Dan Grahams New Jersey
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| Author | : Dan Graham |
| Publisher | : Lars Muller Publishers |
| Total Pages | : 0 |
| Release | : 2012 |
| Genre | : Architectural photography |
| ISBN | : 9783037782590 |
"Dan Graham, one of North America's most important contemporary artists, is best known today for his sculptural works and installations. His photographic works are generally not so well known, despite the fact that he first became famous for his photographic series Homes for America, pictures of typical American suburbia. To this day the theme of architecture and its surfaces in the context of postmodern everyday culture represents an extremely important facet of his work. This publication presents new photographs by Dan Graham together with original photographs from the Homes for America series. The new images exhibit stark similarities to the old pictures, as they were taken in the same locations, the same deserts of suburban streets and housing that Graham photographed in the sixties. Creating a fascinating, multilayered reference system of repetitions and differences, both spatially as well as temporally, it raises questions about architecture and public space and their function in society."--Publisher's description.
| Author | : Alex Kitnick |
| Publisher | : National Geographic Books |
| Total Pages | : 0 |
| Release | : 2011-01-28 |
| Genre | : Art |
| ISBN | : 0262515776 |
A collection of essays on a key figure in postminimalist art, with texts spanning thirty years. Since the 1960s, Dan Graham's heterogeneous practice has touched on such disparate subjects as tract housing, the Shakers, punk music, and architectural theory; he has made videos, architectural models, closed-circuit installations, and glass pavilions. Graham, who came of age during the emergence of earth art, minimalism, and conceptualism, has situated his work on the borders between these different strains of contemporary practice. Although varying widely in subject and medium, Graham's artwork and writings display a consistent interest in spectatorship, public-private relationships, and the constructed environment. Graham's extensive writings on his own work (collected in Rock My Religion and Two-Way Mirror Power, both published by the MIT Press) have made him, by default, the primary interpreter of his own art. This October Files volume provides a counterweight, gathering key texts by critics and theorists that offer alternative accounts of Graham's art. The essays span thirty years and include hard-to-find texts from exhibition catalogs and journals. The authors include such distinguished theorists, critics, and artists as Benjamin H. D. Buchloh, Beatriz Colomina, Thierry de Duve, and Jeff Wall.
| Author | : Kodwo Eshun |
| Publisher | : MIT Press |
| Total Pages | : 121 |
| Release | : 2012 |
| Genre | : Art |
| ISBN | : 1846380855 |
Dan Graham's Rock My Religion (1982-84) is a video essay populated by punk and rock performers (Patti Smith, Jim Morrison, Black Flag and Glenn Branca) and historical figures (including Ann Lee, founder of the Shakers). This coming together of several narrative voice-overs, of singing and shouting voices, of jarring sounds and text overlaid onto shaky, gritty images, proposes a historical genealogy of rock music and an ambitious thesis on the origins of America. In this illustrated book, Kodwo Eshun examines this landmark work of contemporary moving image in relation to Graham's wider body of work and to the broader culture of the time, especially in relation to history, popular culture, and individual and communal identity.
| Author | : Dan Graham |
| Publisher | : Yale University Press |
| Total Pages | : 67 |
| Release | : 2014-07-08 |
| Genre | : Art |
| ISBN | : 0300208758 |
Dan Graham’s commissioned installation for the roof garden of The Metropolitan Museum of Art, as well as his previous related site-specific architectural works, is the focus of this fascinating publication.
| Author | : Dan Graham |
| Publisher | : |
| Total Pages | : 356 |
| Release | : 2009-02-20 |
| Genre | : Art |
| ISBN | : |
The first comprehensive survey of a pioneering artist, encompassing photographs, film and video, architectural models, pavilion installations, conceptual projects for magazine pages, drawings and prints, and writings. Dan Graham is one of the most significant figures to emerge from the 1960s moment of Conceptual art, with a practice that pioneered a range of art forms, modes, and ideas that are now fundamental to contemporary art. The thrust of his practice has always pointed beyond: beyond the art object, beyond the studio, beyond the medium, beyond the gallery, beyond the self. Beyond all these categories and into the realm of the social, the public, the democratic, the mass produced, the architectural, the anarchic, the humorous. Graham's early work, Homes for America—a series of snapshots of suburban New Jersey tract housing accompanied by short parodic texts, made as a page layout for Arts magazine—announced a critical art grounded in the everyday, and it merged the artist's interest in cultural commentary with art's most advanced visual modes. His 1984 “video-essay” Rock My Religion traced a continuum of separatism and collective ecstasy from the American religious sect the Shakers to hard-core punk music. This volume, which accompanies a major retrospective organized by the Museum of Contemporary Art, Los Angeles, offers the first comprehensive survey of Graham's work. The book's design evokes magazine format and style, after Graham's important conceptual work from the 1960s in that medium. Generously illustrated in color and black and white,Dan Graham: Beyond features eight new essays, two new interviews with the artist, a section of reprints of Graham's own writing, and an animated manga-style “life of Dan Graham” narrative. It examines Graham's entire body of work, which includes designs for magazine pages, drawing, photographs, film and video, and architectural models and pavilions. Essays: Chrissie Iles on Graham's performance work • Bennett Simpson on Graham's interest and works in rock music • Beatriz Colomina on Graham's architectural pavilions • Rhea Anastas on Graham's early formation and short-lived operation of the John Daniels Gallery • Mark von Schlegell on Graham's interest in science fiction • Mark Francis on Graham's Public Space/Two Audiences (1976) •Alexandra Midal on Graham's conceptual works for magazine pages and magazine design • Philippe Vergne on Graham's puppet opera Don't Trust Anyone Over Thirty (2004) • Kim Gordon interview with Graham on their collaborations and music • Rodney Graham interview with Graham on jokes and humor in art
| Author | : Dan Graham |
| Publisher | : MIT Press |
| Total Pages | : 228 |
| Release | : 1999 |
| Genre | : Architecture |
| ISBN | : 9780262571302 |
Essays charting the diverse works of renowned conceptual artist Dan Graham.
