Debussy And The Veil Of Tonality
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| Author | : Mark DeVoto |
| Publisher | : Pendragon Press |
| Total Pages | : 244 |
| Release | : 2004 |
| Genre | : Juvenile Nonfiction |
| ISBN | : 9781576470909 |
This new book on Debussy's music comprises analytical studies of individual works not widely examined previously, including the Fantaisie for piano and orchestra, La demoiselle élue, Nuages, and Gigues. A discussion of the tonal structure of the first movement of La mer finds new relevance in the overused term symphonic in relation to Debussy's position in the history of French orchestral music. An extensive essay documents Debussy's aural images in his propensity for recycling his own musical ideas and quoting the music of other composers. A final lighthearted chapter, Debussy and Ravel: How to Tell Them Apart, systematically addresses this century-old critics' conundrum.
| Author | : Richard Langham Smith |
| Publisher | : Cambridge University Press |
| Total Pages | : 256 |
| Release | : 1997-04-10 |
| Genre | : Music |
| ISBN | : 9780521460903 |
A collection of essays on Debussy exploring his working methods, visual tastes and his performance practice.
| Author | : François de Médicis |
| Publisher | : |
| Total Pages | : 642 |
| Release | : 2018 |
| Genre | : Biography & Autobiography |
| ISBN | : 1580465250 |
Some of Debussy's most beloved pieces, as well as lesser-known ones from his early years, set in a rich cultural context by leading experts from the English- and French-speaking worlds. The music of Claude Debussy has always been widely beloved by listeners and performers alike, more perhaps than that of any of the other pioneers of musical modernism. However rich in itself, his creative output also participated, and continues to participate, in a network of cultural connections, the scope and meaning of which can only be gleaned through multiple interpretive frameworks. Debussy's Resonance offers twenty new studies by some of themost active and respected English- and French-language scholars of French music. The book treats a large swath of the composer's music, from previously unexplored mélodies of his early years to late pieces such as the ballet Jeux and the Douze Études, and takes into consideration the numerous contexts that helped shape the works and the different ways that musicologists and critics have explained them. CONTRIBUTORS: Katherine Bergeron, Matthew Brown, David J. Code, Mark DeVoto, Michel Duchesneau, David Grayson, Denis Herlin, Jocelyn Ho, Roy Howat, Steven Huebner, Julian Johnson, Barbara L. Kelly, Richard Langham Smith, Mark McFarland, François de Médicis, Robert Orledge, Boyd Pomeroy. Caroline Rae, Marie Rolf, August Sheehy FRANÇOIS DE MÉDICIS is Professor of Music at the Université de Montréal. STEVEN HUEBNER is Professor of Music at McGill University.
| Author | : David J. Code |
| Publisher | : Reaktion Books |
| Total Pages | : 218 |
| Release | : 2010-08-15 |
| Genre | : Biography & Autobiography |
| ISBN | : 1861899858 |
French composer Claude Debussy (1862–1918) created music that was revolutionary, with a distinctly modern sound that highlighted the intersection of art and life. Here, in this unique biography, David J. Code explores the important moments in the development of Debussy’s literary interests that shaped his music—and in the process brings to life Debussy’s sardonic personality. Claude Debussy presents an in-depth look at how Debussy’s love for poetry influenced his musical compositions. Code explores both Debussy’s earlier years, filled with student cantatas inspired by Verlaine and Baudelaire, as well as his later works, dominated by nationalistic pieces inspired by French Renaissance poets and composed in the lead-up to World War I. Along the way, Code looks at Debussy’s orchestral compositions and operas, inspired by Stéphane Mallarmé and Maurice Maeterlinck. This book will give readers a fresh way of listening to Debussy’s classic music by offering the most up-to-date critical analysis of the intersection of Debussy’s literary interests and musical compositions and will appeal to any reader with a love of Debussy, as well as modern music, literature, and the arts.
| Author | : François Lesure |
| Publisher | : |
| Total Pages | : 546 |
| Release | : 2019 |
| Genre | : Biography & Autobiography |
| ISBN | : 1580469035 |
English translation and revised edition of the most comprehensive and reliable biography of Claude Debussy. François Lesure's "critical biography" of Claude Debussy (Fayard, 2003) is widely recognized by scholars as the most comprehensive and reliable account of that composer's life and career as well as of the artistic milieu in whichhe worked. This encyclopedic volume draws extensively on Debussy's complete correspondence (at that time unpublished), a painstaking tracking of contemporary reviews and comments in the press, and an examination of other primary documents-including private diaries-that had not been available to previous biographers. As such, Lesure's book presents a wealth of new information while debunking a number of myths that had developed over the years since the composer's death in 1918. The present English translation and revised edition, by Debussy authority Marie Rolf, augments Lesure's numerous notes with several thousand new ones by Rolf, providing more precise information oncrucial and sometimes contentious points. It also reflects Debussy scholarship that has appeared since 2003, updating Lesure's seminal work. Rolf's translation-the first ever-will make Lesure's findings accessible to scholars, musicians, and music lovers in English-speaking lands and around the world. FRANÇOIS LESURE (1923-2001) was the Director of the Music division of the Bibliothèque nationale de France, Professor of Musicology at the Université libre de Bruxelles, and Chair of Musicology at the École pratique des Hautes Études. MARIE ROLF is senior associate dean of graduate studies and professor of music theory at the Eastman School of Music and a memberof the editorial board for the Ouvres complètes de Claude Debussy.
