Seductive Forms

Seductive Forms
Author: Rosalind Ballaster
Publisher: Oxford University Press
Total Pages: 241
Release: 1992
Genre: Literary Criticism
ISBN: 0198184778

This book explores the ways in which three women novelists of the late-17th and early-18th centuries challenged and reworked both contemporary gender ideologies and generic convention.

How Eighteenth-century Women Fended-off Sexual Violence by Writing and Talking

How Eighteenth-century Women Fended-off Sexual Violence by Writing and Talking
Author: Jan M. Stahl
Publisher:
Total Pages: 0
Release: 2014
Genre: English fiction
ISBN: 9781495502729

Finally, an integrated and comprehensive study of the ways that female characters in early eighteenth-century novels used letter writing and verbal narration as a strategy for coping with sexual violence. The novels studied are groundbreaking works in the history of feminist literature.

New Perspectives on Delarivier Manley and Eighteenth Century Literature

New Perspectives on Delarivier Manley and Eighteenth Century Literature
Author: Aleksondra Hultquist
Publisher: Routledge
Total Pages: 288
Release: 2016-07-01
Genre: Literary Criticism
ISBN: 1317196929

This first critical collection on Delarivier Manley revisits the most heated discussions, adds new perspectives in light of growing awareness of Manley’s multifaceted contributions to eighteenth-century literature, and demonstrates the wide range of thinking about her literary production and significance. While contributors reconsider some well-known texts through her generic intertextuality or unresolved political moments, the volume focuses more on those works that have had less attention: dramas, correspondence, journalistic endeavors, and late prose fiction. The methodological approaches incorporate traditional investigations of Manley, such as historical research, gender theory, and comparative close readings, as well as some recently influential theories, like geocriticism and affect studies. This book forges new paths in the many underdeveloped directions in Manley scholarship, including her work’s exploration of foreign locales, the power dynamics between individuals and in relation to states, sexuality beyond heteronormativity, and the shifting operations and influences of genre. While it draws on previous writing about Manley’s engagement with Whig/Tory politics, gender, and queerness, it also argues for Manley’s contributions as a writer with wide-ranging knowledge of both the inner sanctums of London and the outer developing British Empire, an astute reader of politics, a sophisticated explorer of emotional and gender dynamics, and a flexible and clever stylist. In contrast to the many ways Manley has been too easily dismissed, this collection carefully considers many points of view, and opens the way for new analyses of Manley’s life, work, and vital contributions to the full range of forms in which she wrote.

Gender and the Fictions of the Public Sphere, 1690-1755

Gender and the Fictions of the Public Sphere, 1690-1755
Author: Anthony Pollock
Publisher: Routledge
Total Pages: 400
Release: 2010-03-17
Genre: Literary Criticism
ISBN: 1135855900

Challenging the longstanding interpretation of the early English public sphere as polite, inclusive, and egalitarian this book re-interprets key texts by representative male authors from the period—Addison, Steele, Shaftesbury, and Richardson—as reactionary responses to the widely-consumed and surprisingly subversive work of women writers such as Mary Astell, Delarivier Manley, and Eliza Haywood, whose political and journalistic texts have up until now received little scholarly consideration. By analyzing a wide range of materials produced between the 1690s to the 1750s, Pollock exposes a literary marketplace characterized less by cool rational discourse and genial consensus than by vehement contestation and struggles for cultural authority, particularly in debates concerning the proper extent of women’s participation in English public life. Utilizing innovative methods of research and analysis the book reveals that even at its moment of inception, there was an immanent critique of the early liberal public sphere being articulated by women writers who were keenly aware of the hierarchies and techniques of exclusion that contradicted their culture’s oft-repeated appeals to the principles of equality and universality.

Women Novelists and the Ethics of Desire, 1684–1814

Women Novelists and the Ethics of Desire, 1684–1814
Author: Elizabeth Kraft
Publisher: Routledge
Total Pages: 375
Release: 2016-12-05
Genre: Literary Criticism
ISBN: 1351871900

In Women Novelists and the Ethics of Desire, 1684-1814, Elizabeth Kraft radically alters our conventional views of early women novelists by taking seriously their representations of female desire. To this end, she reads the fiction of Aphra Behn, Delarivier Manley, Eliza Haywood, Sarah Fielding, Charlotte Smith, Frances Burney, and Elizabeth Inchbald in light of ethical paradigms drawn from biblical texts about women and desire. Like their paradigmatic foremothers, these early women novelists create female characters who demonstrate subjectivity and responsibility for the other even as they grapple with the exigencies imposed on them by circumstance and convention. Kraft's study, informed by ethical theorists such as Emmanuel Levinas and Luce Irigaray, is remarkable in its juxtaposition of narratives from ancient and early modern times. These pairings enable Kraft to demonstrate not only the centrality of female desire in eighteenth-century culture and literature but its ethical importance as well.

