Decoding The Bayeux Tapestry
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| Author | : Arthur Colin Wright |
| Publisher | : Pen and Sword |
| Total Pages | : 255 |
| Release | : 2019-07-30 |
| Genre | : Design |
| ISBN | : 1526741113 |
For the first time, a scholar reveals the meaning of the marginal images on the Bayeux Tapestry, unlocking a completely new meaning of the work. The story of the Norman Conquest and the Battle of Hastings as shown in the Bayeux Tapestry is arguably the most widely-known in the panoply of English history, and over the last 200 years there have been hundreds of books on the Tapestry seeking to analyze its meanings. Yet, there is one aspect of the embroidery that has been virtually ignored or dismissed as unimportant by historians—the details in the margins. The fables shown in the margins are neither just part of a decorative ribbon, nor are they discontinuous. They follow on in sequence. When this is understood, it becomes clear that they must relate to the action shown on the body of the Tapestry. After careful examination, the purpose of these images is to amplify, elaborate, or explain the main story. In this groundbreaking study, Arthur Wright reveals the significance of the images in the margins. Now it is possible to see the “whole” story as never before, enabling a more complete picture of the Bayeux Tapestry to be constructed. Wright reexamines many of the scenes in the main body of the work, showing that a number of the basic assumptions, so often taught as facts, have been based on nothing more than reasoned conjecture. It might be thought that after so much has been written about the Bayeux Tapestry there was nothing more to be said, but Decoding the Bayeux Tapestry shows how much there is still to be learned.
| Author | : John Collingwood Bruce |
| Publisher | : |
| Total Pages | : 214 |
| Release | : 1856 |
| Genre | : Bayeux tapestry |
| ISBN | : |
| Author | : John F. Szabo |
| Publisher | : Rowman & Littlefield |
| Total Pages | : 577 |
| Release | : 2015-06-18 |
| Genre | : History |
| ISBN | : 1442251565 |
Commanding its own museum and over 200 years of examination, observation and scholarship, the monumental embroidery, known popularly as the Bayeux Tapestry and documenting William the Conqueror’s invasion of England in October 1066, is perhaps the most important surviving artifact of the Middle Ages. This magnificent textile, both celebrated and panned, is both enigmatic artwork and confounding historical record. With over 1780 entries, Szabo and Kuefler offer the largest and most heavily annotated bibliography on the Tapestry ever written. Notably, the Bayeux Tapestry has produced some of the most compelling questions of the medieval period: Who commissioned it and for what purpose? What was the intended venue for its display? Who was the designer and who executed the enormous task of its manufacture? How does it inform our understanding of eleventh-century life? And who was the mysterious Aelfgyva, depicted in the Tapestry’s main register? This book is an effort to capture and describe the scholarship that attempts to answer these questions. But the bibliography also reflects the popularity of the Tapestry in literature covering a surprisingly broad array of subjects. The inclusion of this material will assist future scholars who may study references to the work in contemporary non-fiction and popular works as well as use of the Bayeux Tapestry as a primary and secondary source in the classroom. The monographs, articles and other works cited in this bibliography reflect dozens of research areas. Major themes are: the Tapestry as a source of information for eleventh-century material culture, its role in telling the story of the Battle of Hastings and events leading up to the invasion, patronage of the Tapestry, biographical detail on known historical figures in the Tapestry, arms and armor, medieval warfare strategy and techniques, opus anglicanum (the Anglo-Saxon needlework tradition), preservation and display of the artifact, the Tapestry’s place in medieval art, the embroidery’s depiction of medieval and Romanesque architecture, and the life of the Bayeux Tapestry itself.
| Author | : Robin Netherton |
| Publisher | : Boydell & Brewer Ltd |
| Total Pages | : 205 |
| Release | : 2015 |
| Genre | : Design |
| ISBN | : 1783270020 |
A wide-ranging and varied collection of essays which examine surviving garments, methods of production and clothes in society. The second decade of this acclaimed and popular series begins with a volume that will be essential reading for historians and re-enactors alike. Two papers consider cloth manufacture in the early medieval period: Ingvild Øye examines the graves of prosperous Viking Age women from Western Norway which contained both textile-making tools and the remains of cloth, considering the relationship between the two. Karen Nicholson compliments this with practical experiments in spinning. This is followed by Tina Anderlini's close examination of the details of cut and construction of a thirteenth-century chemise attributed to King Louis IX of France (St Louis), out of its shrine for the firsttime since 1970. Three papers consider fashionable clothing and morality: Sarah-Grace Heller discusses sumptuary legislation from Angevin Sicily in the 1290s which sought to restrict men's dress at a time when preparation for war was more important than showy clothes; Cordelia Warr examines the dire consequences of a woman dressing extravagantly as portrayed in a fourteenth-century Italian fresco; and Emily Rozier discusses the extremes of dress attributed by moral and satirical writers to the men known as "galaunts". Two textual studies then show the importance of textiles in daily life. Susan Powell reveals the austere but magnificent purchases made on behalf of Lady Margaret Beaufort, mother of King Henry VII, in the last ten years of her life (1498-1509); Anna Riehl Bertolet discusses in detail the passage in Shakespeare's A Midsummer Night's Dream where Helena passionately recalls sewinga sampler with Hermia when they were young and still bosom friends.
