Dead Celebrities Living Icons
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| Author | : John David Ebert |
| Publisher | : Bloomsbury Publishing USA |
| Total Pages | : 256 |
| Release | : 2010-06-02 |
| Genre | : Social Science |
| ISBN | : 0313377650 |
This in-depth series of literary portraits studies celebrities who died in famous and tragic ways—ways that still resonate as archetypal death scenarios in present day. We know their likes and dislikes, admire their talents, envy them for daring to be what we can't or what we won't. When they are snatched from us, we feel a personal loss and an unwillingness to let go. And so we transform these mere human beings into icons whose stars often shine in death even more brilliantly than in life. Dead Celebrities, Living Icons: Tragedy and Fame in the Age of the Multimedia Superstar explores this phenomenon through a series of essays on 14 men and women who are, arguably, the most famous people of the 20th and early 21st centuries. The book covers the epoch of the celebrity beginning in the 1930s with Howard Hughes and Walt Disney and continues to the present day with the life and death of Michael Jackson. Far more than just a collection of biographies, Dead Celebrities, Living Icons documents the philosophical importance and significance of the contemporary cult of the celebrity and analyzes the tragic consequences of a human life lived in the glare of the media spotlight.
| Author | : Jeremy Prestholdt |
| Publisher | : Oxford University Press |
| Total Pages | : 343 |
| Release | : 2019-07-01 |
| Genre | : History |
| ISBN | : 0190092599 |
The global icon is an omnipresent but poorly understood element of mass culture. This book asks why audiences around the world have embraced particular iconic figures, how perceptions of these figures have changed, and what this tells us about transnational relations since the Cold War era. Prestholdt addresses these questions by examining one type of icon: the anti-establishment figure. As symbols that represent sentiments, ideals, or something else recognizable to a wide audience, icons of dissent have been integrated into diverse political and consumer cultures, and global audiences have reinterpreted them over time. To illustrate these points the book examines four of the most evocative and controversial figures of the past fifty years: Che Guevara, Bob Marley, Tupac Shakur, and Osama bin Laden. Each has embodied a convergence of dissent, cultural politics, and consumerism, yet popular perceptions of each reveal the dissonance between shared, global references and locally contingent interpretations. By examining four very different figures, Icons of Dissent offers new insights into global symbolic idioms, the mutability of common references, and the commodification of political sentiment in the contemporary world.
| Author | : Marcelline Block |
| Publisher | : Cambridge Scholars Publishing |
| Total Pages | : 295 |
| Release | : 2012-03-15 |
| Genre | : Social Science |
| ISBN | : 144383856X |
Death has been deemed the “great equalizer,” but each journey towards our shared, ultimate fate is unique. The length of our lives, the quality of our last days, how our deaths are perceived by others, and the handling of our remains are governed by nature and many socio-cultural factors. Unequal Before Death is an edited collection that addresses inequalities surrounding death from the perspectives of scholars in a wide range of humanistic and social science disciplines, including art history, anthropology, Film and media studies, political science, popular culture, psychology, religion, sociology, and statistics. The majority of the chapters of this interdisciplinary anthology are revised versions of papers presented at the second Austin H. Kutscher Memorial Conference, entitled “Unequal Before Death,” organized by the Columbia University Seminar on Death in March 2010 and attended by leading experts in academia, healthcare and the not-for-profit sector. The purpose of this volume is to bring attention to the many inequalities affecting the end of life experience and to encourage collaborative research and action that can improve the experience for the dying and those around them. This volume does not question the truism of death as the ultimate equalizer but rather, seeks to explore the many ways in which the final journey is not equal.
| Author | : Jason Struna |
| Publisher | : Routledge |
| Total Pages | : 133 |
| Release | : 2016-03-17 |
| Genre | : Political Science |
| ISBN | : 1317615085 |
The global capitalism perspective is a unique research program focused on understanding relatively recent developments in worldwide social, economic, and political practices related to globalization. At its core, it seeks to contextualize the rearticulation of nation-states and broad geographic regions into highly interdependent networks of production and distribution, and in so doing explain consequent changes in social relations within and between countries in the contemporary era. The present volume contributes to this effort by focusing on social class formation across borders via the processes and actors that make globalized capitalism possible. The essays presented here offer a wide range of emphases in terms of the particular lenses and evidence they use. They cover such topics as the emergence of a transnational capitalist class-based fascist regime responding to the structural crises of global capitalism as well as the links between global class formation and the US racial project as it relates to electoral politics and demographic changes in the US South. This book was published as a special issue of Globalizations.
| Author | : Bart van der Steen |
| Publisher | : Springer Nature |
| Total Pages | : 310 |
| Release | : 2020-07-30 |
| Genre | : History |
| ISBN | : 3030419096 |
This book brings together contributions that analyse how subcultural myths develop and how they can be studied. Through critical engagement with (history) writing and other sources on subcultures by contemporaries, veterans, popular media and researchers, it aims to establish: how stories and histories of subcultures emerge and become canonized through the process of mythification; which developments and actors are crucial in this process; and finally how researchers like historians, sociologists, and anthropologists should deal with these myths and myth-making processes. By considering these issues and questions in relation to mythmaking, this book provides new insights on how to research the identity, history, and cultural memory of youth subcultures.
