Deep Sightings Rescue Missions
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| Author | : Toni Cade Bambara |
| Publisher | : Vintage |
| Total Pages | : 272 |
| Release | : 2009-08-26 |
| Genre | : Fiction |
| ISBN | : 0307555569 |
Edited and with a Preface by Toni Morrison, this posthumous collection of short stories, essays, and interviews offers lasting evidence of Bambara's passion, lyricism, and tough critical intelligence. Included are tales of mothers and daughters, rebels and seeresses, community activists and aging gangbangers, as well as essays on film and literature, politics and race, and on the difficulties and necessities of forging an identity as an artist, activist, and black woman. It is a treasure trove not only for those familiar with Bambara's work, but for a new generation of readers who will recognize her contribution to contemporary American letters.
| Author | : Toni Morrison |
| Publisher | : |
| Total Pages | : 257 |
| Release | : 1996 |
| Genre | : African American women |
| ISBN | : |
On December 9, 1995, Toni Cade Bambara died at the age of fifty-six, a profound loss to American culture. In its obituary the New York Times called her "a major contributor to the emerging genre of black women's literature, along with the writers Toni Morrison and Alice Walker." The author of many acclaimed works of fiction and nonfiction, among them three pioneering and timeless volumes: Gorilla, My Love and The Seabirds Are Still Alive, both collections of stories, and The Salt Eaters, a novel, Bambara had not published a new book in the fourteen years prior to her death. She developed during that time a keen interest in film - as a scriptwriter, filmmaker, critic, and teacher - and collaborated on several television documentaries, including The Bombing of Osage Avenue, about the police assault on the MOVE headquarters in Philadelphia, and on the W.E.B. Du Bois Film Project. Bambara also helped to launch the careers of many other black women filmmakers. Deep Sightings and Rescue Missions is a brilliant distillation of Bambara's original sensibility and a confirmation of her status as one of America's great post-World War II writers. Here is a rich selection of her writings, many of which have never before appeared in print: stories ("Madame Bai and the Taking of Stone Mountain," "Ice," "Luther on Sweet Auburn"), essays ("Language and the Writer," "The Education of a Storyteller), film criticism ("School Daze"), and a revealing interview.
| Author | : Evan Brier |
| Publisher | : University of Iowa Press |
| Total Pages | : 254 |
| Release | : 2024 |
| Genre | : Language Arts & Disciplines |
| ISBN | : 1609389395 |
"Novel Competition describes the literary and institutional effort to make the American novel matter after 1965. During this era, Hollywood movies, popular music, and other forms of mass-produced culture vied with novels for a specific kind of prestige - often figured as "importance" or "relevance" - that had mostly been attached to novels in previous decades. This trans-media competition, Brier argues, is a crucial but largely unacknowledged event in the literary and economic history of the American novel. In the face of it, the novel lost some of the symbolic specialness it formerly held. That loss, in turn, generated not just a much-discussed rhetoric of crisis but also a host of unexamined, intertwined effects on both literary form and the business of novel production. Drawing on a range of novels and on the archives of publishers, editors, agents, and authors, Novel Competition shows how fiction's declining position in a transformed "popular-prestige" economy reshaped the post-1965 American novel as art form, cultural institution, and commodity"--
| Author | : Toni Cade Bambara |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 2012 |
| Genre | : Authors, American |
| ISBN | : 9781604734324 |
Conversations with the author of the acclaimed works Gorilla, My Love, The Salt Eaters, and Those Bones Are Not My Child
| Author | : Elizabeth Rodriguez Fielder |
| Publisher | : University of Michigan Press |
| Total Pages | : 245 |
| Release | : 2024-10-22 |
| Genre | : Social Science |
| ISBN | : 0472904663 |
The Revolution Will Be Improvised: The Intimacy of Cultural Activism traces intimate encounters between activists and local people of the civil rights movement through an archive of Black and Brown avant-gardism. In the 1960s, Student Nonviolent Coordinating Committee (SNCC) activists engaged with people of color working in poor communities to experiment with creative approaches to liberation through theater, media, storytelling, and craft making. With a dearth of resources and an abundance of urgency, SNCC activists improvised new methods of engaging with communities that created possibilities for unexpected encounters through programs such as The Free Southern Theater, El Teatro Campesino, and the Poor People’s Corporation. Reading the output of these programs, Elizabeth Rodriguez Fielder argues that intimacy-making became an extension of participatory democracy. In doing so, Rodriguez Fielder supplants the success-failure binary for understanding social movements, focusing instead on how care work aligns with creative production. The Revolution Will Be Improvised returns to improvisation’s roots in economic and social necessity and locates it as a core tenet of the aesthetics of obligation, where a commitment to others drives the production and result of creative work. Thus, this book puts forward a methodology to explore the improvised, often ephemeral, works of art activism.
