Cuban Santeria
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| Author | : Raul J. Canizares |
| Publisher | : Destiny Books |
| Total Pages | : 176 |
| Release | : 1999-03-01 |
| Genre | : Religion |
| ISBN | : 9780892817627 |
A revealing window into the secret and seductive world of Santeria. • A Santeria priest discloses information never before revealed to outsiders. • Removes the veil of occultism from Santeria to show it as a highly spiritual, thriving religion. Initiated into the Santeria priesthood at the age of seven, Raul Canizares unveils in Cuban Santeria the secret and seductive world of this rapidly growing, yet largely misunderstood, Afro-Cuban religion. With the knowledge of an insider and the insight of a scholar, Canizares astutely examines the practice of Santeria, revealing many of its hidden dimensions while simultaneously providing a fascinating account of its unique textured mix of African, Cuban, and Catholic traditions. The Cuban-born author describes the practices and rituals of the followers of Santeria--from magical herbal prescription and healing to spiritism and animal sacrifice--and explains how for many years the religion has been maintained under the guise of Catholicism to avoid religious persecution. Most initiates are sworn to a code of silence, but Canizares believes that the time has come to move Santeria, a religion of beauty and resilience, out of the darkness and into the light so that a more accurate picture of this rich tradition can emerge.
| Author | : DAVID H. BROWN |
| Publisher | : Routledge |
| Total Pages | : 448 |
| Release | : 2022-11-30 |
| Genre | : |
| ISBN | : 9780367332198 |
Originally published in 2003 Santería Enthroned combines art, history, cultural anthropology, and ethnohistory to show how Africans and their descendants have developed novel forms of religious practice in the face of relentless oppression.
| Author | : Stephan Palmié |
| Publisher | : University of Chicago Press |
| Total Pages | : 373 |
| Release | : 2013-06-14 |
| Genre | : Social Science |
| ISBN | : 022601973X |
Over a lifetime of studying Cuban Santería and other religions related to Orisha worship—a practice also found among the Yoruba in West Africa—Stephan Palmié has grown progressively uneasy with the assumptions inherent in the very term Afro-Cuban religion. In The Cooking of History he provides a comprehensive analysis of these assumptions, in the process offering an incisive critique both of the anthropology of religion and of scholarship on the cultural history of the Afro-Atlantic World. Understood largely through its rituals and ceremonies, Santería and related religions have been a challenge for anthropologists to link to a hypothetical African past. But, Palmié argues, precisely by relying on the notion of an aboriginal African past, and by claiming to authenticate these religions via their findings, anthropologists—some of whom have converted to these religions—have exerted considerable influence upon contemporary practices. Critiquing widespread and damaging simplifications that posit religious practices as stable and self-contained, Palmié calls for a drastic new approach that properly situates cultural origins within the complex social environments and scholarly fields in which they are investigated.
| Author | : Miguel A. De La Torre |
| Publisher | : Wm. B. Eerdmans Publishing |
| Total Pages | : 266 |
| Release | : 2004-08-23 |
| Genre | : Religion |
| ISBN | : 146743177X |
This book by Miguel De La Torre offers a fascinating guide to the history, beliefs, rituals, and culture of Santería — a religious tradition that, despite persecution, suppression, and its own secretive nature, has close to a million adherents in the United States alone. Santería is a religion with Afro-Cuban roots, rising out of the cultural clash between the Yoruba people of West Africa and the Spanish Catholics who brought them to the Americas as slaves. As a faith of the marginalized and persecuted, it gave oppressed men and women strength and the will to survive. With the exile of thousands of Cubans in the wake of Castro's revolution in 1959, Santería came to the United States, where it is gradually coming to be recognized as a legitimate faith tradition. Apart from vague suspicions that Santería's rituals include animal sacrifice and notions that it is a “syncretistic” form of Catholicism, most people in America's cultural and religious mainstream know very little about this rich faith tradition — in fact, many have never heard of it at all. De La Torre, who was reared in Santería, sets out in this book to provide a basic understanding of its inner workings. He clearly explains the particular worldview, myths, rituals, and practices of Santería, and he discusses what role the religion typically plays in the life of its practitioners as well as the cultural influence it continues to exert in Latin American communities today. In offering a balanced, informed survey of Santería from his unique “insider-outsider” perspective, De La Torre also provides insight into how Christianity and Santería can enter into dialogue — a dialogue that will challenge Christians to consider what this emerging faith tradition can teach them about their own. Enhanced with illustrations, tables, and a glossary, De La Torre's Santería sheds light on a religion all too often shrouded in mystery and misunderstanding.
