De Aqui De Alla
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Author | : Irma Heidi Ortiz Torres |
Publisher | : Xlibris Corporation |
Total Pages | : 37 |
Release | : 2021-01-31 |
Genre | : Self-Help |
ISBN | : 1664155015 |
The year 2020 will go down in history as the one that changed our lives. Everyone suffered during the pandemic crisis, many lives were lost, some too close to us, and families experienced chronic sadness in their shared struggle. People immersed in their own sorrows and sometimes forgot about the loved ones besides them, especially the young ones. De Aquí y de Allá: The Twins is a testament on focusing on the good around us in the face of adversity. Julián and Ana Marie, the beloved Venezuelan- Puerto Rican twins of Arepas y Piononos, turned four years old in the peak of the COVID-19 pandemic. The illusion of having a birthday party never vanished because their mom promised them two surprises despite social distancing guidelines. The book is written in both English and Spanish for beginner readers and showcases how creativity in challenging times can bring family and friends together no matter how far they live. The book’s colorful illustrations are conversation starters about places in the world, its flags, how to overcome the distance imposed by a pandemic and share the love.
Author | : Nancy Raquel Mirabal |
Publisher | : |
Total Pages | : 478 |
Release | : 2001 |
Genre | : African American soldiers |
ISBN | : |
Author | : Bernardo Vallejo Ph.D. |
Publisher | : Xlibris Corporation |
Total Pages | : 366 |
Release | : 2016-12-28 |
Genre | : Language Arts & Disciplines |
ISBN | : 1524563463 |
The format of this book enables the student in spanish to understand being bilingual on the part of the communicative process; that of being bicultural is an indispensable element. The text tunes the learner, at the advanced level, by introducing the communicative performance taking into consideration the spanish dialectal variations into some cultural aspects of the traditional and contemporary systems of latin american societies. The book applies a practical approach to learning spanish as a foreign language by focusing on most latin american countries culture with specific topics: family, social stratification, politics, religion, the position of women, transportation problems, drugs and trafficking, traditional healers, the concept of time, the social stratification of language, the life of some indigenous cultures in the high Andes and in the deep jungles, students visiting a foreign country, in addition to some other topics of interest. Each chapter starts with an ethnographic description of some cultural aspects of a geographical area and its people. Some cultural aspects are suggested to participate on discussions related to the chapter. The student is asked to translate simple sentences into spanish. The verbal interaction among the people in the described area is reflected in the dialectal variations collected, which leads to questions to measure the students comprehension level. Cultural notes are explained at the end of each chapter.
Author | : R. Blanco-Cano |
Publisher | : Springer |
Total Pages | : 406 |
Release | : 2011-11-30 |
Genre | : Social Science |
ISBN | : 023037039X |
In this book, the authors propose a multilayered reading of contemporary transnational cultural manifestations in which it is possible to recognize challenges and cultural strategies that transnational Mexican communities conceive in order to claim cultural, political and social agency.
Author | : Camilla Stevens |
Publisher | : University of Pittsburgh Press |
Total Pages | : 259 |
Release | : 2019-10-22 |
Genre | : Performing Arts |
ISBN | : 0822987163 |
Aquí and Allá: Transnational Dominican Theater and Performance explores how contemporary Dominican theater and performance artists portray a sense of collective belonging shaped by the transnational connections between the homeland and the diaspora. Through close readings of plays and performances produced in the Dominican Republic and the United States in dialogue with theories of theater and performance, migration theory, and literary, cultural, and historical studies, this book situates theater and performance in debates on Dominican history and culture and the impact of migration on the changing character of national identity from end of the twentieth century to the present. By addressing local audiences of island-based and diasporic Dominicans with stories of characters who are shaped by both places, the theatrical performances analyzed in this book operate as a democratizing force on conceptions of Dominican identity and challenge assumptions about citizenship and national belonging. Likewise, the artists’ bi-national perspectives and work methods challenge the paradigms that have traditionally framed Latin(o) American theater studies.
