Cruel Modernity
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| Author | : Jean Franco |
| Publisher | : Duke University Press |
| Total Pages | : 335 |
| Release | : 2013-05-29 |
| Genre | : History |
| ISBN | : 082235456X |
In Cruel Modernity, Jean Franco examines the conditions under which extreme cruelty became the instrument of armies, governments, rebels, and rogue groups in Latin America. She seeks to understand how extreme cruelty came to be practiced in many parts of the continent over the last eighty years and how its causes differ from the conditions that brought about the Holocaust, which is generally the atrocity against which the horror of others is measured. In Latin America, torturers and the perpetrators of atrocity were not only trained in cruelty but often provided their own rationales for engaging in it. When "draining the sea" to eliminate the support for rebel groups gave license to eliminate entire families, the rape, torture, and slaughter of women dramatized festering misogyny and long-standing racial discrimination accounted for high death tolls in Peru and Guatemala. In the drug wars, cruelty has become routine as tortured bodies serve as messages directed to rival gangs. Franco draws on human-rights documents, memoirs, testimonials, novels, and films, as well as photographs and art works, to explore not only cruel acts but the discriminatory thinking that made them possible, their long-term effects, the precariousness of memory, and the pathos of survival.
| Author | : Nadia Lie |
| Publisher | : Springer |
| Total Pages | : 252 |
| Release | : 2017-02-09 |
| Genre | : Performing Arts |
| ISBN | : 3319451383 |
This book offers a comprehensive and systematic overview of the flourishing genre of the contemporary Latin American road movie, of which Diarios de motocicleta and Y tu mamá también are only the best-known examples. It offers the first systematic survey of the genre and explains why the road movie is key to contemporary Latin American cinema and society. Proposing the new category of “counter-road movie,” and paying special attention to the genre’s intricate relationship to modernity, Nadia Lie charts the variety of the road movie through films by both renowned and emerging filmmakers. The Latin American (Counter-) Road Movie and Ambivalent Modernity engages with ongoing debates on transnationalism and takes the reader along a wide range of topics, from exile to undocumented migration, from tourism to internally displaced people.
| Author | : Sophie Esch |
| Publisher | : University of Pittsburgh Press |
| Total Pages | : 276 |
| Release | : 2018-11-06 |
| Genre | : Literary Criticism |
| ISBN | : 0822986132 |
2019 Best Book in the Humanities (Mexico section) of the Latin American Studies Association Modernity at Gunpoint provides the first study of the political and cultural significance of weaponry in the context of major armed conflicts in Mexico and Central America. In this highly original study, Sophie Esch approaches political violence through its most direct but also most symbolic tool: the firearm. In novels, songs, and photos of insurgency, firearms appear as artifacts, tropes, and props, through which artists negotiate conceptions of modernity, citizenship, and militancy. Esch grounds her analysis in important re-readings of canonical texts by Martín Luis Guzman, Nellie Campobello, Omar Cabezas, Gioconda Belli, Sergio Ramirez, Horacio Castellanos Moya, and others. Through the lens of the iconic firearm, Esch relates the story of the peasant insurgencies of the Mexican Revolution, the guerrilla warfare of the Sandinista Revolution, and the ongoing drug-related wars in Mexico and Central America, to highlight the historical, cultural, gendered, and political significance of weapons in this volatile region.
| Author | : Rosalind C. Morris |
| Publisher | : Duke University Press |
| Total Pages | : 400 |
| Release | : 2000 |
| Genre | : History |
| ISBN | : 9780822325178 |
A sophisticated, wide-ranging, theoretical account of how spirit mediums mediate the Thai experience of capitalist modernity.
| Author | : Lauren Berlant |
| Publisher | : Duke University Press Books |
| Total Pages | : 352 |
| Release | : 2011-10-27 |
| Genre | : Literary Criticism |
| ISBN | : 9780822351115 |
A relation of cruel optimism exists when something you desire is actually an obstacle to your flourishing. Offering bold new ways of conceiving the present, Lauren Berlant describes the cruel optimism that has prevailed since the 1980s, as the social-democratic promise of the postwar period in the United States and Europe has retracted. People have remained attached to unachievable fantasies of the good life—with its promises of upward mobility, job security, political and social equality, and durable intimacy—despite evidence that liberal-capitalist societies can no longer be counted on to provide opportunities for individuals to make their lives “add up to something.” Arguing that the historical present is perceived affectively before it is understood in any other way, Berlant traces affective and aesthetic responses to the dramas of adjustment that unfold amid talk of precarity, contingency, and crisis. She suggests that our stretched-out present is characterized by new modes of temporality, and she explains why trauma theory—with its focus on reactions to the exceptional event that shatters the ordinary—is not useful for understanding the ways that people adjust over time, once crisis itself has become ordinary. Cruel Optimism is a remarkable affective history of the present.
