Dawoud Bey & Carrie Mae Weems: In Dialogue

Dawoud Bey & Carrie Mae Weems: In Dialogue
Author: Ron Platt
Publisher: Delmonico Books
Total Pages: 176
Release: 2022-03
Genre: Photography
ISBN: 9781636810454
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Dawoud Bey and Carrie Mae Weems met in New York in the late 1970s, and over the next 45 years these close friends and colleagues have each produced unique and influential bodies of work around shared interests and concerns. This publication brings together over 140 photographs and video art from the 1970s through the 2010s by two of our most notable and influential photo-based artists.0Since first meeting at the Studio Museum in Harlem five decades ago, Bey and Weems have maintained spirited and supportive mutual engagement while exploring and addressing similar themes: race, class, representation, and systems of power. Dawoud Bey & Carrie Mae Weems: In Dialogue brings their work together in five thematic groupings to shed light on their unique creative visions and trajectories, and their shared concerns and principles.00Exhibition: Grand Rapids Art Museum, Grand Rapids, USA (29.01-01.05.2022) / Tampa Museum of Art, Tampa, USA (21.07-23.10.2022) / Seattle Art Museum, Seattle, USA (19.11.2022-18.01.2023) / The Getty Museum, L.A., USA (04.2023-07.2023)

Carrie Mae Weems

Carrie Mae Weems
Author: Sarah Elizabeth Lewis
Publisher: MIT Press
Total Pages: 222
Release: 2021-06-01
Genre: Photography
ISBN: 0262538598
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Essays and interviews explore the work of Carrie Mae Weems and its place in the history of photography, African American art, and contemporary art. In this October Files volume, essays and interviews explore the work of the influential American artist Carrie Mae Weems—her invention and originality, the formal dimensions of her practice, and her importance to the history of photography and contemporary art. Since the 1980s, Weems (b. 1953) has challenged the status of the black female body within the complex social fabric of American society. Her photographic work, film, and performance investigate spaces that range from the American kitchen table to the nineteenth-century world of historically black Hampton University to the ancient landscapes of Rome. These texts consider the underpinnings of photographic history in Weems's work, focusing on such early works as The Kitchen Table series; Weems's engagement with photographic archives, historical spaces, and the conceptual legacy of art history; and the relationship between her work and its institutional venues. The book makes clear not only the importance of Weems's work but also the necessity for an expanded set of concerns in contemporary art—one in which race does not restrict a discussion of aesthetics, as it has in the past, robbing black artists of a full consideration of their work. Contributors Dawoud Bey, Jennifer Blessing, Kimberly Juanita Brown, Huey Copeland, Erina Duganne, Kimberly Drew, Coco Fusco, Thelma Golden, Katori Hall, Robin Kelsey, Thomas J. Lax, Sarah Lewis, Jeremy McCarter, Yxta Maya Murray, José Rivera, Gwendolyn DuBois Shaw, Salamishah Tillet, Deborah Willis

Carrie Mae Weems

Carrie Mae Weems
Author: Kathryn E. Delmez
Publisher: Yale University Press
Total Pages: 0
Release: 2012-10-30
Genre: Photography
ISBN: 9780300176896
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The work of contemporary artist Carrie Mae Weems (b. 1953) hits hard with a powerful mix of lived life and social commentary. Since the late 1970s, her photographs, films, and installations have become known for presenting realistic and authentic images of African Americans while confronting themes of race, gender, and class. This book, the first major survey of Weems's career, traces the artist's commitment to addressing issues of social justice through her artwork. Her early photographs, which focused on African American women and families, have since led to work that examines more general aspects of the African diaspora, from the legacy of slavery to the perpetuation of debilitating stereotypes. Increasingly, she has broadened her view to include global struggles for equality and justice. This beautifully illustrated book highlights over 200 of Weems's most important works. Accompanying essays by leading scholars explore Weems's interest in folklore, her focus on the spoken and written word, the performative aspect of her constructed tableaux, and her expressions of black beauty.

