Czech Music
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| Author | : Michael Brim Beckerman |
| Publisher | : Pendragon Press |
| Total Pages | : 424 |
| Release | : 1995 |
| Genre | : Juvenile Nonfiction |
| ISBN | : 9780945193364 |
In the first week of May 1988, more than seventy scholars and musicians from five countries gathered at Washington University in St. Louis to participate in the first conference and festival ever to take place in the United States on the Moravian composer Leos Janácek. This volume, arranged in seven parts, is a collection of thirty-five of the papers presented at the conference. It is the first large collection of essays in English concerning Janácek's music, and the only collection of proceedings from a Janácek symposium to be published in the last twenty-five years... most of its essays deal with Janácek's music, while some with other Czech music, mostly from before the time of Bedrich Smetana. This breadth of scope is not a weakness of either the conference or the volume, since it places Janácek in historical perspective, and since the articles that deal with the earlier music are among the best in the volume and are deserving of a forum. John K. Novak, Notes June 1996
| Author | : Frances Barton |
| Publisher | : University of Oklahoma Press |
| Total Pages | : 257 |
| Release | : 2021-07-15 |
| Genre | : History |
| ISBN | : 0806178493 |
On any weekend in Texas, Czech polka music enlivens dance halls and drinking establishments as well as outdoor church picnics and festivals. The songs heard at these venues are the living music of an ethnic community created by immigrants who started arriving in Central Texas in the mid-nineteenth century from what is now the Czech Republic. Today, the members of this community speak English but their songs are still sung in Czech. Czech Songs in Texas includes sixty-one songs, mostly polkas and waltzes. The songs themselves are beloved heirlooms ranging from ceremonial music with origins in Moravian wedding traditions to exuberant polkas celebrating the pleasures of life. For each song, the book provides music notation and Czech lyrics with English translation. An essay explores the song’s European roots, its American evolution, and the meaning of its lyrics and lists notable performances and recordings. In addition to the songs and essays, Frances Barton provides a chapter on the role of music in the Texas Czech ethnic community, and John K. Novak surveys Czech folk and popular music in its European home. The book both documents a specific musical inheritance and serves as a handbook for learning about a culture through its songs. As folklorist and polka historian James P. Leary writes in his foreword, “Barton and Novak take us on a poetic, historical, and ethnographic excursion deep into a community’s expressive heartland. Their Czech Songs in Texas just might be the finest extant annotated anthology of any American immigrant/ethnic group's regional song tradition.”
| Author | : |
| Publisher | : |
| Total Pages | : 212 |
| Release | : 2006 |
| Genre | : Music |
| ISBN | : |
| Author | : |
| Publisher | : |
| Total Pages | : 38 |
| Release | : 1990 |
| Genre | : Composers |
| ISBN | : |
| Author | : David Yeomans |
| Publisher | : Indiana University Press |
| Total Pages | : 241 |
| Release | : 2006-10-12 |
| Genre | : Music |
| ISBN | : 0253218454 |
A compilation of forty compositions for piano by eighteen Czech composers of the late 18th to the early 20th century, accompanied by biographical information, analysis, interpretive suggestions for each piece, and listings of recommended repertoire, editions, recordings, and source material for each composer.
| Author | : Jim Samson |
| Publisher | : Routledge |
| Total Pages | : 327 |
| Release | : 2017-07-05 |
| Genre | : Music |
| ISBN | : 1351556290 |
This selection of essays represents a wide cross-section of the papers given at the Tenth International Conference on Nineteenth-Century Music held at the University of Bristol in 1998. Sections include thematic groupings of work on musical meaning, Wagner, Liszt, musical culture in France, music and nation, and women and music.
| Author | : Kip Lornell |
| Publisher | : Univ. Press of Mississippi |
| Total Pages | : 441 |
| Release | : 2016-01-04 |
| Genre | : Music |
| ISBN | : 1626746125 |
The Music of Multicultural America explores the intersection of performance, identity, and community in a wide range of musical expressions. Fifteen essays explore traditions that range from the Klezmer revival in New York, to Arab music in Detroit, to West Indian steel bands in Brooklyn, to Kathak music and dance in California, to Irish music in Boston, to powwows in the midwestern plains, to Hispanic and Native musics of the Southwest borderlands. Many chapters demonstrate the processes involved in supporting, promoting, and reviving community music. Others highlight the ways in which such American institutions as city festivals or state and national folklife agencies come into play. Thirteen themes and processes outlined in the introduction unify the collection's fifteen case studies and suggest organizing frameworks for student projects. Due to the diversity of music profiled in the book—Mexican mariachi, African American gospel, Asian West Coast jazz, women's punk, French-American Cajun, and Anglo-American sacred harp—and to the methodology of fieldwork, ethnography, and academic activism described by the authors, the book is perfect for courses in ethnomusicology, world music, anthropology, folklore, and American studies. Audio and visual materials that support each chapter are freely available on the ATMuse website, supported by the Archives of Traditional Music at Indiana University.
