Delicate Prey
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Author | : Paul Bowles |
Publisher | : Harper Collins |
Total Pages | : 322 |
Release | : 2011-11-01 |
Genre | : Fiction |
ISBN | : 0062119346 |
Paul Bowles’s classic collection of short stories, now available in a a deluxe paperback edition—part of Ecco’s Art of the Story series “All the tales are a variety of detective story,” wrote Bowles of this, his first short story collection, “in which the reader is the detective; the mystery is in the motivation for the charcters’ behavior.” In such stories as “A Distant Episode” and How Many Midnights,” Bowles pushes human character beyond socially defined limits and maps a transformed (often horribly transformed) reality. Bowles captures the duality of human frailty and cruelty in these seventeen taut and atmospheric tales, written between 1939 and 1949. Brutal and gorgeous, visceral yet profound, this timeless collection is “one of the most profound, beautifully wrought, and haunting collections in our literature. . . at once austere, witty, violent, and sensuous. . . . His language has a purity of line, a poise and authority entirely its own, capable of instantly modulating from farce to horror without a ruffle” (Tobias Wolff).
Author | : Paul Bowles |
Publisher | : |
Total Pages | : 328 |
Release | : 1950 |
Genre | : Africa, North |
ISBN | : |
Exemplary stories that reveal the bizarre, the disturbing, the perilous, and the wise in other civilzations.
Author | : Lauren Groff |
Publisher | : Hachette+ORM |
Total Pages | : 228 |
Release | : 2010-05-25 |
Genre | : Fiction |
ISBN | : 1401396372 |
From Lauren Groff, author of the critically acclaimed and bestselling novel Fates and Furies, comes Delicate Edible Birds, one of the most striking short fiction debuts in years. Here are nine stories of astonishing insight and variety, each revealing a resonant drama within the life of a twentieth-century American woman. In "Sir Fleeting," a Midwestern farm girl on her honeymoon in Argentina falls into lifelong lust for a French playboy. In "Blythe," an attorney who has become a stay-at-home mother takes a night class in poetry and meets another full-time mother, one whose charismatic brilliance changes everything. In "The Wife of the Dictator," that eponymous wife ("brought back . . . from [the dictator's] last visit to America") grows more desperately, menacingly isolated every day. In "Delicate Edible Birds," a group of war correspondents-a lone, high-spirited woman among them-falls sudden prey to a brutal farmer while fleeing Nazis in the French countryside. In "Lucky Chow Fun," Groff returns us to Templeton, the setting of her first book, for revelations about the darkness within even that idyllic small town. In some of these stories, enormous changes happen in an instant. In others, transformations occur across a lifetime--or several lifetimes. Throughout the collection, Groff displays particular and vivid preoccupations. Crime is a motif--sex crimes, a possible murder, crimes of the heart. Love troubles recur; they're in every story--love in alcoholism, in adultery, in a flood, even in the great flu epidemic of 1918. Some of the love has depths, which are understood too late; some of the love is shallow, and also understood too late. And mastery is a theme--Groff's women swim and baton twirl, become poets, or try and try again to achieve the inner strength to exercise personal freedom. Overall, these stories announce a notable new literary master. Dazzlingly original and confident, Delicate Edible Birds further solidifies Groff's reputation as one of the foremost talents of her generation.
