Cruel Irony
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| Author | : Scott O. Jones |
| Publisher | : Lulu.com |
| Total Pages | : 282 |
| Release | : 2009-04-27 |
| Genre | : Fiction |
| ISBN | : 055704412X |
Book Three - The Aryis Chronicles.After many years of war and upheaval, it seemed as if the wounds of the past could finally heal. To begin that process, the Protectorate Authority rushes to crown its heroes. Chief among those to be honored, Daric Konan is quickly promoted to a significant position that places him close to the highest levels within the Protectorate system. Unfortunately for him and his people, the past would once again reach out to plunge them into the violence of war. After sending his friends and new love on a suicide mission through the vortex, Daric leads the Authority forces against an indestructible, alien foe. Facing certain annihilation, a coalition of forces fights savagely while those across the vortex pray for a miracle. The final chapter is just the beginning...
| Author | : Richard Rorty |
| Publisher | : Cambridge University Press |
| Total Pages | : 222 |
| Release | : 1989-02-24 |
| Genre | : Language Arts & Disciplines |
| ISBN | : 9780521367813 |
In this 1989 book Rorty argues that thinkers such as Nietzsche, Freud, and Wittgenstein have enabled societies to see themselves as historical contingencies, rather than as expressions of underlying, ahistorical human nature or as realizations of suprahistorical goals. This ironic perspective on the human condition is valuable on a private level, although it cannot advance the social or political goals of liberalism. In fact Rorty believes that it is literature not philosophy that can do this, by promoting a genuine sense of human solidarity. A truly liberal culture, acutely aware of its own historical contingency, would fuse the private, individual freedom of the ironic, philosophical perspective with the public project of human solidarity as it is engendered through the insights and sensibilities of great writers. The book has a characteristically wide range of reference from philosophy through social theory to literary criticism. It confirms Rorty's status as a uniquely subtle theorist, whose writing will prove absorbing to academic and nonacademic readers alike.
| Author | : Joseph A. Dane |
| Publisher | : University of Georgia Press |
| Total Pages | : 250 |
| Release | : 2011 |
| Genre | : Literary Criticism |
| ISBN | : 0820338087 |
An ambitious theoretical work that ranges from the age of Socrates to the late twentieth century, this book traces the development of the concepts of irony within the history of Western literary criticism. Its purpose is not to promote a universal definition of irony, whether traditional or revisionist, but to examine how such definitions were created in critical history and what their use and invocation imply. Joseph A. Dane argues that the diverse, supposed forms of irony--Socratic, rhetorical, romantic, dramatic, to name a few--are not so much literary elements embedded in texts, awaiting discovery by critics, as they are notions used by critics of different eras and persuasions to manipulate those texts in various, often self-serving ways. The history of irony, Dane suggests, runs parallel to the history of criticism, and the changing definitions of irony reflect the changing ways in which readers and critics have defined their own roles in relation to literature. Probing and provocative, The Critical Mythology of Irony will appeal to a broad spectrum of critics and scholars, particularly those concerned with the historical basis of critical language and its political and educational implications.
| Author | : John A. McClorey |
| Publisher | : |
| Total Pages | : 104 |
| Release | : 1918 |
| Genre | : |
| ISBN | : |
| Author | : James L. Kugel |
| Publisher | : Cornell University Press |
| Total Pages | : 268 |
| Release | : 1990 |
| Genre | : Literary Criticism |
| ISBN | : 9780801495687 |
| Author | : G. R. F. Ferrari |
| Publisher | : Oxford University Press |
| Total Pages | : 222 |
| Release | : 2017-09-22 |
| Genre | : Philosophy |
| ISBN | : 0192519352 |
G. R. F. Ferrari offers a new framework for understanding different ways in which we communicate with each other. He explores the idea of "intimations": social interactions that approach outright communication but do not quite reach it. The metaphor from which he starts is that of a communicative scale or switch, which goes from "off" (no communication intended) to fully "on" (outright communication). Intimations lie in between. Three intermediate positions are identified: quarter-on, half-on, and three-quarters-on. Progression along the communicative scale is determined by the extent to which what comes across in the transmission is required to come across by recognition of the intention of the transmitting party. At a quarter-on, it is required not to; at half-on, it is neither required to nor required not to; at three-quarters-on, it is required to, but only partially; at full-on, it is required to, and the recognition is complete. The half-on intimation is primarily used for impression-management in social life. To illustrate it, the book concentrates on fashion and the "messages" we send with our clothes. With the quarter-on and three-quarters-on intimation, the focus of argument is on the fact that transmissions at the same position of the communicative scale have the same underlying structure, whether they are made in the formal arts or in daily life outside the arts. For the quarter-on intimation, the formal art is lyric poetry; for the three-quarters-on intimation, it is storytelling. The book discusses storytelling at length, and at the end investigates its connection to situational irony.
