Billboard

Billboard
Author:
Publisher:
Total Pages: 69
Release: 1954-12-18
Genre:
ISBN:

In its 114th year, Billboard remains the world's premier weekly music publication and a diverse digital, events, brand, content and data licensing platform. Billboard publishes the most trusted charts and offers unrivaled reporting about the latest music, video, gaming, media, digital and mobile entertainment issues and trends.

Film Noir Guide

Film Noir Guide
Author: Michael F. Keaney
Publisher: McFarland
Total Pages: 552
Release: 2015-05-20
Genre: Performing Arts
ISBN: 0786491558

More than 700 films from the classic period of film noir (1940 to 1959) are presented in this exhaustive reference book--such films as The Accused, Among the Living, The Asphalt Jungle, Baby Face Nelson, Bait, The Beat Generation, Crossfire, Dark Passage, I Walk Alone, The Las Vegas Story, The Naked City, Strangers on a Train, White Heat, and The Window. For each film, the following information is provided: the title, release date, main performers, screenwriter(s), director(s), type of noir, thematic content, a rating based on the five-star system, and a plot synopsis that does not reveal the ending.

Danger and Vulnerability in Nineteenth-century American Literature

Danger and Vulnerability in Nineteenth-century American Literature
Author: Jennifer Travis
Publisher: Lexington Books
Total Pages: 175
Release: 2018-03-12
Genre: Literary Criticism
ISBN: 1498563422

Nineteenth-Century Americans saw danger lurking everywhere: in railway cars and trolleys, fireplaces and floods, and amid social and political movements, from the abolition of slavery to suffrage. After the Civil War, Americans were shaken by financial panic and a volatile post-slave economy. They were awe-struck and progressively alarmed by technological innovations that promised speed and commercial growth, but also posed unprecedented physical hazard. Most of all, Americans were uncertain, particularly in light of environmental disasters like hurricanes and wildfires, about their own city on a hill and the once indisputable and protective hand of a beneficent God. The disasters, accidents, and social and political upheavals that characterized nineteenth-century culture had enormous explanatory power, metaphoric and real. Today we speak of similar insecurities: financial, informational, environmental, and political, and we obsessively express our worry and fear for the future. Cultural theorist Paul Virilio refers to these feelings as the “threat horizon,” one that endlessly identifies and produces new dangers.Why, he asks, does it seem easier for humanity to imagine a future shaped by ever-deadlier accidents than a decent future? Danger and Vulnerability in Nineteenth Century American Literature; or, Crash and Burn American invites readers to examine the “threat horizon” through its nascent expression in literary and cultural history. Against the emerging rhetoric of danger in the long nineteenth century, this book examines how a vocabulary of vulnerability in the American imaginary promoted the causes of the structurally disempowered in new and surprising ways, often seizing vulnerability as the grounds for progressive insight. The texts at the heart of this study, from nineteenth-century sensation novels to early twentieth-century journalistic fiction, imagine spectacular collisions, terrifying conflagrations, and all manner of catastrophe, social, political, and environmental. Together they write against illusions of inviolability in a growing technological and managerial culture, and they imagine how the recognition of universal vulnerability may challenge normative representations of social, political, and economic marginality.

Orphan's Cry

Orphan's Cry
Author: Jaymie Wagner
Publisher: JMS Books LLC
Total Pages: 402
Release: 2022-02-26
Genre: Fiction
ISBN: 1685500633

Six months ago Leah Corbyn was bitten by a "dog." Two weeks later, the full moon’s rise revealed she’s now a werewolf. After spending six months trying to hide her secret in the city of London, Leah is about to learn she isn’t alone ... but that knowledge comes with new responsibilities, and new dangers. As Leah finds solace in her girlfriend's arms, she must find her place among the wolves of Londinium, but can she prove herself in time?

The New Biographical Dictionary of Film

The New Biographical Dictionary of Film
Author: David Thomson
Publisher: Knopf
Total Pages: 1090
Release: 2010
Genre: Biography & Autobiography
ISBN: 0307271749

Thomson (independent scholar), writing of The Biographical Dictionary of Film (aka A Biographical Dictionary of the Cinema, 1975 edition), described it as "a personal, opinionated, and obsessive biographical dictionary of the cinema." Thirty-five years and several editions later, that description still holds true of this expanded work. The new dictionary summarizes salient facts about its subjects' lives and discusses their film credits in terms of the quality of the filmmakers' work. In ambition it has competitors, including Leslie Halliwell's various editions of Halliwell's Filmgoers Companion (12th ed., 1997) and Halliwell's Who's Who in the Movies, edited by John Walker (4th ed., rev. and updated, 2006), which cover films and technical terms (categories not included in Thomson's), but whose entries are neutral and exceedingly brief. Additionally, Francophile Richard Roud's edited Cinema: A Critical Dictionary: The Major Filmmakers (2 v., 1980) is as passionate a work as Thomson's, but narrower in scope, with entries written by various experts, rather than only by Roud. Finally, the multivolume magnum opus The International Dictionary of Films and Filmmakers (4th ed., 2000, ed. by T. Pendergast and S. Pendergast; 2nd ed., ed. by N. Thomas, v. 1, CH, May'91; 1st ed., ed. by C. Lyon, v.1-2, CH, Jan'85, v.3, CH, Apr'87, v.4-5, CH, Jun'88) covers everything--films, directors, actors, writers, and production artists--with generous, measured, scholarly entries and lavish illustrations. However, it looms large and heavy, unlike the handy one-volume work by Thomson. Arguably, Thomson's work, for its scope, is the most fun, the most convenient, and the most engaging title. All libraries supporting people interested in film should buy it. It will get lots of use and provide very good value for the money. Summing Up: Highly recommended. Lower-level undergraduates and above; general readers. General Readers; Lower-division Undergraduates; Upper-division Undergraduates; Graduate Students; Researchers/Faculty; Professionals/Practitioners. Reviewed by C. Hendershott.

