Deconstructing History
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| Author | : Alun Munslow |
| Publisher | : Taylor & Francis |
| Total Pages | : 257 |
| Release | : 2006 |
| Genre | : Historiography |
| ISBN | : 0415391431 |
Surveying the latest research, this welcome second edition of Alun Munslow's successful Deconstructing History provides an excellent introduction to the debates and issues of postmodernist history. This new edition has been updated and revised and, along with the original discussion material and topics, now: assesses the claims of history as a form of 'truthful' explanation discusses the limits of conventional historical thinking and practice, and the responses of the 'new empiricists' to the book's central arguments examines the arrival of 'experimental history' and its implications clarifies the utility of addressing Michael Foucault and Hayden White, and strengthens the analysis of Frank R. Ankersmit's recent work. Along with an updated glossary, and a revised bibliography, this second edition will not only live up to its predecessor's reputation, but will surpass it as the most essential student resource for studying history and its practice.
| Author | : Murray G. Phillips |
| Publisher | : State University of New York Press |
| Total Pages | : 276 |
| Release | : 2012-02-01 |
| Genre | : Sports & Recreation |
| ISBN | : 0791482502 |
This groundbreaking collection challenges the accepted principles and practices of sport history and encourages sport historians to be more adventurous in their representations of the sporting past in the present. Encompassing a wide range of critical approaches, leading international sport historians reflect on theory, practice, and the future of sport history. They survey the field of sport history since its inception, examine the principles that have governed the production of knowledge in sport history, and address the central concerns raised by the postmodern challenge to history. Sharing a common desire to critique contemporary practices in sport history, the contributors raise the level of critical analysis of the production of historical knowledge, provide examples of approaches by those who have struggled with or adapted to the postmodern challenge, and open up new avenues for future sport historians to follow.
| Author | : Jason E. Taylor |
| Publisher | : University of Chicago Press |
| Total Pages | : 215 |
| Release | : 2019-02-18 |
| Genre | : Business & Economics |
| ISBN | : 022660344X |
The National Industrial Recovery Act (NIRA) was enacted by Congress in June of 1933 to assist the nation’s recovery during the Great Depression. Its passage ushered in a unique experiment in US economic history: under the NIRA, the federal government explicitly supported, and in some cases enforced, alliances within industries. Antitrust laws were suspended, and companies were required to agree upon industry-level “codes of fair competition” that regulated wages and hours and could implement anti-competitive provisions such as those fixing prices, establishing production quotas, and imposing restrictions on new productive capacity. The NIRA is generally viewed as a monolithic program, its dramatic and sweeping effects best measurable through a macroeconomic lens. In this pioneering book, however, Jason E. Taylor examines the act instead using microeconomic tools, probing the uneven implementation of the act’s codes and the radical heterogeneity of its impact across industries and time. Deconstructing the Monolith employs a mixture of archival and empirical research to enrich our understanding of how the program affected the behavior and well-being of workers and firms during the two years NIRA existed as well as in the period immediately following its demise.
| Author | : Onur Öztürk |
| Publisher | : Routledge |
| Total Pages | : 320 |
| Release | : 2022-03-20 |
| Genre | : Art |
| ISBN | : 100055595X |
Deconstructing the Myths of Islamic Art addresses how researchers can challenge stereotypical notions of Islam and Islamic art while avoiding the creation of new myths and the encouragement of nationalistic and ethnic attitudes. Despite its Orientalist origins, the field of Islamic art has continued to evolve and shape our understanding of the various civilizations of Europe, Africa, Asia, and the Middle East. Situated in this field, this book addresses how universities, museums, and other educational institutions can continue to challenge stereotypical or homogeneous notions of Islam and Islamic art. It reviews subtle and overt mythologies through scholarly research, museum collections and exhibitions, classroom perspectives, and artists’ initiatives. This collaborative volume addresses a conspicuous and persistent gap in the literature, which can only be filled by recognizing and resolving persistent myths regarding Islamic art from diverse academic and professional perspectives. The book will be of interest to scholars working in art history, museum studies, visual culture, and Middle Eastern studies.
| Author | : Alun Munslow |
| Publisher | : Routledge |
| Total Pages | : 327 |
| Release | : 2016-09-17 |
| Genre | : History |
| ISBN | : 1317873580 |
The notion of 'history' has always been one strenuously debated by both academics and the wider population. This deeply provocative re-thinking of our engagement with the past by one of the world's leading post-modern historians takes that debate one step further. Alun Munslow re-assesses history in the light of post-modernism and other intellectual challenges which have questioned the primacy of the modernist epistemology of empiricism. In an original and stimulating vision of history that will intrigue all those seriously interested in the subject, Munslow argues that history is not only about the sources, but a literary construction. Munslow concludes that history, as a cultural narrative about the past can never tell us what the past really means. This far reaching conclusion is based on the radical idea that the content of history is defined as much by the nature of the language used to represent and interpret that content as it is by research into the sources. This suggests that history does not produce the most likely meaning of the past but rather can only generate alternative meanings. The lead volume in a major new series on historical thinking and practice, this is an accessible yet absorbing study that breaks new ground in discussing the stage history is at now, and perhaps most engagingly, the direction it will take in the future.