| Author | : Christine DeVine |
| Publisher | : Cambridge Scholars Publishing |
| Total Pages | : 205 |
| Release | : 2011-07-12 |
| Genre | : Juvenile Nonfiction |
| ISBN | : 1443832367 |
From the Irish Cailleach and other shape-shifters of folk legends to modern movie “transformers”; from Ovid’s Metamorphoses to the moment when Gregor Samsa woke up one morning to find himself transformed into an insect in Kafka’s novella; from conversion narratives to slave narratives, turning points and transformations have always been central to literary works and to cultural developments. In fact, with Freytag’s pyramid in mind, one could claim that all literary works focus on the trope of a transformation born of a turning point, because such moments comprise the very essence and vitality of human life and culture. But why are turning points necessarily transformational and in what way? And what brings about those turning points in language, literature, culture and human lives? These are essentially the questions the essays in this volume seek to answer. The contributors examine turning points and transformations – personal, literary and cultural – brought about through the randomness of the universe as well as through human interference, and discuss ways in which humans in general and writers in particular, through their art, experience and cope with the ineluctable results.
| Author | : Jesse W. Schwartz |
| Publisher | : Bloomsbury Publishing USA |
| Total Pages | : 321 |
| Release | : 2022-06-16 |
| Genre | : Literary Criticism |
| ISBN | : 1501359746 |
New Directions in Print Culture Studies features new methods and approaches to cultural and literary history that draw on periodicals, print culture, and material culture, thus revising and rewriting what we think we know about the aesthetic, cultural, and social history of transnational America. The unifying questions posed and answered in this book are methodological: How can we make material, archival objects meaningful? How can we engage and contest dominant conceptions of aesthetic, historical, and literary periods? How can we present archival material in ways that make it accessible to other scholars and students? What theoretical commitments does a focus on material objects entail? New Directions in Print Culture Studies brings together leading scholars to address the methodological, historical, and theoretical commitments that emerge from studying how periodicals, books, images, and ideas circulated from the 19th century to the present. Reaching beyond national boundaries, the essays in this book focus on the different materials and archives we can use to rewrite literary history in ways that highlight not a canon of “major” literary works, but instead the networks, dialogues, and tensions that define print cultures in various moments and movements.
| Author | : D. Quentin Miller |
| Publisher | : Cambridge University Press |
| Total Pages | : 466 |
| Release | : 2023-01-31 |
| Genre | : Literary Criticism |
| ISBN | : 1009188259 |
African American Literature in Transition, 1980–1990 tracks Black expressive culture in the 1980s as novelists, poets, dramatists, filmmakers, and performers grappled with the contradictory legacies of the civil rights era, and the start of culture wars and policy machinations that would come to characterize the 1990s. The volume is necessarily interdisciplinary and critically promiscuous in its methodologies and objects of study as it reconsiders conventional temporal, spatial, and moral understandings of how African American letters emerged immediately after the movement James Baldwin describes as the 'latest slave rebellion.' As such, the question of the state of America's democratic project as refracted through the literature of the shaping presence of African Americans is one of the guiding concerns of this volume preoccupied with a moment in American literary history still burdened by the legacies of the 1960s, while imagining the contours of an African Americanist future in the new millennium.
| Author | : Kimberly Nichele Brown |
| Publisher | : Indiana University Press |
| Total Pages | : 294 |
| Release | : 2010-09-09 |
| Genre | : Literary Criticism |
| ISBN | : 0253004705 |
Kimberly Nichele Brown examines how African American women since the 1970s have found ways to move beyond the "double consciousness" of the colonized text to develop a healthy subjectivity that attempts to disassociate black subjectivity from its connection to white culture. Brown traces the emergence of this new consciousness from its roots in the Black Aesthetic Movement through important milestones such as the anthology The Black Woman and Essence magazine to the writings of Angela Davis, Toni Cade Bambara, and Jayne Cortez.
| Author | : Jane Duran |
| Publisher | : Routledge |
| Total Pages | : 267 |
| Release | : 2016-02-17 |
| Genre | : Philosophy |
| ISBN | : 1134779542 |
New work on women thinkers often makes the point that philosophical conceptual thought is where we find it, examples such as Simone de Beauvoir and the nineteenth century Black American writer Anna Julia Cooper assure us that there is ample room for the development of philosophy in literary works but as yet there has been no single unifying attempt to trace such projects among a variety of women novelists. This book articulates philosophical concerns in the work of five well known twentieth century women writers, including writers of color. Duran traces the development of philosophical themes - ontological, ethical and feminist - in the writings of Margaret Drabble, Virginia Woolf, Simone de Beauvoir, Toni Cade Bambara and Elena Poniatowska presenting both a general overview of the author's work with an emphasis on traditional philosophical questions and a detailed feminist reading of the work.