| Author | : George Brandon |
| Publisher | : Indiana University Press |
| Total Pages | : 224 |
| Release | : 1997-03-22 |
| Genre | : History |
| ISBN | : 9780253211149 |
"On his own terms, Brandon more than fulfills his promise to take the reader on the transatlantic journey of the orisha and to explore the complexities of African memory in the diaspora." —American Historical Review "He adeptly addresses broader issues, such as power relations within Caribbean slavery, multiculturalism, and the forms of religious accommodation to cultural change. In addition, he offers a fresh and cogent assessment of the production and reproduction of African beliefs and practices in new contexts. Brandon's exemplary archival research is supplemented by skillful participant observation." —Choice The Yoruba religious tradition arose in West Africa, but its influence has spread beyond Africa to millions of adherents in the Americas as well. Santeria from Africa to the New World retraces one path taken by this tradition—a path from Africa to Cuba and to New York City. George Brandon examines the religion's transatlantic route through Cuban Santeria, Puerto Rican Espiritismo, and Black Nationalism. In following the historical and anthropological evolution of the Yoruba religion, Brandon discusses broader questions of power, multiculturalism, cultural change, and the production and reproduction of African retentions.
| Author | : David H. Brown |
| Publisher | : University of Chicago Press |
| Total Pages | : 464 |
| Release | : 2003-10-15 |
| Genre | : Art |
| ISBN | : 9780226076096 |
Ever since its emergence in colonial-era Cuba, Afro-Cuban Santería (or Lucumí) has displayed a complex dynamic of continuity and change in its institutions, rituals, and iconography. In Santería Enthroned, David H. Brown combines art history, cultural anthropology, and ethnohistory to show how Africans and their descendants have developed novel forms of religious practice in the face of relentless oppression. Focusing on the royal throne as a potent metaphor in Santería belief and practice, Brown shows how negotiation among ideologically competing interests have shaped the religion's symbols, rituals, and institutions from the nineteenth century to the present. Rich case studies of change in Cuba and the United States, including a New Jersey temple and South Carolina's Oyotunji Village, reveal patterns of innovation similar to those found among rival Yoruba kingdoms in Nigeria. Throughout, Brown argues for a theoretical perspective on culture as a field of potential strategies and "usable pasts" that actors draw upon to craft new forms and identities—a perspective that will be invaluable to all students of the African Diaspora. American Acemy of Religion Award for Excellence in the Study of Religion (Analytical-Descriptive Category)
| Author | : Aisha M. Beliso-De Jesús |
| Publisher | : Columbia University Press |
| Total Pages | : 432 |
| Release | : 2015-09-08 |
| Genre | : Religion |
| ISBN | : 0231539916 |
Santería is an African-inspired, Cuban diaspora religion long stigmatized as witchcraft and often dismissed as superstition, yet its spirit- and possession-based practices are rapidly winning adherents across the world. Aisha M. Beliso-De Jesús introduces the term "copresence" to capture the current transnational experience of Santería, in which racialized and gendered spirits, deities, priests, and religious travelers remake local, national, and political boundaries and reconfigure notions of technology and transnationalism. Drawing on eight years of ethnographic research in Havana and Matanzas, Cuba, and in New York City, Miami, Los Angeles, and the San Francisco Bay area, Beliso-De Jesús traces the phenomenon of copresence in the lives of Santería practitioners, mapping its emergence in transnational places and historical moments and its ritual negotiation of race, imperialism, gender, sexuality, and religious travel. Santería's spirits, deities, and practitioners allow digital technologies to be used in new ways, inciting unique encounters through video and other media. Doing away with traditional perceptions of Santería as a static, localized practice or as part of a mythologized "past," this book emphasizes the religion's dynamic circulations and calls for nontranscendental understandings of religious transnationalisms.