| Author | : Lawrence Clayton |
| Publisher | : Texas A&M University Press |
| Total Pages | : 252 |
| Release | : 2005-09-09 |
| Genre | : History |
| ISBN | : 9781585444922 |
The music of Texas and the American Southwest is as diverse and distinctive as the many different groups who have lived in the region over the past several centuries,” writes Gary Hartman in his introduction to this refreshingly different look at various genres of Texas music. Roots of Texas Music celebrates the diverse sources of the music of the Lone Star State by gathering chapters by specialists on each of them—specialists whose views may not have dominated the perception of Texas music to date. Editor Lawrence Clayton conceived this project as one that would not simply repeat the common wisdom about Texas music traditions, but rather would offer new perspectives. He therefore called on contributors whose work had been well-grounded but not necessarily widely published. The result is a lively, captivating, and original look at the musical traditions of Texas Germans and Czechs, black Creoles and Chicanos, and blues and gospel singers. Hartman’s introduction places these repertoires within the larger picture of one of the most fertile musical seedbeds the nation knows. The diverse genres included in the anthology also provide an introduction to the classes, cultures, races, and ethnic groups of Texas and highlight the ways in which the state’s musical wealth has influenced the listening habits of the nation.
| Author | : Janet Sturman |
| Publisher | : SAGE Publications |
| Total Pages | : 5212 |
| Release | : 2019-02-26 |
| Genre | : Music |
| ISBN | : 1506353371 |
The SAGE Encyclopedia of Music and Culture presents key concepts in the study of music in its cultural context and provides an introduction to the discipline of ethnomusicology, its methods, concerns, and its contributions to knowledge and understanding of the world′s musical cultures, styles, and practices. The diverse voices of contributors to this encyclopedia confirm ethnomusicology′s fundamental ethos of inclusion and respect for diversity. Combined, the multiplicity of topics and approaches are presented in an easy-to-search A-Z format and offer a fresh perspective on the field and the subject of music in culture. Key features include: Approximately 730 signed articles, authored by prominent scholars, are arranged A-to-Z and published in a choice of print or electronic editions Pedagogical elements include Further Readings and Cross References to conclude each article and a Reader’s Guide in the front matter organizing entries by broad topical or thematic areas Back matter includes an annotated Resource Guide to further research (journals, books, and associations), an appendix listing notable archives, libraries, and museums, and a detailed Index The Index, Reader’s Guide themes, and Cross References combine for thorough search-and-browse capabilities in the electronic edition
| Author | : James W. Peterson |
| Publisher | : Lexington Books |
| Total Pages | : 268 |
| Release | : 2023-10-24 |
| Genre | : Music |
| ISBN | : 1666925209 |
Political Dreams and Musical Themes in the 1848–1922 Formation of Czechoslovakia: Interaction of National and Global Forces characterizes the 1918–22 formation of Czechoslovakia as a consequence of political and musical expressions. Nationalist expressions and formations were striking after the 1848 Revolution. The authors explore how the music of Smetana, Janáček, and Dvořák inspired people with reminders about the important achievements of past Bohemian leaders. Under the control of the Vienna-based Habsburg Empire, Czech leaders also achieved more political representation in both Habsburg and Bohemian legislatures, and Slovaks made some national progress in at least asserting their demands to Budapest and its controlling Magyar Empire. During the early twentieth century, there was additional pressure to link up these nationalist movements in both music and politics with regional “modernist” approaches that were increasingly popular in other parts of Europe. The outbreak of World War I in 1914 opened up opportunities, such as joint participation in the Czechoslovak Legion, for the two key ethnic groups to forge a Czechoslovak state. Independence took place, with considerable western support, on October 28, 1918, and the commemorative concert two days later of compositions by Josef Suk put the final stamp on a considerable achievement that bore the hallmarks of globalism as well as nationalism.