| Author | : Caroline Gonda |
| Publisher | : Cambridge University Press |
| Total Pages | : 301 |
| Release | : 2023-07-13 |
| Genre | : Literary Criticism |
| ISBN | : 1009280775 |
This is the first edited collection of essays on the nineteenth-century diarist Anne Lister. Now recognized as a UNESCO world heritage document, Lister's five-million-word diaries are paradigm-shifting in terms of their range of material, from social commentary and politics to breath-taking travel accounts. However, they have become most well-known for their explicit descriptions of same-sex practices, written in code and constituting a significant portion of their content. The essays here address the variety and interdisciplinarity of the diaries: Lister's negotiations with her own 'odd' identity, her multiple same-sex relationships, her involvement in politics and her lifelong thirst for knowledge. It also addresses Lister studies in popular culture through the successful Gentleman Jack BBC-HBO series, including an interview with Sally Wainwright and foreword by author Emma Donoghue. This title is part of the Flip it Open Programme and may also be available Open Access. Check our website Cambridge Core for details.
| Author | : Dale Serjeantson |
| Publisher | : Oxbow Books |
| Total Pages | : 524 |
| Release | : 2023-06-29 |
| Genre | : Social Science |
| ISBN | : 1789259576 |
The Archaeology of Wild Birds in Britain and Ireland tells the story of human engagement with birds from the end of the last Ice Age to about AD 1650. It is based on archaeological bird remains integrated with ethnography and the history of birds and avian biology. In addition to their food value, the book examines birds in ritual activities and their capture and role in falconry and as companion animals. It is an essential guide for archaeologists and zooarchaeologists and will interest historians and naturalists concerned with the history and former distribution of birds.
| Author | : Javier Gimeno-Martínez |
| Publisher | : Taylor & Francis |
| Total Pages | : 280 |
| Release | : 2024-07-26 |
| Genre | : Design |
| ISBN | : 1040044573 |
This student-friendly text provides a comprehensive exploration of the methods and approaches employed within design scholarship, drawing upon influences from history, art history, anthropology and interdisciplinary studies such as science and technology studies and material culture studies. Drawing connections between these methods and the evolving landscape of design, the book expands design culture beyond traditional outcomes to encompass areas like design for social innovation, digital design, critical design, design anthropology and craftivism. Additionally, the book introduces novel theoretical frameworks to facilitate discussions on contemporary designers’ work, including new materialism, object-oriented ontology and decolonization. This comprehensive overview of methods and approaches will enable students to select the most appropriate methodological tools for their own research. It is an ideal guide for both undergraduate and postgraduate students in design, design culture, design history, design studies and visual culture.
| Author | : Lucien Musset |
| Publisher | : Boydell Press |
| Total Pages | : 280 |
| Release | : 2005 |
| Genre | : Art |
| ISBN | : 9781843831631 |
The story of the Bayeux Tapestry, an embroidered strip of linen telling the story of the events starting in 1064 that led up to the Battle of Hastings and the Norman Conquest of England in 1066
| Author | : Michele Morrical |
| Publisher | : Pen and Sword History |
| Total Pages | : 348 |
| Release | : 2021-10-13 |
| Genre | : History |
| ISBN | : 152677951X |
This examination of six usurper kings of England, and the people and circumstances surrounding them, is “a masterpiece of academic scholarship” (Midwest Book Review). In the Middle Ages, England had to contend with a string of usurpers who disrupted the British monarchy—and ultimately changed the course of European history by deposing England’s reigning kings and seizing power for themselves. Some of the most infamous usurper kings to come out of medieval England include William the Conqueror, Stephen of Blois, Henry Bolingbroke, Edward IV, Richard III, and Henry Tudor. Did these kings really deserve the title of usurper, or were they unfairly vilified by royal propaganda and biased chroniclers? This book examines the lives of these six medieval kings, the circumstances that brought each of them to power, and whether or not they deserve the title of usurper. Along the way readers will hear stories of some of the most fascinating people of medieval Europe, including Empress Matilda, the woman who nearly succeeded at becoming the first ruling Queen of England; Eleanor of Aquitaine, the queen of both France and England, who stirred her own sons to rebel against their father, Henry II; Richard II, whose cruel and vengeful reign caused his own family to overthrow him; Henry VI, Margaret of Anjou, Richard of York, and Edward IV, who struggled for power during the Wars of the Roses; the notorious Richard III and his monstrous reputation as a child-killer; and Henry VII, who rose from relative obscurity to establish the most famous royal family of all time: the Tudors.
| Author | : Arthur C. Wright |
| Publisher | : Frontline Books |
| Total Pages | : 355 |
| Release | : 2023-01-05 |
| Genre | : History |
| ISBN | : 1399087991 |
In popular imagination the warfare of the Early Middle Ages is often obscure, unstructured, and unimaginative, lost between two military machines, the ‘Romans’ and the ‘Normans’, which saw the country invaded and partitioned. In point of fact, we have a considerable amount of information at our fingertips and the picture that should emerge is one of English ability in the face of sometimes overwhelming pressures on society, and a resilience that eventually drew the older kingdoms together in new external responses which united the ‘English’ in a common sense of purpose. This is the story of how the Saxon kingdoms, which had maintained their independence for generations, were compelled to unite their forces to resist the external threat of the Viking incursions. The kingdoms of East Anglia, Mercia, Northumbria, Kent, Essex, Sussex, and Wessex were gradually welded into one as Wessex grew in strength to become the dominant Saxon kingdom. From the weak Æthelred to the strong Alfred, rightly deserving the epithet ‘Great’, to the strong, but equally unfortunate, Harold, this era witnessed brutal hand-to-hand battles in congested melees, which are normally portrayed as unsophisticated but deadly brawls. In reality, the warriors of the era were experienced fighters often displaying sophisticated strategies and deploying complex tactics. Our principal source, replete with reasonably reliable reportage, are the Anglo-Saxon Chronicles, comprehensive in collation though subject to oral distortion and mythological excursions. The narrative of these does not appear to flow continuously, leaving too much to imagination but, by creating a complementary matrix of landscapes, topography and communications it is possible to provide convincing scenery into which we can fit other archaeological and philological evidence to show how the English nation was formed in the bloody slaughter of battle.
