Critiques Of Built Works Of Landscape Architecture
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| Author | : Jacky Bowring |
| Publisher | : Routledge |
| Total Pages | : 398 |
| Release | : 2020-04-29 |
| Genre | : Architecture |
| ISBN | : 0429835337 |
Landscape Architecture Criticism offers techniques, perspectives and theories which relate to landscape architecture, a field very different from the more well-known domains of art and architectural criticism. Throughout the book, Bowring delves into questions such as, how do we know if built or unbuilt works of landscape architecture are successful? What strategies are used to measure the success or failure, and by whom? Does design criticism only come in written form? It brings together diverse perspectives on criticism in landscape architecture, establishing a substantial point of reference for approaching design critique, exploring how criticism developed within the discipline. Beginning with an introductory overview to set the framework, the book then moves on to historical perspectives, the purpose of critique, theoretical positions ranging from aesthetics, to politics and experience, unbuilt projects, techniques, and communication. Written for professionals and academics, as well as for students and instructors in landscape architecture, it includes strategies, diagrams, matrices, and full colour illustrations to prompt discussion and provide a basis for exploring design critique.
| Author | : |
| Publisher | : |
| Total Pages | : 52 |
| Release | : 2005 |
| Genre | : Landscape architecture |
| ISBN | : |
| Author | : Diana Balmori |
| Publisher | : The Monacelli Press, LLC |
| Total Pages | : 210 |
| Release | : 2011-09-27 |
| Genre | : Architecture |
| ISBN | : 1580933130 |
The current environmental crisis calls for a unified practice of landscape and architecture that would allow buildings and landscapes to perform symbiotically to heal the environment. Over the past ten years, a diverse group of architects, landscape architects, and artists have undertaken groundbreaking projects that propose an integration of landscape and architecture, dissolving traditional distinctions between building and environment. Groundwork: Between Landscape and Architecture examines twenty-five projects, on an international scale, that consider landscape and architecture as true reciprocal entities. Groundwork divides the projects into three design directions: Topography, Ecology, and Biocomputation. Topographic designers create projects that manipulate the ground to merge building and landscape as in Cairo Expo City in Egypt (Zaha Hadid Architects), Island City Central Park Grin Grin in Fukuoka, Japan (Toyo Ito & Associates) and the City of Culture of Galicia in Santiago de Compostela, Spain (Eisenman Architects). Ecologic designers develop environments that address issues such as energy climate and remediation, such as I’m Lost In Paris in France (R&Sie(n)), Turistroute in Eggum, Norway (Snøhetta) and Parque Atlántico in Santander, Cantabria, Spain (Batlle i Roig Arquitectes). Biocomputation designers use digital technologies to align biology and design in projects such as the Grotto Concept (Aranda/Lasch), North Side Copse House in West Sussex, England (EcoLogicStudio) and Local Code: Real Estates (Nicolas de Monchaux.) What these projects all have in common is a desire to pay attention and homage to the liminal space where indoors and outdoors meet. The critical connection between natural and synthetic, exterior and interior space, paves the way toward a more inclusive—and indeed more alive—conceptualization of the physical world.
| Author | : Dean Cardasis |
| Publisher | : University of Georgia Press |
| Total Pages | : 256 |
| Release | : 2017-03-01 |
| Genre | : Biography & Autobiography |
| ISBN | : 0820350958 |
The first biography of this important landscape architect, James Rose examines the work of one of the most radical figures in the history of mid-century modernist American landscape design. An artist who explored his profession with words and built works, Rose fearlessly critiqued the developing patterns of land use he witnessed during a period of rapid suburban development. The alternatives he offered in his designs for hundreds of gardens were based on innovative and iconoclastic environmental and philosophic principles, some of which have become mainstream today. A classmate of Garrett Eckbo and Dan Kiley at Harvard, Rose was expelled in 1937 for refusing to design landscapes in the Beaux-Arts method. In 1940, the year before he received his first commission, Rose also published the last of his influential articles for Architectural Record, a series of essays written with Eckbo and Kiley that would become a manifesto for developing a modernist landscape architecture. Over the next four decades, Rose articulated his philosophy in four major books. His writings foreshadowed many principles since embraced by the profession, including the concept of sustainability and the wisdom of accommodating growth and change. James Rose includes new scholarship on many important works, including the Dickenson Garden in Pasadena and the Averett House in Columbus, Georgia, as well as unpublished correspondence. Throughout his career Rose refined his conservation ethic, finding opportunities to create landscapes for contemplation, self-discovery, and pleasure. At a time when issues of economy and environmentalism are even more pressing, Rose's writings and projects are both relevant and revelatory.