Author | : International Correspondence Schools |
Publisher | : |
Total Pages | : 676 |
Release | : 1906 |
Genre | : Correspondence schools and courses |
ISBN | : |
Author | : Hipólito San Joseph Giral del Pino |
Publisher | : |
Total Pages | : 760 |
Release | : 1763 |
Genre | : Cant |
ISBN | : |
Author | : Susan Bibler Coutin |
Publisher | : Cornell University Press |
Total Pages | : 280 |
Release | : 2011-05-02 |
Genre | : Social Science |
ISBN | : 0801463513 |
The violence and economic devastation of the 1980–1992 civil war in El Salvador drove as many as one million Salvadorans to enter the United States, frequently without authorization. In Nations of Emigrants, the legal anthropologist Susan Bibler Coutin analyzes the case of emigration from El Salvador to the United States to consider how current forms of migration challenge conventional understandings of borders, citizenship, and migration itself. Interviews with policymakers and activists in El Salvador and the United States are juxtaposed with Salvadoran emigrants' accounts of their journeys to the United States, their lives in this country, and, in some cases, their removal to El Salvador. These interviews and accounts illustrate the dilemmas that migration creates for nation-states as well as the difficulties for individuals who must live simultaneously within and outside the legal systems of two countries. During the 1980s, U.S. officials generally regarded these migrants as economic immigrants who deserved to be deported, rather than as political refugees who merited asylum. By the 1990s, these Salvadorans were made eligible for legal permanent residency, at least in part due to the lives that they had created in the United States. Remarkably, this redefinition occurred during a period when more restrictive immigration policies were being adopted by the U.S. government. At the same time, Salvadorans in the United States, who send relatives more than $3 billion in remittances annually, have become a focus of policymaking in El Salvador and are considered key to its future.
Author | : Meredith E. Abarca |
Publisher | : Texas A&M University Press |
Total Pages | : 260 |
Release | : 2006 |
Genre | : Cooking |
ISBN | : 1603445633 |
"Literally, chilaquiles are a breakfast I grew up eating: fried corn tortillas with tomato-chile sauce. Symbolically, they are the culinary metaphor for how working-class women speak with the seasoning of their food."?from the Introduction?Through the ages and across cultures, women have carved out a domain in which their cooking allowed them to express themselves, strengthen family relationships, and create a world of shared meanings with other women. In Voices in the Kitchen, Meredith E. Abarca features the voices of her mother and several other family members and friends, seated at their kitchen tables, to share the grassroots world view of these working-class Mexican and Mexican American women. In the kitchen, Abarca demonstrates, women assert their own saz?n (seasoning), not only in their cooking but also in their lives. Through a series of oral histories, or charlas culinarias (culinary chats), the women interviewed address issues of space, sensual knowledge, artistic and narrative expression, and cultural and social change. From her mother?s breakfast chilaquiles to the most elaborate traditional dinner, these women share their lives as they share their savory, symbolic, and theoretical meanings of food. The charlas culinarias represent spoken personal narratives, testimonial autobiography, and a form of culinary memoir, one created by the cooks-as-writers who speak from their kitchen space. Abarca then looks at writers-as-cooks to add an additional dimension to the understanding of women?s power to define themselves. Voices in the Kitchen joins the extensive culinary research of the last decade in exploring the importance of the knowledge found in the practical, concrete, and temporal aspects of the ordinary practice of everyday cooking.
Author | : Seraina Rohrer |
Publisher | : University of Texas Press |
Total Pages | : 233 |
Release | : 2017-12-20 |
Genre | : Performing Arts |
ISBN | : 1477313451 |
La India María—a humble and stubborn indigenous Mexican woman—is one of the most popular characters of the Mexican stage, television, and film. Created and portrayed by María Elena Velasco, La India María has delighted audiences since the late 1960s with slapstick humor that slyly critiques discrimination and the powerful. At the same time, however, many critics have derided the iconic figure as a racist depiction of a negative stereotype and dismissed the India María films as exploitation cinema unworthy of serious attention. By contrast, La India María builds a convincing case for María Elena Velasco as an artist whose work as a director and producer—rare for women in Mexican cinema—has been widely and unjustly overlooked. Drawing on extensive interviews with Velasco, her family, and film industry professionals, as well as on archival research, Seraina Rohrer offers the first full account of Velasco's life; her portrayal of La India María in vaudeville, television, and sixteen feature film comedies, including Ni de aquí, ni de allá [Neither here, nor there]; and her controversial reception in Mexico and the United States. Rohrer traces the films' financing, production, and distribution, as well as censorship practices of the period, and compares them to other Mexploitation films produced at the same time. Adding a new chapter to the history of a much-understudied period of Mexican cinema commonly referred to as "la crisis," this pioneering research enriches our appreciation of Mexploitation films.