Dear Little Denmark A Danish Musical Incident In Two Acts Book Lyrics And Music By P A Rubens Book Of Lyrics
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The Catalogue of Printed Music in the British Library to 1980
Author | : British Library. Department of Printed Books |
Publisher | : |
Total Pages | : 440 |
Release | : 1981 |
Genre | : Music |
ISBN | : |
Catalog of the Opera Collections in the Music Libraries--University of California, Berkeley, University of California, Los Angeles
Author | : University of California, Berkeley |
Publisher | : Boston, Mass. : G.K. Hall |
Total Pages | : 736 |
Release | : 1983 |
Genre | : Music |
ISBN | : |
Catalog of Copyright Entries
Author | : Library of Congress. Copyright Office |
Publisher | : |
Total Pages | : 944 |
Release | : 1909 |
Genre | : |
ISBN | : |
General Catalogue of Printed Books to 1955
Author | : British Museum. Dept. of Printed Books |
Publisher | : |
Total Pages | : 1238 |
Release | : 1967 |
Genre | : English imprints |
ISBN | : |
Catalog of Copyright Entries
Author | : Library of Congress. Copyright Office |
Publisher | : |
Total Pages | : 1772 |
Release | : 1909 |
Genre | : Music |
ISBN | : |
Luxury Arts of the Renaissance
Author | : Marina Belozerskaya |
Publisher | : Getty Publications |
Total Pages | : 292 |
Release | : 2005-10-01 |
Genre | : Art |
ISBN | : 0892367857 |
Today we associate the Renaissance with painting, sculpture, and architecture—the “major” arts. Yet contemporaries often held the “minor” arts—gem-studded goldwork, richly embellished armor, splendid tapestries and embroideries, music, and ephemeral multi-media spectacles—in much higher esteem. Isabella d’Este, Marchesa of Mantua, was typical of the Italian nobility: she bequeathed to her children precious stone vases mounted in gold, engraved gems, ivories, and antique bronzes and marbles; her favorite ladies-in-waiting, by contrast, received mere paintings. Renaissance patrons and observers extolled finely wrought luxury artifacts for their exquisite craftsmanship and the symbolic capital of their components; paintings and sculptures in modest materials, although discussed by some literati, were of lesser consequence. This book endeavors to return to the mainstream material long marginalized as a result of historical and ideological biases of the intervening centuries. The author analyzes how luxury arts went from being lofty markers of ascendancy and discernment in the Renaissance to being dismissed as “decorative” or “minor” arts—extravagant trinkets of the rich unworthy of the status of Art. Then, by re-examining the objects themselves and their uses in their day, she shows how sumptuous creations constructed the world and taste of Renaissance women and men.