Carrie Mae Weems: Kitchen Table Series

Carrie Mae Weems: Kitchen Table Series
Author:
Publisher: Mw Editions
Total Pages: 78
Release: 2022-09-13
Genre: Art
ISBN: 9781735762968
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"In book form, Kitchen Table is more intimate.... Unlike the experience of meandering through a museum, stepping back to appreciate the images and nearing the text panels to skim them, the pace of exploration is now in a person's hands." -Hilary Moss, New York Times This publication is dedicated solely to the early and canonical body of work by American artist Carrie Mae Weems (born 1953). The 20 photographs and 14 text panels that make up Kitchen Table Series tell a story of one woman's life, as conducted in the intimate setting of her kitchen. The kitchen, one of the primary spaces of domesticity and the traditional domain of women, frames her story, revealing to us her relationships--with lovers, children, friends--and her own sense of self, in her varying projections of strength, vulnerability, aloofness, tenderness and solitude. As Weems describes it, this work of art depicts "the battle around the family ... monogamy ... and between the sexes.G6 Weems herself is the protagonist of the series, though the woman she depicts is an archetype. Kitchen Table Series seeks to reposition and reimagine the possibility of women and the possibility of people of color, and has to do with, in the artist's words, "unrequited love."

Constructing History

Constructing History
Author: Carrie Mae Weems
Publisher:
Total Pages: 0
Release: 2008
Genre: African American photographers
ISBN: 9780979744082
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Foreword by Paula S. Wallace, Stephanie S. Hughley. Text by Laurie Ann Farrell, Deborah Willis.

Vision and Justice

Vision and Justice
Author: Aperture
Publisher: Aperture Magazine
Total Pages: 0
Release: 2016-04-26
Genre: Photography
ISBN: 9781597113656
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The Magazine of Photography and Ideas. As the United States navigates a political moment defined by the close of the Obama era and the rise of #BlackLivesMatter activism, Aperture magazine releases "Vision & Justice," a special issue guest edited by Sarah Lewis, the distinguished author and art historian, addressing the role of photography in the African American experience. "Vision & Justice" includes a wide span of photographic projects by such luminaries as Lyle Ashton Harris, Annie Leibovitz, Sally Mann, Jamel Shabazz, Lorna Simpson, Carrie Mae Weems and Deborah Willis, as well as the brilliant voices of an emerging generation―Devin Allen, Awol Erizku, LaToya Ruby Frazier, Deana Lawson and Hank Willis Thomas, among many others. These portfolios are complemented by essays from some of the most influential voices in American culture including contributions by celebrated writers, historians, and artists such as Vince Aletti, Teju Cole, Henry Louis Gates, Jr., Margo Jefferson, Wynton Marsalis and Claudia Rankine. "Vision and Justice" features two covers. This issue comes with an image by Richard Avedon, Martin Luther King, Jr., civil rights leader, with his father, Martin Luther King, Baptist minister, and his son, Martin Luther King III, Atlanta, Georgia, March 22, 1963.

Joshua Rashaad McFadden

Joshua Rashaad McFadden
Author: LaCharles Ward
Publisher: Yale University Press
Total Pages: 312
Release: 2022-04-05
Genre: Photography
ISBN: 0300264267
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A comprehensive survey of the photography of rising and influential Black artist Joshua Rashaad McFadden American artist Joshua Rashaad McFadden (b. 1990) makes photographs that explore and celebrate Black life in the United States. Published in conjunction with his first solo museum exhibition, Joshua Rashaad McFadden: I Believe I'll Run On demonstrates his mastery of a wide range of photographic genres--social documentary, reportage, portraiture, and fine art--and his use of the medium to confront racism and anti-Black violence. Like Black photographers before him, such as Gordon Parks, Roy DeCarava, Carrie Mae Weems, Dawoud Bey, and LaToya Ruby Frazier, McFadden documents the beauty of Black life and illuminates the specificity of Black living in our historical present, including a series of impactful photographs devoted to the Black Lives Matter protests in 2020. Along with a candid conversation between McFadden and artist Lyle Ashton Harris and an essay that traces McFadden's meteoric career, this catalogue offers an overview of and insight into a poignant and deeply personal body of work, asserting McFadden's key role in shaping the art and visual culture of the United States.

