Darja Bajagic
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| Author | : Alissa Bennett |
| Publisher | : Sternberg Press |
| Total Pages | : 0 |
| Release | : 2016 |
| Genre | : Violence in art |
| ISBN | : 9783956793004 |
For her first solo museum exhibition, New Yorkbased emerging artist Darja Bajagic (b. 1990) turns to the murky terrain where real and staged violence bleed into each other with an ease that is both unsettling and alluring. Published on the occasion of her 2016 show, this slender softcover catalog, Unlimited Hate, presents a practice that spans painting, photography, collage, video and installation in full-color illustrations with texts by curators Alissa Bennett, Franklin Melendez and Natalia Sielewicz. Following the lure of the fringes, the artist culls her imagery from fan-gore magazines, true-crime TV shows, fetish websites, obscure online forums and hidden chat rooms tucked away in the darker reaches of the Web. She handles these disparate source materials with a dose of humor, working them into densely layered compositions that are at once confrontational and poetically fragile. Bajagic explores loaded questions of embodiment, viewership and power relations, all the while interrogating our need to hold images accountable.
| Author | : |
| Publisher | : BRILL |
| Total Pages | : 395 |
| Release | : 2023-11-09 |
| Genre | : Education |
| ISBN | : 9004685251 |
Arts Education: A Global Affair highlights the adaptations that arts educators and researchers have undertaken to successfully adjust to the changes in arts education practices as a consequence of the global pandemic and its ongoing variants. Moreover, teaching and research in arts education have changed significantly as a consequence of the world-wide pandemic, COVID-19. Emerging variants have exacerbated the situation and show no signs of subsiding. In response to these challenges, arts educators and researchers have developed new modes of instructional delivery and data collection. These include asynchronous, synchronous, hybrid and bi-modal online learning, and online questionnaires, surveys, focus groups, and video interviews. This volume highlights the adaptations that arts educators and researchers have undertaken to successfully adjust to this new reality in education.
| Author | : Chloë Julius |
| Publisher | : Manchester University Press |
| Total Pages | : 192 |
| Release | : 2024-09-24 |
| Genre | : Art |
| ISBN | : 1526173174 |
Cases of citation presents a history of artists who incorporated literary references into their work from the 1960s onwards. Through a series of object-focused chapters that each take up a singular ‘case of citation’, the collection considers how literary citation emerged as a viable and urgent strategy for artists during this period. It surveys nine artworks by a diverse group of artists – including David Wojnarowicz, Lis Rhodes, Romare Bearden and Silvia Kolbowski – whose citations draw on literary works with authors ranging from Gertrude Stein to Jean Genet. The book also features an interview with pioneering feminist artist Elaine Reichek that discusses her career-long commitment to working with text. Together, the artworks and cited texts are approached from various critical angles, with each author questioning and complicating the ways in which we can ‘read’ textual citations in art.
| Author | : Kevin Tavin |
| Publisher | : Springer Nature |
| Total Pages | : 308 |
| Release | : 2021-06-28 |
| Genre | : Education |
| ISBN | : 3030737705 |
This open access edited volume provides theoretical, practical, and historical perspectives on art and education in a post-digital, post-internet era. Recently, these terms have been attached to artworks, artists, exhibitions, and educational practices that deal with the relationships between online and offline, digital and physical, and material and immaterial. By taking the current socio-technological conditions of the post-digital and the post-internet seriously, contributors challenge fixed narratives and field-specific ownership of these terms, as well as explore their potential and possible shortcomings when discussing art and education. Chapters also recognize historical forebears of digital art and education while critically assessing art, media, and other realms of engagement. This book encourages readers to explore what kind of educational futures might a post-digital, post-internet era engender.
| Author | : Francesco Ragazzi |
| Publisher | : Rizzoli Publications |
| Total Pages | : 0 |
| Release | : 2014-09-16 |
| Genre | : Design |
| ISBN | : 0847842401 |
Featuring large-format photographs of skaters in Venice Beach and Manhattan Beach, Palm Angels is the definitive book on the L.A. skateboarding scene, capturing the style and street culture of the world's most elite communities of skaters. Photographed by Francesco Ragazzi, the Italian art director of Moncler, Palm Angels features a special focus on the look and fashions of skate culture. While it emphasizes dramatic movement through stunning images taken in various Los Angeles neighborhoods, it is less focused on describing tricks as it is about conveying the sensation of men and women engaged in an epic, all-consuming activity. Through art photography, this book hopes to do for skating what Bruce Weber and others did for surf culture, elevating it from what once was an exclusive and localized American pastime to a far-reaching cultural phenomenon. In the spirit of the photography taken of the legendary Z-boys of Dogtown, Ragazzi provides readers with a firsthand glimpse into skateboarding in its modern form, still very much infused with effortless style. Palm Angels includes an introduction by Pharrell Williams (known to the skate community as Skateboard P), who has been instrumental in popularizing the skate look and has propelled it all the way to the high streets of fashion capitals like Paris, New York, and Tokyo.