The Passionate Fictions of Eliza Haywood

The Passionate Fictions of Eliza Haywood
Author: Kirsten T. Saxton
Publisher: University Press of Kentucky
Total Pages: 378
Release: 2014-07-11
Genre: Biography & Autobiography
ISBN: 0813147638

The most prolific woman writer of the eighteenth century, Eliza Haywood (1693-1756?) was a key player in the history of the English novel. Along with her contemporary Defoe, she did more than any other writer to create a market for fiction prior to the emergence of Richardson, Fielding, and Smollett. Also one of Augustan England's most popular authors, Haywood came to fame in 1719 with the publication of her first novel, Love in Excess. In addition to writing fiction, she was a playwright, translator, bookseller, actress, theater critic, and editor of The Female Spectator, the first English periodical written by women for women. Though tremendously popular, her novels and plays from the 1720s and 30s scandalized the reading public with explicit portrayals of female sexuality and led others to call her "the Great Arbitress of Passion." Essays in this collection explore themes such as the connections between Haywood's early and late work, her experiments with the form of the novel, her involvement in party politics, her use of myth and plot devices, and her intense interest in the imbalance of power between men and women. Distinguished scholars such as Paula Backschieder, Felicity Nussbaum, and John Richetti approach Haywood from a number of theoretical and topical positions, leading the way in a crucial reexamination of her work. The Passionate Fictions of Eliza Haywood examines the formal and ideological complexities of her prose and demonstrates how Haywood's texts deft traditional schematization.

Enlightenment Orientalism

Enlightenment Orientalism
Author: Srinivas Aravamudan
Publisher: University of Chicago Press
Total Pages: 358
Release: 2012
Genre: Language Arts & Disciplines
ISBN: 0226024482

Srinivas Aravamudan here reveals how Oriental tales, pseudo-ethnographies, sexual fantasies, and political satires took Europe by storm during the eighteenth century. Naming this body of fiction Enlightenment Orientalism, he poses a range of urgent questions that uncovers the interdependence of Oriental tales and domestic fiction, thereby challenging standard scholarly narratives about the rise of the novel. More than mere exoticism, Oriental tales fascinated ordinary readers as well as intellectuals, taking the fancy of philosophers such as Voltaire, Montesquieu, and Diderot in France, and writers such as Defoe, Swift, and Goldsmith in Britain. Aravamudan shows that Enlightenment Orientalism was a significant movement that criticized irrational European practices even while sympathetically bridging differences among civilizations. A sophisticated reinterpretation of the history of the novel, Enlightenment Orientalism is sure to be welcomed as a landmark work in eighteenth-century studies.

The Passionate Fictions of Eliza Haywood

The Passionate Fictions of Eliza Haywood
Author: Kirsten T. Saxton, Rebecca P. Bocchicchio
Publisher: University Press of Kentucky
Total Pages: 386
Release: 2000
Genre: History
ISBN: 9780813126784

The most prolific woman writer of the eighteenth century, Eliza Haywood (1693-1756?) was a key player in the history of the English novel. Along with her contemporary Defoe, she did more than any other writer to create a market for fiction prior to the emergence of Richardson, Fielding, and Smollett. Also one of Augustan England's most popular authors, Haywood came to fame in 1719 with the publication of her first novel, Love in Excess. In addition to writing fiction, she was a playwright, translator, bookseller, actress, theater critic, and editor of The Female Spectator , the first English periodical written by women for women. Though tremendously popular, her novels and plays from the 1720s and 30s scandalized the reading public with explicit portrayals of female sexuality and led others to call her "the Great Arbitress of Passion." Essays in this collection explore themes such as the connections between Haywood's early and late work, her experiments with the form of the novel, her involvement in party politics, her use of myth and plot devices, and her intense interest in the imbalance of power between men and women. Distinguished scholars such as Paula Backschieder, Felicity Nussbaum, and John Richetti approach Haywood from a number of theoretical and topical positions, leading the way in a crucial reexamination of her work. The Passionate Fictions of Eliza Haywood examines the formal and ideological complexities of her prose and demonstrates how Haywood's texts deft traditional schematization.