| Author | : Elliott Antokoletz |
| Publisher | : Oxford University Press |
| Total Pages | : 308 |
| Release | : 2011 |
| Genre | : Language Arts & Disciplines |
| ISBN | : 0199755647 |
This text draws together separate areas of Debussy research into perspective to reveal the significance of the composer's music and thought in relation to the broader cultural, intellectual, and artistic issues of the 20th century.
| Author | : Matthew Brown |
| Publisher | : Indiana University Press |
| Total Pages | : 238 |
| Release | : 2012-04-09 |
| Genre | : Biography & Autobiography |
| ISBN | : 0253357160 |
"In a study that is both scholarly and highly entertaining, Matthew Brown explores pop culture's appropriations of Debussy's music in everything from '30s swing tunes, '40s movie scores, '50s lounge/exotica, '70s rock and animation, '80s action films, and Muzak. The book, however, is far more than a compendium of fascinating borrowings. The author uses these musical transfers to tackle some of the most fundamental aesthetic issues relevant to the music of all composers, not just Debussy." David Grayson -- Book jacket.
| Author | : Catherine Kautsky |
| Publisher | : Rowman & Littlefield |
| Total Pages | : 255 |
| Release | : 2017-09-15 |
| Genre | : Music |
| ISBN | : 1442269839 |
Claude Debussy’s exquisite piano works have captivated generations with their dreamlike atmosphere and mysterious soundscapes. Written in Paris at the height of the Belle Époque, the music creates a soundtrack for Parisians’ enjoyment of such delights as clowns, mermaids, eccentric dances, and the dark tales of Edgar Allan Poe. Debussy’s Paris: Piano Portraits of the Belle Époque explores how key works reflect not only the most appealing and innocent aspects of Paris but also more disquieting attitudes of the time such as racism, colonial domination, and nationalistic hostility. Debussy left no avenue unexplored, and his piano works present a sweeping overview of the passions, vices, and obsessions of the era. Pianist Catherine Kautsky reveals little-known elements of Parisian culture and weaves the music, the man, the city, and the era into an indissoluble whole. Her portrait will delight anyone who has ever been entranced by Debussy’s music or the city that inspired it.
| Author | : Simon Trezise |
| Publisher | : Cambridge University Press |
| Total Pages | : 356 |
| Release | : 2003-06-19 |
| Genre | : Music |
| ISBN | : 1139826050 |
Often considered the father of twentieth-century music, Debussy was a visionary whose influence is still felt. This book offers a wide-ranging series of essays on Debussy the man, the musician and composer. It contains insights into his character, his relationship to his Parisian environment and his musical works across all genres, with challenging views on the roles of nature and eroticism in his life and music. His music is considered through the characteristic themes of sonority, rhythm, tonality and form, with closing chapters considering the performance and reception of his music in the first years of the new century and our view of Debussy today as a major force in Western culture. This comprehensive view of Debussy is written by a team of specialists for students and informed music lovers.
| Author | : Gurminder Kaur Bhogal |
| Publisher | : Oxford University Press |
| Total Pages | : 169 |
| Release | : 2018 |
| Genre | : Music |
| ISBN | : 0190696060 |
Debussy himself had little regard for Clair de Lune, and scholars have thus far followed suit--until now. Claude Debussy's Clair de Lune is the first book wholly dedicated to an historical, cultural, and analytical investigation of the French composer's famous composition for piano. Author Gurminder Kaur Bhogal explores why, over any other piece in Debussy's repertoire for piano, Clair de Lune achieved stardom in the decades following the composer's death, and how, as the third movement of the Suite Bergamasque, it managed to almost fully eclipse the other movements. Drawing on a broad range of excerpts from classical and popular music, commercials, film, and video games, Bhogal examines the various ways in which listeners have engaged with the piece. She also places it in its proper artistic context, through analysis alongside the poetry of Paul Verlaine and the paintings of Jean-Antoine Watteau. A wide range of aural, visual, and video examples energize the narrative, and demonstrate how Clair de Lune has come to achieve an iconic status within and beyond Debussy's oeuvre.