| Author | : Joey Whitfield |
| Publisher | : Bloomsbury Publishing USA |
| Total Pages | : 219 |
| Release | : 2018-07-26 |
| Genre | : Literary Criticism |
| ISBN | : 1501334611 |
What happens inside Latin American prisons? How does the social organisation of prisoners relate to the political structures beyond the walls? Is it possible to resist corrupt penal regimes? In Prison Writing of Latin America, Joey Whitfield turns to those best placed to answer these questions: people who have been imprisoned themselves. Drawing on a century of material produced by Latin American prisoners from Mexico, Cuba, Costa Rica, Colombia, Peru, Bolivia and Brazil, Whitfield weaves readings of novels, memoirs and testimonial texts with social and political analysis. Rather than distinguishing between dictatorial and democratic periods of government, he shows that from the point of view of the prisoner, all states are authoritarian in nature. In the face of oppression, however, prisoners both 'political' and 'criminal' have found ways not only to resist but also to create alternative communities both real and imagined, sometimes in collaboration with each other.
| Author | : Nasser Tahia Abdel Nasser |
| Publisher | : Edinburgh University Press |
| Total Pages | : 224 |
| Release | : 2020-05-28 |
| Genre | : Biography & Autobiography |
| ISBN | : 1474420230 |
In memoirs, Arab writers have invoked solitude in moments of deep public involvement. Focusing on Taha Hussein, Sonallah Ibrahim, Assia Djebar, Latifa al-Zayyat, Mahmoud Darwish, Mourid Barghouti, Edward Said, Haifa Zangana, and Radwa Ashour, this book reads a range of autobiographical forms, sources, and affinities with other literatures.Taking a comparative approach, Nasser shows the local sources of contemporary Arab autobiography, adaptations of a global genre, and cultural exchange. She also examines different aspects of the contemporary autobiography as it has evolved in the Arab world during the past half-century, focusing on the particularity of the genre written in different languages but pertaining to one overarching Arab culture. Drawing on memoirs, testimonies, autobiographical novels, poetic autobiography, journals, and diaries, she examines solitude and national struggles in contemporary Arab autobiography.
| Author | : Richard Cabut |
| Publisher | : John Hunt Publishing |
| Total Pages | : 311 |
| Release | : 2017-10-27 |
| Genre | : Music |
| ISBN | : 1785353470 |
This original collection of insight, analysis and conversation charts the course of punk from its underground origins, when it was an un-formed and utterly alluring near-secret, through its rapid development. Punk is Dead: Modernity Killed Every Night takes in sex, style, politics and philosophy, filtered through punk experience, while believing in the ruins of memory, to explore a past whose essence is always elusive.
| Author | : Federico Pous |
| Publisher | : Springer |
| Total Pages | : 304 |
| Release | : 2017-09-19 |
| Genre | : Political Science |
| ISBN | : 3319535447 |
This book takes on the challenge of conceptually thinking Paraguayan cultural history within the broader field of Latin American studies. It presents original contributions to the study of Paraguayan culture from a variety of perspectives that include visual, literary, and cultural studies; gender studies, sociology, and political theory. The essays compiled here focus on the different narratives and political processes that shaped a country decentered from, but also deeply connected to, the rest of Latin America. Structured in four thematic sections, the book reflects upon authoritarianism; the tensions between modern, indigenous, and popular artistic expressions; the legacies of the Stroessner Regime, political resistance, and the struggle for collective memory; as well as the literary framing of historical trauma, particularly in connection with the Roabastian notion of la realidad que delira [delirious reality].
| Author | : Kathleen Ann Myers |
| Publisher | : University of Toronto Press |
| Total Pages | : 235 |
| Release | : 2023-12-18 |
| Genre | : History |
| ISBN | : 1487551223 |
Contemporary Colonialities in Mexico and Beyond explores the changing dynamic of coloniality by focusing on how modern cultural products connect to the foundational structures of colonialism. The book examines how these structures have perpetuated discourses of racial, ethnic, gender, and social exclusion rooted in Mexico’s history. Given the intimate relationship between coloniality and modernity, the volume addresses three central questions: How does the Mexican colonial history influence the definition of Mexico from within and outside its borders? What issues rooted in coloniality recur over time and space? And finally, how do cultural products provide a concrete and tangible way of studying coloniality, its history, and its evolution? The book analyses how literary works, movies, television series, and social media posts reconfigure colonial difference and spatialization. Supported by careful historical and cultural contextualization, these analyses will allow readers to appreciate contemporary Mexico vis-à-vis culture and borderland issues in the United States and debates on imperial memory in Spain. Ultimately, Contemporary Colonialities in Mexico and Beyond presents a handbook for readers looking to learn more about coloniality as a pervasive part of global interactions today.
