team of distinguished art historians examine the works of Artemisia Gentileschi, Sofonisba Anguissola, Lavinia Fontana, Fede Galizia, Elisabetta Sirani, Giovanna Garzoni, Rosalba Carriera, and other less known Italian women artists. Through these works of art in diverse media--from paintings to prints--the fascinating stories of early modern Italian women artists are revealed.

Diego Rivera & Frida Kahlo in Detroit

Diego Rivera & Frida Kahlo in Detroit
Author: Mark Lawrence Rosenthal
Publisher:
Total Pages: 0
Release: 2015
Genre: Art
ISBN: 9780300211603

Catalog of an exhibition organized by the Detroit Institute of Arts, held from March 15 - July 12, 2015, celebrating the famous Mexican artist couple Diego Rivera and Frida Kahlo during the year they spent in Detroit while he completed the "Detroit Industry Murals".

Valuing Detroit’s Art Museum

Valuing Detroit’s Art Museum
Author: Jeffrey Abt
Publisher: Springer
Total Pages: 285
Release: 2017-03-27
Genre: Business & Economics
ISBN: 3319452193

This book explores the perilous situation that faced the Detroit Institute of Arts during the city's bankruptcy, when creditors considered it a "nonessential asset" that might be sold to settle Detroit's debts. It presents the history of the museum in the context of the social, economic, and political development of Detroit, giving a history of the city as well as of the institution, and providing a model of contextual institutional history. Abt describes how the Detroit Institute of Arts became the fifth largest art museum in America, from its founding as a private non-profit corporation in 1885 to its transformation into a municipal department in 1919, through the subsequent decades of extraordinary collections and facilities growth coupled with the repeated setbacks of government funding cuts during economic downturns. Detroit's 2013 bankruptcy underscored the nearly 130 years of fiscal missteps and false assumptions that rendered the museum particularly vulnerable to the monetary power of a global art investment community eager to capitalize on the city's failures and its creditors' demands. This is a remarkable and important contribution to many fields, including non-profit management and economics, cultural policy, museum and urban history, and the histories of both the Detroit Institute of Arts and the city of Detroit itself. Despite the museum's unique history, its story offers valuable lessons for anyone concerned about the future of art museums in the United States and abroad.