| Author | : Sean M. Maloney |
| Publisher | : U of Nebraska Press |
| Total Pages | : 497 |
| Release | : 2020-07-01 |
| Genre | : Performing Arts |
| ISBN | : 1640123512 |
King of the Cold War crisis film, Dr. Strangelove became a cultural touchstone from the moment of its release in 1964. The duck-and-cover generation saw it as a satire on nuclear issues and Cold War thinking. Subsequent generations, removed from the film’s historical moment, came to view it as a quasi-documentary about an unfathomable secret world. Sean M. Maloney uses Dr. Strangelove and other genre classics like Fail Safe and The Bedford Incident to investigate a curious pop cultural contradiction. Nuclear crisis films repeatedly portrayed the failures of the Cold War’s deterrent system. Yet the system worked. What does this inconsistency tell us about the genre? What does it tell us about the deterrent system, for that matter? Blending film analysis with Cold War history, Maloney looks at how the celluloid crises stack up against reality—or at least as much of reality as we can reconstruct from these films with confidence. The result is a daring intellectual foray that casts new light on Dr. Strangelove, one of the Cold War era’s defining films.
| Author | : Scott Cutler Shershow |
| Publisher | : University of Chicago Press |
| Total Pages | : 228 |
| Release | : 2014-01-10 |
| Genre | : Philosophy |
| ISBN | : 022608826X |
The right-to-die debate has gone on for centuries, playing out most recently as a spectacle of protest surrounding figures such as Terry Schiavo. In Deconstructing Dignity, Scott Cutler Shershow offers a powerful new way of thinking about it philosophically. Focusing on the concepts of human dignity and the sanctity of life, he employs Derridean deconstruction to uncover self-contradictory and damaging assumptions that underlie both sides of the debate. Shershow examines texts from Cicero’s De Officiis to Kant’s Groundwork of the Metaphysics of Morals to court decisions and religious declarations. Through them he reveals how arguments both supporting and denying the right to die undermine their own unconditional concepts of human dignity and the sanctity of life with a hidden conditional logic, one often tied to practical economic concerns and the scarcity or unequal distribution of medical resources. He goes on to examine the exceptional case of self-sacrifice, closing with a vision of a society—one whose conditions we are far from meeting—in which the debate can finally be resolved. A sophisticated analysis of a heated topic, Deconstructing Dignity is also a masterful example of deconstructionist methods at work.
| Author | : Barbara Crain Major |
| Publisher | : Fortress Press |
| Total Pages | : 164 |
| Release | : 2023-01-10 |
| Genre | : Religion |
| ISBN | : 1506470122 |
Barbara Crain Major and Joseph Barndt bring ninety combined years of experience as community organizers, teachers, and anti-racism trainers in community and church settings to this book. In Deconstructing Racism, they propose the deconstruction of racism's roots within systems and institutions that have been created, both structurally and legally, to serve white people. The authors propose that the deconstruction of racism must take place through the reconstruction of these systems and institutions. The authors seek to unmask the complexities of racism and the invisible patterns that keep it in place. There is no quick fix, but they believe racism can be deconstructed and undone. In order to do this, they identify and address race-based identity, history, and cultural issues rooted in current systems. Three chapters specifically address societal systems and provide anti-racism strategies for community organizers. Three chapters address racism as rooted in systems in the church and challenge people of faith to seek racial healing through understanding, honest confession, true reconciliation, and reconstructed church institutions. A final chapter outlines a way forward to and through a new era of anti-racist reconstruction. This way forward includes a new anti-racist mission statement, a new model of decision-making power, and new processes for accountability.
| Author | : Robert Bennett |
| Publisher | : Routledge |
| Total Pages | : 142 |
| Release | : 2013-12-02 |
| Genre | : History |
| ISBN | : 1317793889 |
Situating post-WWII New York literature within the material context of American urban history, this work analyzes how literary movements such as the Beat Generation, the New York poets and Black Arts Moment criticized the spatial restructuring of post-WWII New York City.
| Author | : Simon Wood |
| Publisher | : |
| Total Pages | : 580 |
| Release | : 2015-12-10 |
| Genre | : |
| ISBN | : 9780692582435 |
WINNER - BOOK OF THE YEAR AWARD 2015, Jack the Ripper Conference, Nottingham, England. Will Jack the Ripper ever be identified? The answer is an emphatic "No." But not because he was a quasi-supernatural entity able to perform lightning-fast kerb-side surgery whilst running split-second rings around two London police forces. Jack the Ripper did not exist - except within the minds of his creators and those who for one reason or another have attempted for over one hundred years to turn the myth into a reality. In 1976 Simon Daryl Wood revealed Stephen Knight's hugely popular Royal Conspiracy to be a farrago of nonsense, and since then has written extensively on the Whitechapel Murders. "Deconstructing Jack: The Secret History of the Whitechapel Murders," the result of over twenty years' research, casts a sceptical eye over the continuous stream of lies, invention, misinformation, self-publicity and opportunism which has kept this Victorian bogeyman alive in the darkest reaches of our 21st Century imaginations. Can history ever bring itself to shrug off almost 130 years of dogma and cherished beliefs, and at last smile ruefully at having been suckered in probably the greatest shell game of all time? Or will this heretical challenge to orthodoxy be peremptorily dismissed as revisionist nonsense, thus allowing the time-old parlour game of Pin the Tail on the Ripper to continue ad infinitum? Read the book and judge for yourself.