| Author | : Kelly Baum |
| Publisher | : |
| Total Pages | : 159 |
| Release | : 2013 |
| Genre | : Art, American |
| ISBN | : 9780943012506 |
"Between 1950 and 1975, some of the postwar era's most innovative artists flocked to a very unexpected place: New Jersey. Appreciating what others tended to ignore or mock, they gravitated to the state's most desolate peripheries: its industrial wastescapes, crumbling cities, crowded highways, and banal suburbs. There they produced some of the most important work of their careers. The breakthroughs in land, conceptual, performance, and site-specific art that New Jersey helped catalyze are the subject of New Jersey as Non-Site, whose title evokes the mixed-media sculptures that Robert Smithson began to create in 1968 while driving the state's highways with Nancy Holt. This catalogue examines more than 100 works by sixteen artists, including Amiri Baraka, George Brecht, Dan Graham, Allan Kaprow, Gordon Matta-Clark, and George Segal. Organized around three themes--ruin, cooperation, and displacement--Kelly Baum's essay considers their work in relationship to seismic shifts in the world of art and equally dramatic changes to New Jersey's economy, infrastructure, landscape, demography, and social stability."--
| Author | : J. N. Williamson |
| Publisher | : Pinnacle Books |
| Total Pages | : 580 |
| Release | : 2002 |
| Genre | : Fiction |
| ISBN | : 9780786015054 |
Compiling the hardcover horror collections Masques III and Masques IV, this volume contains nightmarish tales from the farthest reaches of twisted imaginations to the deepest, most intimate recesses of tortured minds. Such horror masters as Ray Bradbury, Graham Masterton, Dan Simmons, F. Paul Wilson, and others contribute. Original.
| Author | : James A. Hessler |
| Publisher | : Savas Beatie |
| Total Pages | : 505 |
| Release | : 2009-06-25 |
| Genre | : History |
| ISBN | : 1611210453 |
“Sickles is as dividing a figure in Civil War history as there is. In his masterful work . . . Hessler . . . puts him out there with all his wrinkles” (Confederate Book Review). Winner of the Robert E. Lee Civil War Roundtable of Central New Jersey’s Bachelder-Coddington Literary Award Winner of the Gettysburg Civil War Roundtable’s Distinguished Book Award By licensed battlefield guide James Hessler, this is the most deeply-researched, full-length biography to appear on this remarkable American icon. No individual who fought at Gettysburg was more controversial, both personally and professionally, than Major General Daniel E. Sickles. By 1863, Sickles was notorious as a disgraced former Congressman who murdered his wife’s lover on the streets of Washington and used America’s first temporary insanity defense to escape justice. With his political career in ruins, Sickles used his connections with President Lincoln to obtain a prominent command in the Army of the Potomac’s 3rd Corps—despite having no military experience. At Gettysburg, he openly disobeyed orders in one of the most controversial decisions in military history. Hessler’s critically acclaimed biography is a balanced and entertaining account of Sickles colorful life. Civil War enthusiasts who want to understand General Sickles’ scandalous life, Gettysburg’s battlefield strategies, the in-fighting within the Army of the Potomac, and the development of today’s National Park will find Sickles at Gettysburg a must-read. “The few other Sickles biographies available will now take a back seat to Hessler’s powerful and evocative study of the man, the general, and the legacy of the Gettysburg battlefield that old Dan left America. I highly recommend this book.”—J. David Petruzzi, coauthor of Plenty of Blame to Go Around: Jeb Stuart’s Controversial Ride to Gettysburg
| Author | : Dan Graham |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 2012-08 |
| Genre | : Closed-circuit television |
| ISBN | : 9783037783009 |
This title was first published in 1979. The original book was released in the series of publications Source Materials of the Contemporary Arts initiated by Kasper Konig and produced by the Press of the Nova Scotia College of Art and Design. The publication represents an important document in Dan Graham's artistic examination of the video medium. Graham's installations and performances with video from the years 1970 - 1978 are documented with numerous illustrations, photos, and brief descriptions. In addition, the volume contains an essay by the artist in which he examines the various possibilities and forms of representation offered by the video medium, and draws the boundaries between these and representational spaces in television, film, or architecture. The book also offers contributions by Michael Asher and Dara Birnbaum, as well as an annex with a biography and bibliography.
