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| Author | : H. Lee |
| Publisher | : Palgrave Macmillan |
| Total Pages | : 0 |
| Release | : 2014-08-13 |
| Genre | : Political Science |
| ISBN | : 9781137327765 |
This book provides a detailed snapshot of cultural policies in China, Japan, Singapore, South Korea and Taiwan. In addition to an historical overview of the culture-state relationships in East Asia, it provides an analysis of contemporary developments occurring in the regions' cultural policies and the challenges they are facing.
| Author | : Lorraine Lim |
| Publisher | : Routledge |
| Total Pages | : 158 |
| Release | : 2015-10-14 |
| Genre | : Social Science |
| ISBN | : 1317681614 |
This book provides an introduction to the contemporary issues that are occurring in cultural policy in East Asia today. Interest in East Asia has grown considerably in recent years due not only to the emergence of economic super-powers such as China but also to the cultural impact the region is making throughout the world through Japanese film and Korean Pop-Music. Addressing the relationship between the state, culture and the creative economy, this collection highlights how cultural policy within this region has to be understood within its social, historical and political context. By presenting a variety of chapters that examine the role of culture within the countries of China, Japan, Singapore, South Korea and Taiwan, this book offers readers an insight into the key issues affecting development of cultural policy in these countries. This book was originally published as a Special Issue of the International Journal of Cultural Policy.
| Author | : Brian Moeran |
| Publisher | : Routledge |
| Total Pages | : 167 |
| Release | : 2021-08-04 |
| Genre | : Business & Economics |
| ISBN | : 1000417034 |
This book presents an introductory overview of the socio-economic organization of creative industries, focusing on the East Asian context. Establishing a theoretical framework founded on the work of Richard Caves, Howard Becker, and Pierre Bourdieu, this textbook is an accessible introduction to creative and cultural industries. Drawing on examples from Japan, South Korea, and China, it both examines what is unique about cultural production in these countries and places them in a global and intercultural context. Building on themes of uncertainty and networks of cooperation, Brian Moeran looks at the role of social ties in defining notions of quality. He then analyses the positioning of individual actors, organisations, and commodities in each field of cultural production and the exchanges of economic and symbolic capital that take place between them. Examples are taken from a range of cultural and creative industries, including film, music and fashion. Overall, Creative and Cultural Industries in East Asia serves as a foundational introduction to the study of creative and cultural production in East Asia.
| Author | : Akira Matsuda |
| Publisher | : Ubiquity Press |
| Total Pages | : 173 |
| Release | : 2016-09-27 |
| Genre | : Art |
| ISBN | : 1909188891 |
The concept of ‘cultural heritage’ has acquired increasing currency in culture, politics and societies in East Asia. However, in spite of a number of research projects in this field, our understanding of how the past and its material expressions have been perceived, conceptualised and experienced in this part of the world, and how these views affect contemporary local practices and notions of identity, particularly in a period of rapid economic development and increasing globalisation, is still very unclear. Preoccupation with cultural heritage - expressed in the rapid growth of national and private museums, the expansion of the antiquities’ market, revitalisation of local traditions, focus on ‘intangible cultural heritage’ and the development of cultural tourism - is something that directly or indirectly affects national policies and international relations. An investigation of how the concept of ‘cultural heritage’ has been and continues to be constructed in East Asia, drawing on several case studies taken from China, Japan and Korea, is thus timely and worthwhile.
| Author | : Lucie Cheng |
| Publisher | : Routledge |
| Total Pages | : 307 |
| Release | : 2003-09-02 |
| Genre | : Law |
| ISBN | : 1134431791 |
This work explores the tension in East Asia between the trend towards a convergence of legal practices in the direction of a universal model and a reassertion of local cultural practices. The trend towards convergence arises in part from 'globalisation', from 'rule of law programs' promulgated by institutions such as the International Monetary Fund and the Asian Development Bank, and from widespread migration in the region, whilst the opposing trend arises in part from moves to resist such 'globalisation'. This book explores a wide range of issues related to this key problem, covering China in particular, where resolving differences in conceptions about the rule of law is a key issue as China begins to integrate itself into the World Trade Organisation regime.