| Author | : Claire Hind |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 293 |
| Release | : 2019-11-13 |
| Genre | : Performing Arts |
| ISBN | : 1350316636 |
Where do we find the dead? Do the dead appear in our dreams? What is it like to play dead? This book is an exciting exploration of the relationship between death and play in performance. Exploring a range of artists and creative disciplines that remember, personify and re-imagine the dead, it playfully unpacks the psychoanalytic concepts of the Death Drive, Desire and the Uncanny as a way of thinking about performance. Embodying the Dead draws on work of Gary Winters and Claire Hind and the various qualities of deadness found in their projects. The authors' work includes live art, theatre, installation, Super 8mm film, walking arts practice and durational performance. This book includes scripts and scores of their performances, original creative texts, interviews with internationally renowned artists and a series of practice-led research tasks to support readers creating their own imaginative performance work. Rich in creative and critical content, this book is ideal for students of drama, theatre and performance studies who have an interest in devised theatre, theatre making, writing for performance and intermedial practice.
| Author | : Antonio Traverso |
| Publisher | : Routledge |
| Total Pages | : 402 |
| Release | : 2020-09-10 |
| Genre | : Education |
| ISBN | : 1000075885 |
This volume adopts a transversal South-South approach to the study of visual culture in transnational, transcultural, and geopolitical contexts. Every day hundreds of people travel back and forth between southern countries, including Australia, Argentina, Brazil, Chile, New Zealand, Indonesia, Timor-Leste, and South Africa. With these people travel cultures, experiences, memories, and images. This creates the conditions for the generation, sharing, and circulation of new knowledge that is both southern and about the South as a specific kind of material and imaginary territory (or territories). It does so through the study of the southern hemisphere’s screen cultures, addressing the broad spectrum of cultural expression in both traditional and new screen media, including film, television, video, digital, interactive, and online and portable technologies. This book was originally published as a special issue of Critical Arts.
| Author | : Charles-Louis Morand-Métivier |
| Publisher | : Rutgers University Press |
| Total Pages | : 207 |
| Release | : 2023-04-14 |
| Genre | : Literary Criticism |
| ISBN | : 1644532921 |
Johan Huizinga’s much-loved and much-contested Autumn of the Middle Ages, first published in 1919, encouraged an image of the Late French Middle Ages as a flamboyant but empty period of decline and nostalgia. Many studies, particularly literary studies, have challenged Huizinga’s perceptions of individual works or genres. Still, the vision of the Late French and Burgundian Middle Ages as a sad transitional phase between the High Middle Ages and the Renaissance persists. Yet, a series of exceptionally significant cultural developments mark the period. The Waxing of the Middle Ages sets out to provide a rich, complex, and diverse study of these developments and to reassert that late medieval France is crucial in its own right. The collection argues for an approach that views the late medieval period not as an afterthought, or a blind spot, but as a period that is key in understanding the fluidity of time, traditions, culture, and history. Each essay explores some “cultural form,” to borrow Huizinga’s expression, to expose the false divide that has dominated modern scholarship.
| Author | : John David Ebert |
| Publisher | : McFarland |
| Total Pages | : 234 |
| Release | : 2011-09-29 |
| Genre | : Social Science |
| ISBN | : 0786488182 |
From the 15th century until the mid-1990s, media based on the printed word--books, magazines, handbills, newspapers, and journals--dominated society. Today, an onslaught of digital media centered on the Internet is developing at a breathtaking pace, destabilizing the very idea of printed media and fundamentally reshaping our world in the process. This study explores how Internet entities like Amazon, YouTube, Facebook, Wikipedia, and Google, and gadgets such as digital cameras, cell phones, video games, robots, drones, and all things MacIntosh have affected everything from the book industry and copyright law to how we conduct social relationships and consider knowledge. Including a chronology of significant events in the history of the digital explosion, this investigation of the often overlooked "shadow" side of new technology chronicles life during a radical societal shift and follows the process whereby one world disintegrates while another takes its place. Instructors considering this book for use in a course may request an examination copy here.
| Author | : Amanda Konkle |
| Publisher | : Rutgers University Press |
| Total Pages | : 282 |
| Release | : 2019-02-04 |
| Genre | : Performing Arts |
| ISBN | : 1978802633 |
Although she remains one of the all-time most recognizable Hollywood icons, Marilyn Monroe has seldom been ranked among the greatest actors of her generation. Critics have typically viewed her film roles as mere extensions of her sexpot star persona. Yet this ignores both the subtle variations between these roles and the acting skill that went into the creation of Monroe’s public persona. Some Kind of Mirror offers the first extended scholarly analysis of Marilyn Monroe’s film performances, examining how they united the contradictory discourses about women’s roles in 1950s America. Amanda Konkle suggests that Monroe’s star persona resonated with audiences precisely because it engaged with the era’s critical debates regarding femininity, sexuality, marriage, and political activism. Furthermore, she explores how Monroe drew from the techniques of Method acting and finely calibrated her performances to better mirror her audience’s anxieties and desires. Drawing both from Monroe’s filmography and from 1950s fan magazines, newspaper reports, and archived film studio reports, Some Kind of Mirror considers how her star persona was coauthored by the actress, the Hollywood publicity machine, and the fans who adored her. It is about why 1950s America made Monroe a star, but it is also about how Marilyn defined an era.
