Degas in Search of His Technique
Author | : Denis Rouart |
Publisher | : Rizzoli International Publications |
Total Pages | : 140 |
Release | : 1988 |
Genre | : Art |
ISBN | : |
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Author | : Denis Rouart |
Publisher | : Rizzoli International Publications |
Total Pages | : 140 |
Release | : 1988 |
Genre | : Art |
ISBN | : |
Author | : Damian Callan |
Publisher | : North Light Books |
Total Pages | : 0 |
Release | : 2014-10-22 |
Genre | : Painting |
ISBN | : 9781440336577 |
Paint Like a Master--Paint Like Degas! Edgar Degas is one of the most enduringly popular artists of his time, and his unique style and experimental approach to painting, using oils, pastels and mixed media, make him an artist that any painter can learn from today. In Paint Like Degas, professional artist Damian Callan, combines insights into Degas' methods with practical exercises to offer an exciting new way to develop your painting skills--whatever your level. You will learn the secrets of the master's creativity, enriching your understanding of Degas' work and showing how you can apply his techniques to give your own art even more depth and life. Paint Like Degas includes: Techniques for using pastels, oil paints and mixed media to create works of art with depth and atmosphere Exercises on subjects ranging from developing composition to layering colors to making monotypes Masterclass demonstrations showing step-by-step how to combine techniques to create finished works of art
Author | : H. G. E. Degas |
Publisher | : Courier Corporation |
Total Pages | : 112 |
Release | : 2012-07-16 |
Genre | : Art |
ISBN | : 0486139360 |
Carefully reproduced from a rare 1923 limited edition, most of these magnificent drawings are unavailable elsewhere in published form. Dancers, nudes, portraits, travel scenes, and more. 100 drawings, including 8 in full color.
Author | : Richard Kendall |
Publisher | : |
Total Pages | : 0 |
Release | : 2017 |
Genre | : Art |
ISBN | : 9780300228236 |
A beautiful celebration of six decades of work by Edgar Degas, published in the centennial year of the artist's death Edgar Degas's (1834-1917) relentless experimentation with technical procedures is a hallmark of his lifelong desire to learn. The numerous iterations of compositions and poses suggest an intense self-discipline, as well as a refusal to accept any creative solution as definitive or finite. Published in the centenary year of the artist's death, this book presents an exceptional array of Degas's work, including paintings, drawings, pastels, etchings, monotypes, counter proofs, and sculpture, with approximately sixty key works from private and public collections in Europe and the United States, some of them published here for the first time. Shown together, the impressive works represent well over half a century of innovation and artistic production. Essays by leading Degas scholars and conservation scientists explore his practice and recurring themes of the human figure and landscape. The book opens with a study of Degas's debt to the Old Masters, and it concludes with a consideration of his artistic legacy and his influence on leading artists of the 20th and 21st centuries, including Francis Bacon, Frank Auerbach, Ryan Gander, David Hockney, Howard Hodgkin, R. B. Kitaj, Pablo Picasso, and Walter Sickert. Published in association with the Fitzwilliam Museum, Cambridge Exhibition Schedule: The Fitzwilliam Museum, Cambridge (10/3/17-1/14/18) Denver Art Museum (02/18/18-05/20/18)
Author | : Richard Thomson |
Publisher | : Getty Publications |
Total Pages | : 112 |
Release | : 1995 |
Genre | : Art |
ISBN | : 0892362855 |
Edgar Degas was one of the great pioneers of modern art, and the J. Paul Getty and Norton Simon museums are fortunate to own jointly one of his finest pastels, Waiting (L'Attente), which he made sometime between 1880 and 1882, about midway in his career. In this fascinating monograph, author Richard Thomson explores this brilliant work in detail, revealing both the intricacies of its composition and the source of the emotional pull it immediately exerts upon the viewer. For Waiting is, indeed, an extraordinary object both in its craftsmanship and color and, perhaps most especially, in its aura of ambiguity and even mystery.
