Defining Giulia
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| Author | : Gerry Pelser |
| Publisher | : |
| Total Pages | : 388 |
| Release | : 2021-01-31 |
| Genre | : |
| ISBN | : |
Unrequited love leaves room for another in Leigh's heart... and bed. Leigh McCabe has had a taste of the dark side and there is no return to normality: as a master of Shibari and a connoisseur of Dominance and submission, Mikey Marais has shown her pleasure in restraint and pain. But the student turns teacher as Dominance beckons to the sub. The beautiful and innocent Giulia Hoffmann is ready to spread her wings and escape from her mother's rusty cage. She convinces Leigh to take nude photos of her to prove to her controlling mother that she's her own woman now. Leigh cannot deny the stirring of desire the extraordinary Giulia causes. Leigh uses her as a photographic model; excited to share her seductive new world and explore a taboo relationship with an eager, submissive woman. Love knows no bounds, and no gender. Leigh finds herself caught between her submissive instinct and the thrill of the Domme. Between a man's control and a woman's delicate touch. Her body and soul. Heart and mind. Darkness and light. While helping Giulia discover the pleasures of deviant desires; Leigh becomes addicted to what it feels like to be loved by a woman's touch, and the rush of dominating someone so eager to submit. However, Mikey saved her life physically and emotionally, and Leigh can't bear to lose him. But she knows she can never love him completely, and Giulia may need her too much. How will Leigh choose? Can Giulia reconcile? And What will Mikey make of all of this?
| Author | : |
| Publisher | : |
| Total Pages | : 480 |
| Release | : 1995 |
| Genre | : Architecture, Domestic |
| ISBN | : |
| Author | : Teresa de Lauretis |
| Publisher | : Indiana University Press |
| Total Pages | : 166 |
| Release | : 1987-11-22 |
| Genre | : Social Science |
| ISBN | : 0253017920 |
"Technologies of Gender builds a bridge between the fashionable orthodoxies of academic theory (Lacan, Foucault, Derrida, et al.) and the frequently-marginalized contributions of feminist theory. . . . In sum, de Lauretis has written a book that should be required reading for every feminist in need of theoretical ammunition—and for every theorist in need of feminist enlightenment." —B. Ruby Rich " . . . sets philosophical ideas humming. . . . she has much to say." —Cineaste "I can think of no other work that pushes the debate on the female subject forward with such passion and intellectual rigor." —SubStance This book addresses the question of gender in poststructuralist theoretical discourse, postmodern fiction, and women's cinema. It examines the construction of gender both as representation and as self-representation in relation to several kinds of texts and argues that feminism is producing a radical rewriting, as well as a rereading, of the dominant forms of Western culture.
| Author | : Anthi Chrysanthou |
| Publisher | : Walter de Gruyter GmbH & Co KG |
| Total Pages | : 464 |
| Release | : 2020-04-20 |
| Genre | : Religion |
| ISBN | : 3110678535 |
The complex matter of Orphism has so far been addressed by scholars through studies focusing on one of its components each time, primarily the Derveni Papyrus and the Gold Tablets while the text of the Orphic Rhapsodies has remained under-examined mostly due to its fragmentary nature and the lack of a reconstruction. This book brings all of the major components of Orphism together in one study, in this way highlighting both parallels and divergences between them, and a wide range of non-Orphic sources referring to Orphic practices, beliefs and texts. For the complete analysis of the Orphic Rhapsodies a reconstruction of the text was necessary, which is included in this book along with a commentary and translation. This work proposes a new definition of Orphism and it can constitute a whole-encompassing and concise guide for scholars and students interested in Orphism. The reconstruction of the Orphic Rhapsodies could also contribute on shifting the understanding of this work to new perspectives as it demonstrates that the Orphic Rhapsodies was a more complex text rather than a single continuous theogonic narrative as has been approached up to this date.
| Author | : Annick De Houwer |
| Publisher | : Cambridge University Press |
| Total Pages | : 412 |
| Release | : 1990-06-29 |
| Genre | : Language Arts & Disciplines |
| ISBN | : 0521366526 |
This study's main aim is to explore the nature of early bilingual morphosyntactic development.