| Author | : Koichi Iwabuchi |
| Publisher | : Rowman & Littlefield |
| Total Pages | : 249 |
| Release | : 2016-10-04 |
| Genre | : Social Science |
| ISBN | : 1783484993 |
The first decade of the 21st century has witnessed the decline of multiculturalism as a policy in Western countries with tighter national border controls and increasing anti-migration discourse. But what is the impact of multiculturalism in East Asia? How will East Asian nations develop their own policies on migration and multiculturalism? What does cultural diversity mean for their future? Multiculturalism in East Asia examines the development and impact of multiculturalism in East Asia with a focus on Japan, South Korean and Taiwan. It uses a transnational approach to explore key topics including policy, racialized discourses on cultural diversity and the negotiation process of marginalized subjects and groups. While making a contextualized analysis in each country, contributors will consciously make a comparison and references to other East Asian cases while also situating this as well as put their case in a wider transnational context.
| Author | : Nissim Otmazgin |
| Publisher | : Routledge |
| Total Pages | : 233 |
| Release | : 2013-03-01 |
| Genre | : Political Science |
| ISBN | : 1136622950 |
This volume examines the relations between popular culture production and export and the state in East and Southeast Asia including the urban centres and middle-classes of Taiwan, South Korea, Japan, Singapore, Indonesia, Malaysia, China, Thailand, and the Philippines. It addresses the shift in official thinking toward the role of popular culture in the political life of states brought about by the massive circulation of cultural commodities and the possibilities for attaining "soft power". In contrast to earlier studies, this volume pays particular attention to the role of states and cross-state cultural interactions in these processes. It is the first major attempt to look at these issues comparatively and to provide an important corrective to the limitations of existing scholarship on popular culture in Asia that have usually neglected its political aspects. As part of this move, the essays in this volume suggest a widening of disciplinary perspectives. Hitherto, the preponderance of relevant studies has been in cultural and media fields, anthropology or history. Here the contributors explicitly draw on other disciplinary perspectives – political science and international relations, political economy, law, and policy studies – to explore the complex interrelationships between the state, politics and economics, and popular culture. This book will be of interest to students and scholars of Asian culture, society and politics, the sociology of culture, political science and media studies.
| Author | : H. Lee |
| Publisher | : Springer |
| Total Pages | : 351 |
| Release | : 2014-08-19 |
| Genre | : Political Science |
| ISBN | : 1137327774 |
This book provides a detailed snapshot of cultural policies in China, Japan, Singapore, South Korea and Taiwan. In addition to an historical overview of the culture-state relationships in East Asia, it provides an analysis of contemporary developments occurring in the regions' cultural policies and the challenges they are facing.
| Author | : Ka Ho Mok |
| Publisher | : Routledge |
| Total Pages | : 434 |
| Release | : 2008-11-24 |
| Genre | : Business & Economics |
| ISBN | : 1134118260 |
The search for good governance has become an increasingly important element of public policy and public management and is high on the political agenda of East Asian countries. The need for robust governance structures and institutions was brought into sharp focus by the Asian Financial Crisis which adversely affected most East Asian societies. Since then they have begun to look for ways to restructure their public administration and political systems in order to develop new mechanisms and structures to promote good governance. This book focuses on how selected Asian states have responded to the growing impact of "liberalizing and marketizing trends" in public policy formulation and public management. To what extent is the "state-guided" regime in Asia still relevant to governing public policy / public management? What are the policy implications for a growing number of Asian states which are pursuing more pro-competition policy instruments? The book is a timely and important collection that offers critical analysis of the search for new governance in Asia and compares and contrasts experiences in selected Asian societies such as China, Japan, Hong Kong, Taiwan, South Korea, Singapore, and other parts of South East Asia. Chapters are written by leading scholars in the fields of comparative development, policy and governance studies from Hong Kong, Macau, Taiwan, China, Singapore, Japan and the United Kingdom.
| Author | : Beng Huat Chua |
| Publisher | : Hong Kong University Press |
| Total Pages | : 199 |
| Release | : 2012-03-01 |
| Genre | : Social Science |
| ISBN | : 9888139037 |
East Asian pop culture can be seen as an integrated cultural economy emerging from the rise of Japanese and Korean pop culture as an influential force in the distribution and reception networks of Chinese language pop culture embedded in the ethnic Chinese diaspora. Taking Singapore as a locus of pan-Asian Chineseness, Chua Beng Huat provides detailed analysis of the fragmented reception process of transcultural audiences and the processes of audiences’ formation and exercise of consumer power and engagement with national politics. In an era where exercise of military power is increasingly restrained, pop culture has become an important component of soft power diplomacy and transcultural collaborations in a region that is still haunted by colonization and violence. The author notes that the aspirations behind national governments' efforts to use popular culture is limited by the fragmented nature of audiences who respond differently to the same products; by the danger of backlash from other members of the importing country's population that do not consume the popular culture products in question; and by the efforts of the primary consuming country, the People's Republic of China to shape products through co-production strategies and other indirect modes of intervention.