Author | : Ann Dumas |
Publisher | : |
Total Pages | : 136 |
Release | : 2006 |
Genre | : Art |
ISBN | : |
The great French Impressionist Edgar Degas (1834-1917) is best known for his images of Parisian life-for his superb renditions of cafe society, the ballet, and horse racing-and for his intimate interior scenes of bathing women. As this beautifully illustrated book reveals, however, he also maintained a lifelong interest in landscape subjects that until now has gone largely unrecognized. Despite taunting his friend Henri Rouart for "painting on the edge of a cliff," commenting "painting is not a sport," his love of this genre inspired him to create many paintings, pastels, and prints; it was, after all, the theme that the fifty-eight-year-old artist chose for his only solo show in France.
Author | : National Gallery of Art (U.S.) |
Publisher | : Princeton University Press |
Total Pages | : 0 |
Release | : 2010 |
Genre | : Sculpture |
ISBN | : 9780691148977 |
This volume presents the sculptures of French artist Edgar Degas (1834-1917). Degas is known for his work in painting, sculpture, printmaking and drawing. He is regarded as one of the founders of Impressionism, although he rejected the term, and preferred to be called a realist. Although best known as a painter, his most widely known work is a sculpture, "Little Dancer Aged Fourteen". Executed in wax, near life-sized, dressed in a ballerina's tutu, with real ballet slippers and real hair, the sculpture caused a sensation when it was exhibited in 1881. It is the only sculpture Degas ever showed publicly, though more than one hundred -- of dancers, horses, and bathers -- were found in his studio after he died, all dusty, some fallen apart. This work includes essays on Degas' life and work, his sculptural technique and materials, and the story of the sculptures after his death. It features art-historical and technical discussions of every work in the collection as well as concordances and bibliography.
Author | : Vivien Hamilton |
Publisher | : National Gallery London Publications |
Total Pages | : 0 |
Release | : 2017 |
Genre | : Art |
ISBN | : 9781857096255 |
The Burrell Collection in Glasgow houses more than twenty paintings, pastels, and drawings by Edgar Degas (1834-1917) that include his most recognisable motifs: ballet dancers, bathers, jockeys, and women at work. Together with a selection of the National Gallery's oils and pastels, they represent every stage of Degas's career. The authors show how the immediacy of these works is enhanced by the artist's energetic technique. These are not so much spontaneous sketches as daring experiments in form and color. Essays explore Degas's innovative use of pastels; his career and the ongoing critical assessment of his art; and the life and milieu of his contemporary Sir William Burrell, the wealthy Scottish shipping magnate and philanthropist, for whom forming this impressive collection of Degas's works was an unusual foray into contemporary art. Published by National Gallery Company/Distributed by Yale University Press Exhibition Schedule: National Gallery, London (09/20/17-April 2018)
Author | : Christopher Lloyd |
Publisher | : |
Total Pages | : 0 |
Release | : 2017 |
Genre | : Art |
ISBN | : 9780500293416 |
Edgar Degas (1834-1917) was one of the outstanding draughtsmen of the 19th century: drawing was not only a central tenet of his art, but essential to his existence. Through an examination of the artist's drawings and pastels, Christopher Lloyd reveals the development of Degas's style as well the story of his life, including his complicated relationship with the Impressionists. Following a broadly chronological approach, the author discusses the various subject areas, not only the images of dancers (which form over half of Degas's total oeuvre) but also of nudes and milliners, and the less well-known racehorse and landscape drawings. He covers his whole career, from when Degas was copying the Old Masters to learn his craft to when he ceased work in 1912 because of failing eyesight, setting him within the artistic context of the period. Lloyd's extensive research, which includes consulting the artist's detailed notebooks, has resulted in a comprehensive exposition with, at its heart, some 250 pencil, black-chalk, pen-and-ink, and charcoal drawings and pastels of timeless appeal.