Author | : |
Publisher | : |
Total Pages | : 990 |
Release | : 2004 |
Genre | : Short stories |
ISBN | : |
Author | : John Sandford |
Publisher | : Penguin |
Total Pages | : 279 |
Release | : 2001-05-07 |
Genre | : Fiction |
ISBN | : 1101146354 |
He seems like such a nice man. You’d never guess what was going on in his mind… Art history professor James Qatar has a hobby: he takes secret photographs of women to fuel more elaborate fantasies. When he’s alone. Behind locked doors. Then one day, he goes a step further and... well, one thing leads to another. Qatar has no choice. He has to kill her. And you know something? He likes it. When Deputy Chief Lucas Davenport takes the case, he assumes it’ll be straightforward police work. He couldn’t be more wrong. As the investigation trail takes some unexpected turns, it becomes clear that nothing is straightforward about this killer, his victims, or his motives. And to stop him Lucas has no choice but to walk right into his lair. WITH A NEW INTRODUCTION BY JOHN SANDFORD
Author | : Dorothy Elizabeth Cook |
Publisher | : H. W. Wilson |
Total Pages | : 404 |
Release | : 1956 |
Genre | : Short stories |
ISBN | : 9780824203856 |
Author | : Sam V. H. Reese |
Publisher | : LSU Press |
Total Pages | : 249 |
Release | : 2017-06-06 |
Genre | : Literary Criticism |
ISBN | : 0807165786 |
The Short Story in Midcentury America provides in-depth case studies of four major writers of the post–World War II era—Paul Bowles, Mary McCarthy, Eudora Welty, and Tennessee Williams—examining how they used the contained aesthetics of short fiction to map out an oppositional stance to the dominant narratives, both political and literary, of mid-twentieth century U.S. culture. Sam V. H. Reese presents a new understanding of the connections between politics, ideology, and literary form, arguing that writers employed the short story to critique the cultural mores of the early Cold War. The four authors under discussion found themselves socially marginalized by mainstream U.S. culture due to such factors as their gender, sexual orientation, religion, and foreign residence. Reese shows that each author embraced the short story’s compressed form as a means of resisting political coercion and conformity, speaking out in support of freedom and open expression. Reese argues that these four writers used the formal restrictions of the short story to develop a type of fiction that became recognizably countercultural, challenging the expansive, sprawling novels then receiving acclaim from critics. His analysis underscores the means by which each author’s short stories utilized the aesthetic practices of mediums outside conventional narrative fiction: Bowles’s career as a composer, McCarthy’s criticism and memoirs, Williams’s playwriting, and Welty’s photography. By studying both their prose and its conceptualization, Reese reveals how writers resisted the political and stylistic pressures that defined U.S. literary culture in the early years of the Cold War. In The Short Story in Midcentury America, Reese establishes a new framework for considering countercultural literature in the United States, reassessing the critical standing of the short story and re-evaluating the relationship between marginal social positions and literary form during the mid-twentieth century.
Author | : Barry Charles Tharaud |
Publisher | : Boydell & Brewer |
Total Pages | : 235 |
Release | : 2020 |
Genre | : Literary Criticism |
ISBN | : 1640140808 |
Shows that the writings of Paul Bowles, who is often seen as a literary renegade, owe much to the antinomian American tradition of Emerson and his literary descendants.
Author | : Tennessee Williams |
Publisher | : New Directions Publishing |
Total Pages | : 372 |
Release | : 2006 |
Genre | : Biography & Autobiography |
ISBN | : 9780811216692 |
For the "old crocodile," as Williams called himself late in life, the past was always present, and so it is with his continual shifting and intermingling of times, places, and memories as he weaves this story.
Author | : Various |
Publisher | : Penguin |
Total Pages | : 561 |
Release | : 1996-12-01 |
Genre | : Fiction |
ISBN | : 0452274893 |
This remarkable anthology of gothic fiction, spanning two centuries of American writing, gives us an intriguing and entertaining look at how the gothic imagination makes for great literature in the works of forty-six exceptional writers. Joyce Carol Oates has a special perspective on the “gothic” in American short fiction, at least partially because her own horror yarns rank on the spine-tingling chart with the masters. She is able to see the unbroken link of the macabre that ties Edgar Allan Poe to Anne Rice and to recognize the dark psychological bonds between Henry James and Stephen King. In showing us the gothic vision—a world askew where mankind’s forbidden impulses are set free from the repressions of the psyche, and nature turns malevolent and lawless—Joyce Carol Oates includes Henry James’s “The Romance of Certain Old Clothes,” Herman Melville’s horrific tale of factory women, “The Tartarus of Maids,” and Edith Wharton’s “Afterward,” which are rarely collected and appear together here for the first time. Added to these stories of the past are new ones that explore the wounded worlds of Stephen King, Anne Rice, Peter Straub, Raymond Carver, and more than twenty other wonderful contemporary writers. This impressive collection reveals the astonishing scope of the gothic writer’s subject matter, style, and incomparable genius for manipulating our emotions and penetrating our dreams. With Joyce Carol Oates’s superb introduction, American Gothic Tales is destined to become the standard one-volume edition of the genre that American writers, if they didn’t create it outright, have brought to its chilling zenith.