| Author | : Erica Weitzman |
| Publisher | : Northwestern University Press |
| Total Pages | : 270 |
| Release | : 2015 |
| Genre | : Literary Criticism |
| ISBN | : 0810129833 |
Irony's Antics marks a major intervention into the underexplored role of the comic in German letters. At the book's heart is the relationship between the comic and irony. Weitzman argues that in the early twentieth century, irony, a key figure for the German Romantics, reemerged from its relegation to "nonsense" in a way that both rethought Romantic irony and dramatically extended its reach.
| Author | : Marta Dynel |
| Publisher | : John Benjamins Publishing |
| Total Pages | : 389 |
| Release | : 2011 |
| Genre | : Language Arts & Disciplines |
| ISBN | : 9027256144 |
Brings together a range of contributions on the linguistics of humour. This title elucidates the whole gamut of humorous forms and mechanisms, such as surrealist irony, incongruity in register humour, mechanisms of pun formation, as well as interpersonal functions of conversational humour
| Author | : Sarah Wilson |
| Publisher | : Macmillan Publishers Aus. |
| Total Pages | : 165 |
| Release | : 2017-02-28 |
| Genre | : Self-Help |
| ISBN | : 1760552437 |
"Probably the best book on living with anxiety that I've ever read" Mark Manson, bestselling author of The Subtle Art of Not Giving a F*ck Sarah Wilson is a New York Times and Amazon #1 bestselling author, entrepreneur and philanthropist. She's the founder of IQuitSugar.com, whose 8-Week Program has been completed by 1.5 million people in 133 countries. A former news journalist and editor of Cosmopolitan, she was the host of the first series of MasterChef Australia and is the author of the international bestsellers first, we make the beast beautiful, I Quit Sugar: Simplicious, I Quit Sugar and I Quit Sugar For Life. Her latest book is I Quit Sugar: Simplicious Flow. She is ranked as one of the top 200 most influential authors in the world. Sarah blogs in an intimate fashion - on philosophy, anxiety, minimalism and anti-consumerism - at sarahwilson.com, lives in Sydney, Australia, rides a bike everywhere, is a compulsive hiker and is eternally curious. In first, we make the beast beautiful, Sarah directs her intense focus and fierce investigatory skills onto this lifetime companion of hers, looking at the triggers and treatments, the fashions and fads. She reads widely and interviews fellow sufferers, mental health experts, philosophers, and even the Dalai Lama, processing all she learns through the prism her own experiences. Sarah pulls at the thread of accepted definitions of anxiety, and unravels the notion that it is a difficult, dangerous disease that must be medicated into submission. Ultimately, she re-frames anxiety as a spiritual quest rather than a burdensome affliction, a state of yearning that will lead us closer to what really matters. Practical and poetic, wise and funny, this is a small book with a big heart. It will encourage the myriad sufferers of the world's most common mental illness to feel not just better about their condition, but delighted by the possibilities it offers for a richer, fuller life. MORE PRAISE FOR FIRST, WE MAKE THE BEAST BEAUTIFUL "at once a nomadic journey, a cri de coeur and a compendium of hard-won wisdom ..." Professor Patrick McGorry AO MD PhD FRCP FRANZCP FAA FASSA, 2010 Australian of the Year "A witty, well-researched and often insightful book about negotiating a new relationship with anxiety." Andrew Solomon, Professor of Clinical Psychology and author of The Noonday Demon: An Anatomy of Depression
| Author | : Giorgio Baruchello |
| Publisher | : Walter de Gruyter GmbH & Co KG |
| Total Pages | : 432 |
| Release | : 2023-11-06 |
| Genre | : Philosophy |
| ISBN | : 3111256103 |
Part 2 of Volume 3 addresses in detail the conflicts between humor and cruelty, i.e., how cruelty can be unleashed against humor and, conversely, humor can be utilized against cruelty. Potent enmities to mirth and jollity are retrieved from a variety of socio-historical contexts, ranging from Europe’s medieval monasteries to the 2015 Charlie Hebdo massacre. Special attention is paid to the cruel humor and humorous cruelty arising thereof, insofar as such phenomena can reveal critical aspects of today’s neoliberal socio-economic order. In parallel, settings where humor has been used as an instrument to cope with suffered cruelty, whether natural or human in origin, are also retrieved and discussed. These also vary greatly and encompass domains such as hospital wards, 20th-century Jewish ghettoes, and contemporary funeral homes. A set of concluding reflections is then offered on the psychological, theological, ethical, and metaphysical roots of humor—and its cruel rejection.
