Critical Composition Today
Author | : Claus-Steffen Mahnkopf |
Publisher | : |
Total Pages | : 224 |
Release | : 2006 |
Genre | : Music |
ISBN | : |
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Author | : Claus-Steffen Mahnkopf |
Publisher | : |
Total Pages | : 224 |
Release | : 2006 |
Genre | : Music |
ISBN | : |
Author | : Tara Roeder |
Publisher | : Parlor Press LLC |
Total Pages | : 286 |
Release | : 2015-04-15 |
Genre | : Language Arts & Disciplines |
ISBN | : 1602356548 |
Critical Expressivism is an ambitious attempt to re-appropriate intelletual territory that has more often been charted by its detractors than by its proponents. Indeed, as Peter Elbow observes in his contribution to this volume, “As far as I can tell, the term ‘expressivist’ was coined and used only by people who wanted a word for people they disapproved of and wanted to discredit.” The editors and contributors to this collection invite readers to join them in a new conversation, one informed by “a belief that the term expressivism continues to have a vitally important function in our field.”
Author | : Takashiro Akitsu |
Publisher | : BoD – Books on Demand |
Total Pages | : 90 |
Release | : 2019-09-04 |
Genre | : Science |
ISBN | : 1838818782 |
This book reviews both current research in and several principles of crystallography, not only for natural sciences, mathematics, physics, chemistry, biology, and earth sciences but also for applied engineering such as material and medical or pharmaceutical sciences. As a review book on crystallography, this book will help with theoretical considerations and understanding the basic theory of frontier experiments, among other topics.
Author | : James Garratt |
Publisher | : Cambridge University Press |
Total Pages | : 287 |
Release | : 2019 |
Genre | : Music |
ISBN | : 1107032415 |
Changes our picture of how music and politics interact through a rigorous and wide-ranging reappraisal of the field.
Author | : Ferdig, Richard E. |
Publisher | : IGI Global |
Total Pages | : 466 |
Release | : 2013-07-31 |
Genre | : Language Arts & Disciplines |
ISBN | : 1466643463 |
While traditional writing is typically understood as a language based on the combination of words, phrases, and sentences to communicate meaning, modern technologies have led educators to reevaluate the notion that writing is restricted to this definition. Exploring Multimodal Composition and Digital Writing investigates the use of digital technologies to create multi-media documents that utilize video, audio, and web-based elements to further written communication beyond what can be accomplished by words alone. Educators, scholars, researchers, and professionals will use this critical resource to explore theoretical and empirical developments in the creation of digital and multimodal documents throughout the education system.
Author | : Samuel Wilson |
Publisher | : Routledge |
Total Pages | : 182 |
Release | : 2021-07-05 |
Genre | : Music |
ISBN | : 1000405974 |
This book explores the transformation of ideas of the material in late twentieth- and early twenty-first-century musical composition. New music of this era is argued to reflect a historical moment when the idea of materiality itself is in flux. Engaging with thinkers such as Theodor Adorno, Sara Ahmed, Zygmunt Bauman, Rosi Braidotti, and Timothy Morton, the author considers music's relationship with changing material conditions, from the rise of neo-liberalisms and information technologies to new concepts of the natural world. Drawing on musicology, cultural theory, and philosophy, the author develops a critical understanding of musical bodies, objects, and the environments of their interaction. Music is grasped as something that both registers material changes in society whilst also enabling us to practice materiality differently.
Author | : |
Publisher | : Frontiers Media SA |
Total Pages | : 151 |
Release | : 2024-07-23 |
Genre | : Science |
ISBN | : 2832551815 |
Syntax refers both to the structure of sentences and the underlying combinatorial capacity to generate this structure. For some time, neurolinguistic research on syntax was heavily influenced by theoretical linguistic approaches, which characterize in detail the nature of syntactic representations. A rough consensus has been that the primary region supporting syntax is Broca’s area, and that syntactic deficits in aphasia exist primarily due to damage or degeneration of this region, commonly occurring in Broca’s aphasia and nonfluent/agrammatic PPA. With respect to temporal dynamics of syntactic processing, neurophysiological research on syntax focused on specific event-related potentials such as the ELAN and P600, thought to index phrase structure building and syntactic reanalyses. However, the research landscape has changed substantially in the last several years with new methodologies and theoretical perspectives, and there is little consensus on the neurobiological foundations of syntax or the role of linguistic theory in guiding research. The goal of this Research Topic is to reassess our understanding of syntax and the brain in light of these developments. Specifically, it is designed to address the following set of major questions:
Author | : Paul Butler |
Publisher | : Bedford/St. Martin's |
Total Pages | : 0 |
Release | : 2009-03-16 |
Genre | : Language Arts & Disciplines |
ISBN | : 9780312547332 |
Style in Rhetoric and Composition gathers essays that trace the evolution of the study of style and illustrates the debates that continue to shape style pedagogies within the field of rhetoric and composition. Selections encompass works by classical rhetoricians and modern compositionists alike addressing a range of issues that includes grammar in style, sentence-based pedagogies, imitation, and alternative rhetorics.
Author | : Stephen Downes |
Publisher | : Routledge |
Total Pages | : 324 |
Release | : 2014-06-27 |
Genre | : Music |
ISBN | : 1136486917 |
Aesthetics of Music: Musicological Approaches is an anthology of fourteen essays, each addressing a single key concept or pair of terms in the aesthetics of music, collectively serving as an authoritative work on musical aesthetics that remains as close to 'the music' as possible. Each essay includes musical examples from works in the 18th, 19th, and into the 20th century. Topics have been selected from amongst widely recognised central issues in musical aesthetics, as well as those that have been somewhat neglected, to create a collection that covers a distinctive range of ideas. All essays cover historical origins, sources, and developments of the chosen idea, survey important musicological approaches, and offer new critical angles or musical case studies in interpretation.