Deleuze And Pragmatism
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| Author | : Simone Bignall |
| Publisher | : Routledge |
| Total Pages | : 296 |
| Release | : 2014-09-19 |
| Genre | : Philosophy |
| ISBN | : 1317655605 |
This collection brings together the philosophy of Gilles Deleuze and the rich tradition of American pragmatist thought, taking seriously the commitment to pluralism at the heart of both. Contributors explore in novel ways Deleuze’s explicit references to pragmatism, and examine the philosophical significance of a number of points at which Deleuze’s philosophy converges with, or diverges from, the work of leading pragmatists. The papers of the first part of the volume take as their focus Deleuze’s philosophical relationship to classical pragmatism and the work of Peirce, James and Dewey. Particular areas of focus include theories of signs, metaphysics, perspectivism, experience, the transcendental and democracy. The papers comprising the second half of the volume are concerned with developing critical encounters between Deleuze’s work and the work of contemporary pragmatists such as Rorty, Brandom, Price, Shusterman and others. Issues addressed include antirepresentationalism, constructivism, politics, objectivity, naturalism, affect, human finitude and the nature and value of philosophy itself. With contributions by internationally recognized specialists in both poststructuralist and pragmatist thought, the collection is certain to enrich Deleuze scholarship, enliven discussion in pragmatist circles, and contribute in significant ways to contemporary philosophical debate.
| Author | : Mary Zamberlin |
| Publisher | : Routledge |
| Total Pages | : 206 |
| Release | : 2006-04-20 |
| Genre | : Biography & Autobiography |
| ISBN | : 1135490686 |
This book explores the significant intellectual impact the philosopher Jean Wahl had on the directions Gilles Deleuze took as a philosopher and writer of a philosophy of experimentation. The study of this influence also brings to light the significance of Deleuze's emphasis on la pragmatique, inspired by Wahl's writings and teachings and his fascination with American pluralism and pragmatism, particularly that of William James. This book also attempts to put Deleuze's theories into action, to write in a deleuzian way about American 'minor' literature and thought which Deleuze deemed 'superior.' This text inherently challenges and potentially provides an alternative way of reading/writing to standard critical approaches which Deleuze tells us necessarily reduce and distort a 'minor' work's most lively, subtle and micro-politically efficient elements as they abort them from their 'minoritarian' fields of meaning to coerce them into already existing, standard and standardizing concepts that belong to and reinforce the 'Major Order's' organizational grid.
| Author | : David Lapoujade |
| Publisher | : Duke University Press |
| Total Pages | : 94 |
| Release | : 2019-12-13 |
| Genre | : Philosophy |
| ISBN | : 1478007591 |
Originally published in French in 1997 and appearing here in English for the first time, David Lapoujade's William James: Empiricism and Pragmatism is both an accessible and rigorous introduction to James's thought and a pioneering rereading of it. Examining pragmatism's fundamental questions through a Deleuzian framework, Lapoujade outlines how James's pragmatism and radical empiricism encompass the study of experience and the making of reality, and he reopens the speculative side of pragmatist thought and the role of experience in it. The book includes an extensive afterword by translator Thomas Lamarre, who illustrates how James's interventions are becoming increasingly central to the contemporary debates about materialist ontology, affect, and epistemology that strive to bridge the gaps among science studies, media studies, and religious studies.
| Author | : Molly Nesbit |
| Publisher | : Inventory Press |
| Total Pages | : 128 |
| Release | : 2020-08-04 |
| Genre | : |
| ISBN | : 9781941753279 |
The pragmatism of Charles Peirce and William James and John Dewey exists as it moved, absorbing and absorbed. Conclusions remain provisions, time riding on, perpetually unsettled, nocturnal, opaque. Many questions and conditions remain. They will recur. The future has not eased. In our own lifetime there have been stakes, some old, some new, in continuing to write about the time and place and point of art. It is important to mark them. Pragmatism is above all a way of working, it starts from the present. The Pragmatism in the History of Art traces the questions that modern art history has used to make sense of the changes overtaking both art and life. A genealogy emerges naturally, elliptically. Several generations cross back and forth over the Atlantic. The questions combine with case studies as a story unfolds: the work of Meyer Schapiro, Henri Focillon, Alexander Dorner, George Kubler, Robert Herbert, T. J. Clark and Linda Nochlin is scrutinized; the philosophy of Michel Foucault and Gilles Deleuze and the films of Chris Marker and Jean-Luc Godard show distinctly pragmatic effects; artists discussed include Vincent Van Gogh, Isamu Noguchi, Lawrence Weiner and Gordon Matta-Clark. The relevance of this material for the art and art-writing of our own time becomes increasingly clear.
| Author | : John J. Stuhr |
| Publisher | : Routledge |
| Total Pages | : 224 |
| Release | : 2015-12-03 |
| Genre | : Philosophy |
| ISBN | : 1317958381 |
Pragmatism, Postmodernism and the Future of Philosophy is a vigorous and dynamic confrontation with the task and temperament of philosophy today. In this energetic and far-reaching new book, Stuhr draws persuasively on the resources of the pragmatist tradition of James and Dewey, and critically engages the work of Continental philosophers like Adorno, Foucault, and Deleuze, to explore fundamental questions of how we might think and live differently in the future. Along the way, the book addresses important issues in public policy, university administration, spirituality, and the notion of community and its meaning in a global world of difference. This book is essential reading for anyone concerned with the future of philosophy, and the ways in which philosophical thinking can help us live better, more fulfilling lives.