Dawoud Bey

Dawoud Bey
Author: Dawoud Bey
Publisher: University of Texas Press
Total Pages: 400
Release: 2018-09-18
Genre: Photography
ISBN: 9781477317198
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Recipient of a 2017 MacArthur Foundation “genius grant,” Dawoud Bey has created a body of photography that masterfully portrays the contemporary American experience on its own terms and in all of its diversity. Dawoud Bey: Seeing Deeply offers a forty-year retrospective of the celebrated photographer’s work, from his early street photography in Harlem to his current images of Harlem gentrification. Photographs from all of Bey’s major projects are presented in chronological sequence, allowing viewers to see how the collective body of portraits and recent landscapes create an unparalleled historical representation of various communities in the United States. Leading curators and critics—Sarah Lewis, Deborah Willis, David Travis, Hilton Als, Jacqueline Terrassa, Rebecca Walker, Maurice Berger, and Leigh Raiford—introduce each series of images. Revealing Bey as the natural heir of such renowned photographers as Roy DeCarava, Walker Evans, Gordon Parks, and James Van Der Zee, Dawoud Bey: Seeing Deeply demonstrates how one man’s search for community can produce a stunning portrait of our common humanity.

Grief and Grievance

Grief and Grievance
Author: Okwui Enwezor
Publisher: Phaidon Press
Total Pages: 0
Release: 2020
Genre: Art
ISBN: 9781838661298
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A timely and urgent exploration into the ways artists have grappled with race and grief in modern America, conceived by the great curator Okwui Enwezor Featuring works by more than 30 artists and writings by leading scholars and art historians, this book - and its accompanying exhibition, both conceived by the late, legendary curator Okwui Enwezor - gives voice to artists addressing concepts of mourning, commemoration, and loss and considers their engagement with the social movements, from Civil Rights to Black Lives Matter, that black grief has galvanized. Artists included: Terry Adkins, Jean-Michel Basquiat, Kevin Beasley, Dawoud Bey, Mark Bradford, Garrett Bradley, Melvin Edwards, LaToya Ruby Frazier, Charles Gaines, Theaster Gates, Ellen Gallagher, Arthur Jafa, Daniel LaRue Johnson, Rashid Johnson, Jennie C. Jones, Kahlil Joseph, Deana Lawson, Simone Leigh, Glenn Ligon, Kerry James Marshall, Julie Mehretu, Tiona Nekkia McClodden, Okwui Okpokwasili, Adam Pendleton, Julia Phillips, Howardena Pindell, Cameron Rowland, Lorna Simpson, Sable Elyse Smith, Tyshawn Sorey, Diamond Stingily, Henry Taylor, Hank Willis Thomas, Kara Walker, Nari Ward, Carrie Mae Weems, and Jack Whitten. Essays by Elizabeth Alexander, Naomi Beckwith, Judith Butler, Ta-Nehisi Coates, Massimiliano Gioni, Saidiya Hartman, Juliet Hooker, Glenn Ligon, Mark Nash, Claudia Rankine, and Christina Sharpe.

Photographic Returns

Photographic Returns
Author: Shawn Michelle Smith
Publisher: Duke University Press
Total Pages: 178
Release: 2020-01-03
Genre: Photography
ISBN: 147800553X
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In Photographic Returns Shawn Michelle Smith traces how historical moments of racial crisis come to be known photographically and how the past continues to inhabit, punctuate, and transform the present through the photographic medium in contemporary art. Smith engages photographs by Rashid Johnson, Sally Mann, Deborah Luster, Lorna Simpson, Jason Lazarus, Carrie Mae Weems, Taryn Simon, and Dawoud Bey, among others. Each of these artists turns to the past—whether by using nineteenth-century techniques to produce images or by re-creating iconic historic photographs—as a way to use history to negotiate the present and to call attention to the unfinished political project of racial justice in the United States. By interrogating their use of photography to recall, revise, and amplify the relationship between racial politics of the past and present, Smith locates a temporal recursivity that is intrinsic to photography, in which images return to haunt the viewer and prompt reflection on the present and an imagination of a more just future.