Desmitificar Los Mitos De La Mente Millonaria
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Author | : MAX EDITORIAL |
Publisher | : Max Editorial |
Total Pages | : 73 |
Release | : 2023-09-15 |
Genre | : Social Science |
ISBN | : 199109468X |
Cuestionando los conceptos del libro «Los secretos de la mente del millonario» Enfoque equilibrado de la riqueza y el éxito financiero Nuestro mundo está lleno de literatura sobre enriquecimiento, prosperidad y éxito financiero. Uno de los libros más populares sobre este tema es «Los secretos de la mente millonaria», escrito por T. Harv Eker, que ha ganado la atención de innumerables lectores en busca de una vida más próspera y abundante. Aunque es innegable que el libro de Eker ha impactado positivamente a muchas personas, es importante reconocer que cualquier obra literaria puede tener sus limitaciones y perspectivas específicas. En este libro, nos opondremos a algunas de las ideas presentadas en «Los secretos de la mente millonaria» y propondremos un enfoque más equilibrado de la riqueza y el éxito financiero. Nuestro objetivo no es invalidar los principios y enseñanzas del libro de T. Harv Eker, sino estimular una reflexión más profunda sobre los diferentes puntos de vista existentes sobre la riqueza. Creemos que es esencial examinar el tema de la prosperidad de una manera integral y contextualizada, teniendo en cuenta los múltiples aspectos que influyen en nuestra relación con el dinero. A lo largo de este libro, exploraremos varios temas, incluyendo la importancia de la planificación financiera a largo plazo, la valorización de la diversidad de éxitos, la deconstrucción de las creencias limitantes y el papel del dinero en la búsqueda de la felicidad. También abordaremos la responsabilidad social, la importancia del equilibrio entre la vida laboral y la vida, la inversión en el desarrollo personal, así como otras cuestiones pertinentes para una comprensión más holística del enriquecimiento y la prosperidad. Nuestra intención es que cada lector pueda encontrar en este trabajo una fuente de reflexión, ideas e inspiración para desarrollar una mentalidad financiera sana y consciente. Le invitamos a emprender este viaje con nosotros en la búsqueda de una visión más abierta e inclusiva del dinero, la riqueza y el verdadero significado del éxito financiero. Estamos seguros de que al cuestionar y explorar diferentes perspectivas, estaremos mejor preparados para construir un futuro financiero próspero y significativo para nosotros y la sociedad en su conjunto. ¡Empecemos!
Author | : John Lee Dumas |
Publisher | : |
Total Pages | : |
Release | : 2018-06-15 |
Genre | : |
ISBN | : 9780996234023 |
The Podcast Journal is your step-by-step guide for going from idea to launch in 50 days.
Author | : Ofelia Ferrán |
Publisher | : Associated University Presse |
Total Pages | : 382 |
Release | : 2007 |
Genre | : Literary Criticism |
ISBN | : 9780838756584 |
Studies various constructions of memory in contemporary Spanish literature, evoking different aspects of a past of repression, from both the civil war and the Franco regime. This book analyzes narrative texts published between the 1960s and 1990s that present memory and the recuperation of a traumatic past as their main theme.
Author | : Catherine Ruth Christie |
Publisher | : |
Total Pages | : 183 |
Release | : 1995 |
Genre | : Fiction |
ISBN | : 9780856686641 |
The period since 1975 in Spain, following years of dictatorship, has seen a remarkable surge of creative cultural activity. Particularly significant has been the proliferation of novels by both new and established writers, often termed nueva narrative espanola.