| Author | : Michael A. Peters |
| Publisher | : Rowman & Littlefield |
| Total Pages | : 220 |
| Release | : 2001 |
| Genre | : Education |
| ISBN | : 9780742509061 |
Richard Rorty's neopragmatist philosophy marks him as one of the most gifted and controversial thinkers of his time. Antifoundationalism and antirepresentationalism are the guiding motifs in his thought. He wants to jettison a set of philosophical distinctions--appearance/reality, mind/body, morality/prudence--that have dominated and shaped the history of Western philosophy since the time of Plato. It is a position that has propelled him into a series of heated debates with philosophers who are the most influential of their generation--analytic philosophers such as Quine, Davidson, Rawls, and Putnam; as well as Continental philosophers, including Habermas, Derrida, Foucault, and Lyotard. At the same time, Rorty's work has helped to break down the artificial separation between these two wings of Western philosophy by acting as an intellectual bridge between them. This distinctive collection by scholars from around the world focuses upon the cultural, educational, and political significance of his thought. The nine essays which comprise the collection examine a variety of related themes: Rorty's neopragmatism, his view of philosophy, his philosophy of education and culture, Rorty's comparison between Dewey and Foucault, his relation to postmodern theory, and, also his form of political liberalism.
| Author | : John J. Stuhr |
| Publisher | : Indiana University Press |
| Total Pages | : 272 |
| Release | : 2015-11-10 |
| Genre | : Philosophy |
| ISBN | : 0253018978 |
John J. Stuhr, a leading voice in American philosophy, sets forth a view of pragmatism as a personal work of art or fashion. Stuhr develops his pragmatism by putting pluralism forward, setting aside absolutism and nihilism, opening new perspectives on democracy, and focusing on love. He creates a space for a philosophy that is liable to failure and that is experimental, pluralist, relativist, radically empirical, radically democratic, and absurd. Full color illustrations enhance this lyrical commitment to a new version of pragmatism.
| Author | : Paul Patton |
| Publisher | : Stanford University Press |
| Total Pages | : 367 |
| Release | : 2010-05-19 |
| Genre | : Philosophy |
| ISBN | : 0804774692 |
These essays provide important interpretations and analyze critical developments of the political philosophy of Gilles Deleuze. They situate his thought in the contemporary intellectual landscape by comparing him with contemporaries such as Derrida, Rorty, and Rawls and show how elements of his philosophy may be usefully applied to key contemporary issues including colonization and decolonization, the nature of liberal democracy, and the concepts and critical utopian aspirations of political philosophy. Patton discusses Deleuze's notion of philosophy as the creation of concepts and shows how this may be helpful in understanding the nature of political concepts such as rights, justice, and democracy. Rather than merely commenting on or explaining Deleuze's thought, Patton offers a series of attempts to think with Deleuzian concepts in relation to other philosophers and other problems. His book represents a significant contribution to debates in contemporary political theory, continental philosophy, and Deleuzian studies.
| Author | : Dorothea E. Olkowski |
| Publisher | : Indiana University Press |
| Total Pages | : 180 |
| Release | : 2021-09-07 |
| Genre | : Philosophy |
| ISBN | : 0253054702 |
Deleuze, Bergson, Merleau-Ponty: The Logic and Pragmatics of Creation, Affective Life, and Perception offers the only full-length examination of the relationships between Deleuze, Bergson and Merleau-Ponty. Henri Bergson (1859–1941), Maurice Merleau-Ponty (1908-1961), and Gilles Deleuze (1925–1995) succeeded one another as leading voices in French philosophy over a span of 136 years. Their relationship to one another's work involved far more than their overlapping lifetimes. Bergson became both the source of philosophical insight and a focus of criticism for Merleau-Ponty and Deleuze. Deleuze criticized Merleau-Ponty's phenomenology as well as his interest in cognitive and natural science. Author Dorothea Olkowski points out that each of these philosophers situated their thought in relation to their understandings of crucial developments and theories taken up in the history and philosophy of science, and this has been difficult for Continental philosophy to grasp. She articulates the differences between these philosophers with respect to their disparate approaches to the physical sciences and with how their views of science function in relation to their larger philosophical projects. In Deleuze, Bergson, Merleau-Ponty, Olkowski examines the critical areas of the structure of time and memory, the structure of consciousness, and the question of humans' relation to nature. She reveals that these philosophers are working from inside one another's ideas and are making strong claims about time, consciousness, reality, and their effects on humanity that converge and diverge. The result is a clearer picture of the intertwined workings of Continental philosophy and its fundamental engagement with the sciences.
| Author | : Gregg Lambert |
| Publisher | : A&C Black |
| Total Pages | : 198 |
| Release | : 2002-08-01 |
| Genre | : Philosophy |
| ISBN | : 1847143636 |
The Non-Philosophy of Gilles Deleuze takes up Deleuze's most powerful argument on the task of contemporary philosophy in the West. Deleuze argues that it is only through a creative engagement with the forms of non-philosophy--notably modern art, literature and cinema--that philosophy can hope to attain the conceptual resources to restore the broken links of perception, language and emotion. In short, this is the only future for philosophy if it is to repair its fragile relationship to immanence to the world as it is.A sequence of dazzling essays analyze Deleuze's investigations into the modern arts. Particular attention is paid to Deleuze's exploration of Liebniz in relation to modern painting and of Borges to an understanding of the relationship between philosophy, literature and language. By illustrating Deleuze's own approach to the arts, and to modern literature in particular, the book demonstrates the critical significance of Deleuze's call for a future philosophy defined as an "art of inventing concepts."