"A" Western Filmmakers

Author: Henryk Hoffmann
Publisher: McFarland
Total Pages: 657
Release: 2024-10-16
Genre: Performing Arts
ISBN: 1476608644

From High Noon to Unforgiven, the "A" Western represents the pinnacle of Western filmmaking. More intellectual, ambitious, and time-consuming than the readily produced "B" or serial Westerns, these films rely on hundreds of talented artists. This comprehensive reference work provides biographies and Western filmographies for nearly 1,000 men and women who have contributed to at least three "A" Westerns. These contributors are arranged by their role in film production. Cinematographers, composers, actors, actresses, and directors receive complete biographical treatment; writers whose work was used in at least two Westerns are also featured. An appendix lists well-known actors who have appeared in either one or two "A" Westerns, as specified.

The Encyclopedia of Film Composers

The Encyclopedia of Film Composers
Author: Thomas S. Hischak
Publisher: Rowman & Littlefield
Total Pages: 837
Release: 2015-04-16
Genre: Performing Arts
ISBN: 1442245506

For more than a century, original music has been composed for the cinema. From the early days when live music accompanied silent films to the present in which a composer can draw upon a full orchestra or a lone synthesizer to embody a composition, music has been an integral element of most films. By the late 1930s, movie studios had established music departments, and some of the greatest names in film music emerged during Hollywood’s Golden Age, including Alfred Newman, Max Steiner, Dimitri Tiomkin, and Bernard Herrmann. Over the decades, other creators of screen music offered additional memorable scores, and some composers—such as Henry Mancini, Randy Newman, and John Williams—have become household names. The Encyclopedia of Film Composers features entries on more than 250 movie composers from around the world. It not only provides facts about these artists but also explains what makes each composer notable and discusses his or her music in detail. Each entry includes Biographical material Important dates Career highlights Analysis of the composer’s musical style Complete list of movie credits This book brings recognition to the many men and women who have written music for movies over the past one hundred years. In addition to composers from the United States and Great Britain, artists from dozens of other countries are also represented. A rich resource of movie music history, The Encyclopedia of Film Composers will be of interest to fans of cinema in general as well as those who want to learn more about the many talented individuals who have created memorable scores.

The Outermost House: A Year of Life on the Great Beach of Cape Cod

The Outermost House: A Year of Life on the Great Beach of Cape Cod
Author: Henry Beston
Publisher: Library of Alexandria
Total Pages: 204
Release: 1913-01-01
Genre: Biography & Autobiography
ISBN: 1465543465

East and ahead of the coast of North America, some thirty miles and more from the inner shores of Massachusetts, there stands in the open Atlantic the last fragment of an ancient and vanished land. For twenty miles this last and outer earth faces the ever hostile ocean in the form of a great eroded cliff of earth and clay, the undulations and levels of whose rim now stand a hundred, now a hundred and fifty feet above the tides. Worn by the breakers and the rains, disintegrated by the wind, it still stands bold. Many earths compose it, and many gravels and sands stratified and intermingled. It has many colours: old ivory here, peat here, and here old ivory darkened and enriched with rust. At twilight, its rim lifted to the splendour in the west, the face of the wall becomes a substance of shadow and dark descending to the eternal unquiet of the sea; at dawn the sun rising out of ocean gilds it with a level silence of light which thins and rises and vanishes into day. At the foot of this cliff a great ocean beach runs north and south unbroken, mile lengthening into mile. Solitary and elemental, unsullied and remote, visited and possessed by the outer sea, these sands might be the end or the beginning of a world. Age by age, the sea here gives battle to the land; age by age, the earth struggles for her own, calling to her defence her energies and her creations, bidding her plants steal down upon the beach, and holding the frontier sands in a net of grass and roots which the storms wash free. The great rhythms of nature, to-day so dully disregarded, wounded even, have here their spacious and primeval liberty; cloud and shadow of cloud, wind and tide, tremor of night and day. Journeying birds alight here and fly away again all unseen, schools of great fish move beneath the waves, the surf flings its spray against the sun. Often spoken of as being entirely glacial, this bulwark is really an old land surfaced with a new. The seas broke upon these same ancient bounds long before the ice had gathered or the sun had fogged and cooled. There was once, so it would seem, a Northern coastal plain. This crumbled at its rim, time and catastrophe changed its level and its form, and the sea came inland over it through the years. Its last enduring frontier roughly corresponds to the wasted dyke of the cliff. Moving down into the sea, later glaciations passed over the old beaches and the fragments of the plain, and, stumbling over them, heaped upon these sills their accumulated drift of gravels, sand, and stones. The warmer sea and time prevailing, the ice cliff retreated westward through its fogs, and presently the waves coursed on to a new, a transformed and lifeless, land. So runs, as far as it is possible to reconstruct it in general terms, the geological history of Cape Cod. The east and west arm of the peninsula is a buried area of the ancient plain, the forearm, the glaciated fragment of a coast. The peninsula stands farther out to sea than any other portion of the Atlantic coast of the United States; it is the outermost of outer shores. Thundering in against the cliff, the ocean here encounters the last defiant bulwark of two worlds.