| Author | : David Leatherbarrow |
| Publisher | : University of Pennsylvania Press |
| Total Pages | : 296 |
| Release | : 2015-09-28 |
| Genre | : Architecture |
| ISBN | : 081229260X |
Landscape architecture and architecture are two fields that exist in close proximity to one another. Some have argued that the two are, in fact, one field. Others maintain that the disciplines are distinct. These designations are a subject of continual debate by theorists and practitioners alike. Here, David Leatherbarrow offers an entirely new way of thinking of architecture and landscape architecture. Moving beyond partisan arguments, he shows how the two disciplines rely upon one another to form a single framework of cultural meaning. Leatherbarrow redefines landscape architecture and architecture as topographical arts, the shared task of which is to accommodate and express the patterns of our lives. Topography, in his view, incorporates terrain, built and unbuilt, but also traces of practical affairs, by means of which culture preserves and renews its typical situations and institutions. This rigorous argument is supported by nearly 100 illustrations, as well as examples of topography from the sixteenth, eighteenth, and nineteenth centuries, through the heroic period of early modernism, to more recent offerings. A number of these studies revise existing accounts of decisive moments in the history of these disciplines, particularly the birth of the informal garden, the emergence of continuous space in the landscapes and architecture of the modern period, and the new significance of landform or earthwork in contemporary architecture. For readers not directly involved with either of these professions, this book shows how over the centuries our lives have been shaped and enriched by landscape and architecture. Topographical Stories provides a new paradigm for theorizing and practicing landscape and architecture.
| Author | : Anne Hoogewoning |
| Publisher | : NAI Publishers |
| Total Pages | : 0 |
| Release | : 2000 |
| Genre | : Architects |
| ISBN | : 9789056621667 |
The architecture and architectural culture of the Netherlands have been causing quite a stir in recent years: a great many remarkable new buildings and projects testify to the current flowering in Dutch architecture, urban planning, and landscaping that's so exciting to so many in and out of the field. Artificial Landscape illustrates the results of this late twentieth century surge of creativity and traces the background of its success, examining both the 'Dutch phenomenon' and its socio-historical context to find out what makes it work so well. What we find is that even in a period of globalization there is still such a thing as a Dutch 'climate, ' yet despite this culture's specific national character we have much to learn from it, particularly where its unique synthesis of architecture, urbanism, and landscaping is concerned. This exciting movement is represented by a selection of designs, built works, ideas, plans and manifestoes from such architects and firms as OMA/Rem Koolhaas, Neutelings Riedijk, MVRDV, Maunce Nio, and Max 1, to name only a few. Apart from recording the state of things in Dutch architecture, Artificial Landscape also serves as a survey of contemporary architectural criticism, collecting the most important critiques of Dutch architecture, urban planning, and landscape architecture to have appeared in recent years.
| Author | : Hans Loidl |
| Publisher | : Birkhäuser |
| Total Pages | : 200 |
| Release | : 2022-10-24 |
| Genre | : Architecture |
| ISBN | : 3035626324 |
"What does the landscape architect actually do as a designer?" The authors of this book investigate this question, which only seems easy – and address some fundamental ideas about design in landscape architecture: What resources are available for designing open spaces? What role do natural conditions play? What principles are applied? This book identifies and analyses the elements that come together to create landscape architecture. Based on their experience in practice and education, the authors reveal the core components of landscape design. In the introduction to the new edition, Stefan Bernard opens up about the book’s origins and reflects on its continuing importance for the design of high-quality outdoor spaces.
| Author | : Michael Van Valkenburgh |
| Publisher | : The Monacelli Press, LLC |
| Total Pages | : 209 |
| Release | : 2019-10-15 |
| Genre | : Gardening |
| ISBN | : 1580935524 |
The intimate Monk's Garden at the Isabella Stewart Gardner Museum in Boston embodies the design principles that inform the work of noted landscape architect Michael Van Valkenburgh. In Designing a Garden, Van Valkenburgh presents the design of the Monk's Garden at the Isabella Stewart Gardner Museum, an intimate, walled garden that Laurie Olin has described as "a masterpiece, and not a minor one." The book documents the evolution of the garden's design, which is based on the concept of meandering paths through a dreamlike woodland to create a contemplative space. Sketches and models show how the idea was worked out, and lush photographs reveal the completed garden through the seasons. Van Valkenburgh's text explores the origins of his love of landscape and plants in his family farm in Upstate New York and how this has influenced his intuitions as a designer. He shares the full background story of the Monk's Garden, focusing on the experimental nature of design work as well as the challenges and satisfactions of the small scale and the historic and cultural context. Designing a Garden provides a unique first-person account of the design process from the most prominent landscape architects in the country.
| Author | : Anita Berrizbeitia |
| Publisher | : Macmillan |
| Total Pages | : 48 |
| Release | : 2003 |
| Genre | : Architecture |
| ISBN | : 1592530133 |
Inside Outside constructs a framework of interpretation for architecture and landscape architecture in order to disclose relations between them that are normally overlooked. Five operations--reciprocity, materiality, threshold, insertion, and infrastructure--each initiate an alternative way of looking at the construction and representation of relationships between architecture, landscape, city, and individuals. Twenty-four projects each contribute in a unique way to the definition of an operation.
| Author | : Francesc Zamora Mola |
| Publisher | : |
| Total Pages | : 592 |
| Release | : 2010 |
| Genre | : Earthworks (Art) |
| ISBN | : 9789812458490 |
This book explores interventions that are noteable for their creative and sensitive design, planning or management of the landscape. The featured projects aim to promote interaction between people and the environment by responding to a broad range of human habitats and natural ecosystems in diverse social, cultural and ecolological contexts. In their response to context these projects evolve into Land Art, which is to be understood as a fusion between sculpture, architecture, and landscape architecture. The goal is to draw out the emotions of the spectator who is confronted by these determined, composed enviironments. The structure of this book is inspired by the poet's journey in Dante Alighieri's The Divine Comedy, from which we borrow the narrative structure and symbolic landscape imagery: the circles of Hell, the terraces of Mount Purgatory and the celestial spheres of Heaven.
