Dada Crisis And The Arts 8 Vol Set
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Dada in the Collection of the Museum of Modern Art
Author | : Museum of Modern Art (New York, N.Y.) |
Publisher | : The Museum of Modern Art |
Total Pages | : 360 |
Release | : 2008 |
Genre | : Art |
ISBN | : 9780870706684 |
"Presents some seventy works-- books, collages, drawings, films, paintings, photographs, photomontages, prints, readymades, reliefs-- in large-scale reproductions and accompanying them with in-depth essays by an interdepartmental group of the Museum's curators."--Front jacket flap.
Forthcoming Books
Author | : Rose Arny |
Publisher | : |
Total Pages | : 1542 |
Release | : 2001 |
Genre | : American literature |
ISBN | : |
Crisis and the Arts, the History of Dada
Author | : Russell J. Foster |
Publisher | : Macmillan Reference USA |
Total Pages | : |
Release | : 1997-12 |
Genre | : Art |
ISBN | : 9780783821177 |
A Companion to Dada and Surrealism
Author | : David Hopkins |
Publisher | : John Wiley & Sons |
Total Pages | : 500 |
Release | : 2022-01-06 |
Genre | : Art |
ISBN | : 1119238226 |
This excellent overview of new research on Dada and Surrealism blends expert synthesis of the latest scholarship with completely new research, offering historical coverage as well as in-depth discussion of thematic areas ranging from criminality to gender. This book provides an excellent overview of new research on Dada and Surrealism from some of the finest established and up-and-coming scholars in the field Offers historical coverage as well as in–depth discussion of thematic areas ranging from criminality to gender One of the first studies to produce global coverage of the two movements, it also includes a section dealing with the critical and cultural aftermath of Dada and Surrealism in the later twentieth century Dada and Surrealism are arguably the most popular areas of modern art, both in the academic and public spheres
Anarchism and the Advent of Paris Dada
Author | : Theresa Papanikolas |
Publisher | : Routledge |
Total Pages | : 206 |
Release | : 2017-07-05 |
Genre | : Art |
ISBN | : 1351576585 |
Anarchism and the Advent of Paris Dada sheds new light on Paris Dada's role in developing the anarchist and individualist philosophies that helped shape the cultural dialogue in France following the First World War. Drawing on such surviving documentation as correspondence, criticism, periodicals, pamphlets, and manifestoes, this book argues that, contrary to received wisdom, Dada was driven by a vision of social change through radical cultural upheaval. The first book-length study to interrogate the Paris Dadaists' complex and often contested position in the postwar groundswell of anarcho-individualism, Anarchism and the Advent of Paris Dada offers an unprecedented analysis of Paris Dada literature and art in relation to anarchism, and also revives a variety of little known anarcho-individualist texts and periodicals. In doing so, it reveals the general ideological diversity of the postwar French avant-garde and identifies its anarchist concerns; in addition, it challenges the accepted paradigm that postwar cultural politics were monolithically nationalist. By positioning Paris Dada in its anarchist context, this volume addresses a long-ignored lacuna in Dada scholarship and, more broadly, takes its place alongside the numerous studies that over the past two decades have problematized the politics of modern art, literature, and culture.
Crisis and the Arts, the History of Dada
Author | : Russell J. Foster |
Publisher | : Macmillan Reference USA |
Total Pages | : |
Release | : 1997-12-01 |
Genre | : Social Science |
ISBN | : 9780783821160 |
Crisis and the Arts: Dada and the press
Author | : Stephen C. Foster |
Publisher | : Macmillan Reference USA |
Total Pages | : 518 |
Release | : 1996 |
Genre | : Arts, Modern |
ISBN | : |
Any understanding of Dada requires a serious consideration of its reception, most discernable through the press. To the degree that Dada entered and engaged the dominant cultural discourse of the period and amounted to something more significant than the mere assertion of its agendas, Dada was required to, and made an enormous effort to, engage its potential public. Dada also fully understood that there is no such thing as a one-sided discourse and courted the attention and response of majority culture. Volume nine goes far in describing and measuring the strategies and effectiveness of Dada's confrontation of establishment society. Enormous evidence is brought to detailing and defining the positions of those responsible for Dada's critique and the reactions of both Dada's advocates and enemies. As one of the most exhaustive studies of reception to date, this volume helps to fill a serious gap in the literature of cultural history.