| Author | : Carlos Hernandez |
| Publisher | : Rosarium Publishing |
| Total Pages | : 294 |
| Release | : 2016-01-01 |
| Genre | : Fiction |
| ISBN | : 1495607429 |
A quirky collection of short sci-fi stories for fans of Kij Johnson and Kelly Link Assimilation is founded on surrender and being broken; this collection of short stories features people who have assimilated, but are actively trying to reclaim their lives. There is a concert pianist who defies death by uploading his soul into his piano. There is the person who draws his mother's ghost out of the bullet hole in the wall near where she was executed. Another character has a horn growing out of the center of his forehead—punishment for an affair. But he is too weak to end it, too much in love to be moral. Another story recounts a panda breeder looking for tips. And then there's a border patrol agent trying to figure out how to process undocumented visitors from another galaxy. Poignant by way of funny, and philosophical by way of grotesque, Hernandez's stories are prayers for self-sovereignty.
| Author | : Mercedes Cros Sandoval |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 2009 |
| Genre | : Afro-Caribbean cults |
| ISBN | : 9780813034522 |
"A comprehensive, almost encyclopedic, introduction to Santeria . . . Cros Sandoval's greatest contribution is in tackling the question of why Santeria's Yoruba cosmology has proven so durable and compelling over time, even as it has been transplanted across an ocean and brought into contact with very different traditions in very different societies than its place of origin."--Kristina Wirtz, Western Michigan University "A broad and deep synthesis of scholarship on Santeria . . . fully recognizes the heterogeneous nature of Afro-Cuban religious belief and successfully explores the origins of that heterogeneity."--Theron Corse, Tennessee State University Cros Sandoval's authoritative introduction to the Afro-Cuban religion called Santeria explores how it emerged and developed in Cuba out of transplanted Yoruba beliefs and continues to spread and adjust to changing times and contexts. Systematically exploring every facet of Santeria's worldview, Sandoval examines how practitioners have adapted received beliefs and practices to reconcile them with new environments, from plantation slavery to exile in the United States. Offering a distinctive perspective based on a lifetime of extensive research and firsthand knowledge, Cros Sandoval illuminates Santeria as a theological system and as a vital, continuously evolving community. The adaptation process that gave birth to Santeria was not the singular result of cultural resistance, she argues, but a successful attempt to find meaning linked to alien religious elements in a way that appealed to a diverse following. Beginning with the transatlantic history of how Yoruba traditions came to Cuba and were established and adapted to Cuban society, Sandoval provides a comprehensive comparison of Yoruba and Cuban mythologies, followed by an overview of how Santeria has continued to diffuse and change in response to new contexts and adherents--with an especially illuminating perspective on Santeria among Cubans in Miami. As a reference work and historical treatment of Santeria, Sandoval's work will appeal to both scholars and nonscholars alike, ranging from anthropologists and students of religion and the African Diaspora to psychologists, social workers, and those curious about or inspired by this remarkably durable and adaptable belief system.
| Author | : Ócha'ni Lele |
| Publisher | : Destiny Books |
| Total Pages | : 0 |
| Release | : 2001-06-01 |
| Genre | : Body, Mind & Spirit |
| ISBN | : 9780892818648 |
• The first book to provide complete, specific instructions for casting the obi oracle of the Santería faith. • Uses the shell of a coconut, which embodies the spirit of Obí, as a divination tool. • Includes a detailed “mojuba” or prayer that awakens the orishas and invites them to speak. • Examines in depth the five basic patterns that appear when obí is cast and explains how to interpret the oracle's answer. • Explores the fifty additional patterns and meanings contributed by ten orishas closely associated with the orisha Obí One of the paths to the spirits within Santeria is through a divination technique known as obi, the coconut oracle, which gives the petitioner access to the orisha of the same name. The orisha Obí began as a mortal human who ascended to become an orisha as a reward for good deeds done on Earth, then fell from grace because of excessive pride. When he descended back to Earth, his spirit was embodied in the coconut palm. Though he no longer has a tongue, he can answer questions posed to him through the patterns made by four pieces of coconut shell cast as a divination tool. Obí: Oracle of Cuban Santería is the first book to fully explore the sacred body of lore surrounding Obí, as well as his particular rituals and customs, including opening considerations, casting and interpreting the oracle, and employing advanced methods of divination. Also explained are the previously unpublished secrets of closing the oracle properly so that any negative vibrations will be absorbed by the coconuts and permanently removed from the diviner's home.