Author | : Tzvetan Todorov |
Publisher | : U of Minnesota Press |
Total Pages | : 124 |
Release | : 1981 |
Genre | : Literary Criticism |
ISBN | : 9780816610112 |
Author | : Masha Salazkina |
Publisher | : University of Chicago Press |
Total Pages | : 232 |
Release | : 2009-08-01 |
Genre | : Performing Arts |
ISBN | : 0226734161 |
During the 1920s and ’30s, Mexico attracted an international roster of artists and intellectuals—including Orson Welles, Katherine Anne Porter, and Leon Trotsky—who were drawn to the heady tumult engendered by battling cultural ideologies in an emerging center for the avant-garde. Against the backdrop of this cosmopolitan milieu, In Excess reconstructs the years that the renowned Soviet director Sergei Eisenstein spent in the country to work on his controversial film ¡Que Viva Mexico! Illuminating the inextricability of Eisenstein’s oeuvre from the global cultures of modernity and film, Masha Salazkina situates this unfinished project within the twin contexts of postrevolutionary Mexico and the ideas of such contemporaneous thinkers as Walter Benjamin. In doing so, Salazkina explains how Eisenstein’s engagement with Mexican mythology, politics, and art deeply influenced his ideas, particularly about sexuality. She also uncovers the role Eisenstein’s bisexuality played in his creative thinking and identifies his use of the baroque as an important turn toward excess and hybrid forms. Beautifully illustrated with rare photographs, In Excess provides the most complete genealogy available of major shifts in this modern master’s theories and aesthetics.
Author | : David Bordwell |
Publisher | : Routledge |
Total Pages | : 372 |
Release | : 2020-10-07 |
Genre | : Biography & Autobiography |
ISBN | : 1000159094 |
The Cinema of Eisenstein is David Bordwell's comprehensive analysis of the films of Sergei Eisenstein, arguably the key figure in the entire history of film. The director of such classics as Potemkin, Ivan the Terrible, October, Strike, and Alexander Nevsky, Eisenstein theorized montage, presented Soviet realism to the world, and mastered the concept of film epic. Comprehensive, authoritative, and illustrated throughout, this classic work deserves to be on the shelf of every serious student of cinema.
Author | : Jay Leyda |
Publisher | : |
Total Pages | : 184 |
Release | : 1987 |
Genre | : Biography & Autobiography |
ISBN | : |
Author | : Sergei Eisenstein |
Publisher | : Houghton Mifflin Harcourt |
Total Pages | : 316 |
Release | : 1947 |
Genre | : Biography & Autobiography |
ISBN | : 9780156309356 |
A renowned Soviet director discusses his theory of film as an artistic medium which must appeal to all senses and applies it to an analysis of sequences from his major movies.
Author | : Sergio de la Mora |
Publisher | : University of Texas Press |
Total Pages | : 257 |
Release | : 2009-01-27 |
Genre | : Performing Arts |
ISBN | : 0292782314 |
After the modern Mexican state came into being following the Revolution of 1910, hyper-masculine machismo came to be a defining characteristic of "mexicanidad," or Mexican national identity. Virile men (pelados and charros), virtuous prostitutes as mother figures, and minstrel-like gay men were held out as desired and/or abject models not only in governmental rhetoric and propaganda, but also in literature and popular culture, particularly in the cinema. Indeed, cinema provided an especially effective staging ground for the construction of a gendered and sexualized national identity. In this book, Sergio de la Mora offers the first extended analysis of how Mexican cinema has represented masculinities and sexualities and their relationship to national identity from 1950 to 2004. He focuses on three traditional genres (the revolutionary melodrama, the cabaretera [dancehall] prostitution melodrama, and the musical comedy "buddy movie") and one subgenre (the fichera brothel-cabaret comedy) of classic and contemporary cinema. By concentrating on the changing conventions of these genres, de la Mora reveals how Mexican films have both supported and subverted traditional heterosexual norms of Mexican national identity. In particular, his analyses of Mexican cinematic icons Pedro Infante and Gael García Bernal and of Arturo Ripstein's cult film El lugar sin límites illuminate cinema's role in fostering distinct figurations of masculinity, queer spectatorship, and gay male representations. De la Mora completes this exciting interdisciplinary study with an in-depth look at how the Mexican state brought about structural changes in the film industry between 1989 and 1994 through the work of the Mexican Film Institute (IMCINE), paving the way for a renaissance in the national cinema.