| Author | : Mira Ariel |
| Publisher | : Cambridge University Press |
| Total Pages | : 349 |
| Release | : 2010-06-24 |
| Genre | : Language Arts & Disciplines |
| ISBN | : 1139488678 |
Although there is no shortage of definitions for pragmatics the received wisdom is that 'pragmatics' simply cannot be coherently defined. In this groundbreaking book Mira Ariel challenges the prominent definitions of pragmatics, as well as the widely-held assumption that specific topics – implicatures, deixis, speech acts, politeness – naturally and uniformly belong on the pragmatics turf. She reconstitutes the field, defining grammar as a set of conventional codes, and pragmatics as a set of inferences, rationally derived. The book applies this division of labor between codes and inferences to many classical pragmatic phenomena, and even to phenomena considered 'beyond pragmatics'. Surprisingly, although some of these turn out pragmatic, others actually turn out grammatical. Additional intriguing questions addressed in the book include: why is it sometimes difficult to distinguish grammar from pragmatics? Why is there no grand design behind grammar nor behind pragmatics? Are all extragrammatical phenomena pragmatic?
| Author | : Claire Martinot |
| Publisher | : John Wiley & Sons |
| Total Pages | : 400 |
| Release | : 2019-05-21 |
| Genre | : Language Arts & Disciplines |
| ISBN | : 1786303671 |
Reformulation and Acquisition of Linguistic Complexity proposes a new answer to the question of the appropriation or acquisition of a mother tongue – a complex object, one that is both stable and perpetually evolving. This answer is based on the reformulating principle that children spontaneously apply; a principle that is illustrated here with children retelling the same story. These children are all 6, 8 or 10 years old and speak French, Italian, Croatian or Polish as a first language. This book demonstrates that the acquisition of any mother tongue is explained by the application of various reformulation procedures between source predications and reformulated predications. These procedures are comparable from one language to another, and different from one age group to another. This book also studies certain complex phenomena at the lexical and syntactical levels, and analyzes how children, depending on their age, treat these phenomena. Finally, we show that the acquisition of a mother tongue is a fundamentally linguistic activity.
| Author | : Teresa L. Picarazzi |
| Publisher | : Fairleigh Dickinson Univ Press |
| Total Pages | : 254 |
| Release | : 2002 |
| Genre | : Literary Criticism |
| ISBN | : 9780838639047 |
She argues that Ginzburg adopted a distinct aesthetic by allowing her family stories to be narrated through a female narrating "I." This volume focuses on the broad theme of the maternal by tracing the development of the voices of Ginzburg's narrating daughters, mothers, and sisters. Their texts read as auto/biographies; that is, they are narratives about both the self and the other."--BOOK JACKET.
| Author | : Tobias Hayer |
| Publisher | : Frontiers Media SA |
| Total Pages | : 217 |
| Release | : 2018-11-08 |
| Genre | : |
| ISBN | : 2889456137 |
| Author | : Gino Moliterno |
| Publisher | : Rowman & Littlefield |
| Total Pages | : 751 |
| Release | : 2020-12-08 |
| Genre | : Performing Arts |
| ISBN | : 153811948X |
Italian cinema is now regarded as one of the great cinemas of the world. Historically, however, its fortunes have varied. Following a brief moment of glory in the early silent era, Italian cinema appeared to descend almost into irrelevance in the early1920s. A strong revival of the industry which gathered pace during the 1930s was abruptly truncated by the advent of World War II. The end of the war, however, initiated a renewal as films such as Roma città aperta (Rome Open City), Sciuscià (Shoeshine, 1946), and Ladri di biciclette (Bicycle Thieves, 1948), flagbearers of what soon came to be known as Neorealism, attracted unprecedented international acclaim and a reputation that only continued to grow in the following years as Italian films were feted worldwide. Ironically, they were celebrated nowhere more than in the United States, where Italian films consistently garnered the lion's share of the Oscars, with Lina Wertmüller becoming the first woman to ever be nominated for the Best Director award. This second edition of Historical Dictionary of Italian Cinema contains a chronology, an introduction, and an extensive bibliography. The dictionary section has over 400 cross-referenced entries on major movements, directors, actors, actresses, film genres, producers, industry organizations and key films. This book is an excellent resource for students, researchers, and anyone wanting to know more about Italian Cinema.