| Author | : Simon Castets |
| Publisher | : Skira |
| Total Pages | : 0 |
| Release | : 2016-05 |
| Genre | : Arts, Modern |
| ISBN | : 9780847847570 |
A fast-paced introduction to the designers, artists, and creatives shaping tomorrow's world. Curators Simon Castets and Hans Ulrich Obrist join forces to ask an important question: How will the world be different when its most influential creatives are born into a universally accessible Internet? This international project tracks the changing modes of production, concerns, aspirations, and projects of 100 protagonists born in or after 1989. Illustrated profiles include artists, writers, architects, filmmakers, musicians, designers, scientists and technologists, and many who elide two or three genres, as they were once known. 89+ is essential reading for all who would understand the creative force of a generation whose voices are only starting to be heard, yet which accounts for almost half of the world's population.
| Author | : Massimiliano Gioni |
| Publisher | : Skira |
| Total Pages | : 0 |
| Release | : 2015 |
| Genre | : Art, German |
| ISBN | : 9780847847198 |
Surveying the past thirty years of his career and demonstrating his immeasurable influence on contemporary painting, Albert Oehlen: Home and Garden comprises paintings, drawings, and prints from the artist's most important bodies of work. From the beginning of his career, Oehlen set himself the task of exploring the language, structures, and experiences of painting. He has managed to reinvigorate the genres of portraiture, collage, and gestural abstraction in work that deploys a staggering range of imagery and techniques. Oehlen's canvases capture haunting interiors, mutating self-portraits, archaic and digital landscapes, and cryptic fragments of language. As a younger generation of artists turns again to painting as a critical medium, Oehlen's work has only become more influential and prescient.
| Author | : Walter Benjamin |
| Publisher | : Harvard University Press |
| Total Pages | : 326 |
| Release | : 2006 |
| Genre | : Education |
| ISBN | : 9780674022874 |
"In this book Benjamin reveals Baudelaire as a social poet of the very first rank. More than a series of studies of Baudelaire, these essays show the extent to which Benjamin identifies with the poet and enable him to explore his own notion of heroism."--BOOK JACKET.
| Author | : Stephan Dillemuth |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 2017 |
| Genre | : |
| ISBN | : 9783956793394 |
This catalogue illustrates Stephan Dillemuth's elaborate solo show at the Künstlerhaus, Halle für Kunst & Medien, Graz, through installation photographs as well as texts by art historian Kerstin Stakemeier and theorist Helmut Draxler. The exhibition presented newly conceived works alongside works from the 1980s exhibited for the first time. Dillemuth's paintings, sculptures, video projections, and assemblages are brought together as a theatrical social group. Plaster-cast limbs appear unexpectedly from the ceiling, enmeshed within clock cogs or combined with boars' heads, cattle ears, and deer feet. Dillemuth's Bayernbilder (1979) were inspired by sentimental and trivial postcard motifs from Bavarian spa towns. In Schönheitsgalerie (1985), featuring over fifty works, Dillemuth explores questions of representation. His gallery turns against the idea of external beauty and how it is represented in art. The paintings, like the faces, develop a life of their own through the process of painting, which makes it possible to see a new kind of "beauty." Works that Dillemuth produced in the late 1980s in Chicago, exhibited for the first time, resemble disco decorations, and glitter in the light of a video projection. Is disco a "theater of cruelty"--an ecstatic place where all images, whether ugly or beautiful, mean or seductive, are transcendent? Addressing the question of the role of the artist in society, Dillemuth challenges the contemporary imperative that artists, as exemplars of individuality, are required to have a distinct authorial identity. Despite a history of working collaboratively and prioritizing artistic research, at the Künstlerhaus Dillemuth exposes himself as a solo artist, reconstructing the history of his work from the margins of group life that has taken shape in the midst of it. Here he reveals the consistency of the farce of his ego, the heroic yet bad-mannered delinquent artist subject. Dillemuth presents his aging body for all to see, playing with the boundaries between inside and outside, institution and alternative, and life and form. Copublished with Künstlerhaus, Halle für Kunst & Medien, Graz Contributors Kerstin Stakemeier, Helmut Draxler
| Author | : Linda Dement |
| Publisher | : |
| Total Pages | : |
| Release | : 1999 |
| Genre | : |
| ISBN | : |
