Criminal Ingenuity

Criminal Ingenuity
Author: Ellen Levy
Publisher: Oxford University Press
Total Pages: 297
Release: 2011-05-13
Genre: Literary Criticism
ISBN: 0199813469

"Poetry was declining/ Painting advancing/ we were complaining/ it was '50," recalled poet Frank O'Hara in 1957. Criminal Ingenuity traces a series of linked moments in the history of this transfer of cultural power from the sphere of the word to that of the image. Ellen Levy explores the New York literary and art worlds in the years that bracket O'Hara's lament through close readings of the works and careers of poets Marianne Moore and John Ashbery and assemblage artist Joseph Cornell. In the course of these readings, Levy discusses such topics as the American debates around surrealism, the function of the "token woman" in artistic canons, and the role of the New York City Ballet in the development of mid-century modernism, and situates her central figures in relation to such colleagues and contemporaries as O'Hara, T. S. Eliot, Clement Greenberg, Walter Benjamin, and Lincoln Kirstein. Moore, Cornell, and Ashbery are connected by acquaintance and affinity-and above all, by the possession of what Moore calls "criminal ingenuity," a talent for situating themselves on the fault lines that fissure the realms of art, sexuality, and politics. As we consider their lives and works, Levy shows, the seemingly specialized question of the source and meaning of the struggle for power between art forms inexorably opens out to broader questions about social and artistic institutions and forces: the academy and the museum, professionalism and the market, and that institution of institutions, marriage.

Criminal Investigation

Criminal Investigation
Author: United States. Department of the Army
Publisher:
Total Pages: 268
Release: 1951
Genre: Criminal investigation
ISBN:

Criminal Identities and Consumer Culture

Criminal Identities and Consumer Culture
Author: Steve Hall
Publisher: Routledge
Total Pages: 247
Release: 2013-06-17
Genre: Social Science
ISBN: 1134010508

This book offers the first in-depth investigation into the relationship between today's criminal identities and consumer culture. Using unique data taken from criminals locked in areas of permanent recession, the book aims to uncover feelings and attitudes towards a variety of criminal activities, investigating the incorporation of hearts and minds into consumer culture's surrogate social world and highlighting the relationship between the lived identities of active criminals and the socio-economic climate of instability and anxiety that permeates post-industrial Britain. This book will be of interest to undergraduates, postgraduates, researchers and lecturers in all fields within the social sciences, but especially criminology, sociology, social policy, politics and anthropology.

The Child

The Child
Author:
Publisher:
Total Pages: 664
Release: 1916
Genre: Child care
ISBN:

The Outlook

The Outlook
Author:
Publisher:
Total Pages: 1006
Release: 1912
Genre: United States
ISBN:

Constructing a Nervous System

Constructing a Nervous System
Author: Margo Jefferson
Publisher: Pantheon
Total Pages: 209
Release: 2022-04-12
Genre: Biography & Autobiography
ISBN: 152474817X

A NEW YORKER BEST BOOK OF THE YEAR • From "one of our most nuanced thinkers on the intersections of race, class, and feminism (Cathy Park Hong, New York Times bestselling author of Minor Feelings) comes a memoir "as electric as the title suggests" (Maggie Nelson, author of On Freedom). The Pulitzer Prize-winning critic and memoirist Margo Jefferson has lived in the thrall of a cast of others—her parents and maternal grandmother, jazz luminaries, writers, artists, athletes, and stars. These are the figures who thrill and trouble her, and who have made up her sense of self as a person and as a writer. In her much-anticipated follow-up to Negroland, Jefferson brings these figures to life in a memoir of stunning originality, a performance of the elements that comprise and occupy the mind of one of our foremost critics. In Constructing a Nervous System, Jefferson shatters her self into pieces and recombines them into a new and vital apparatus on the page, fusing the criticism that she is known for, fragments of the family members she grieves for, and signal moments from her life, as well as the words of those who have peopled her past and accompanied her in her solitude, dramatized here like never before. Bing Crosby and Ike Turner are among the author’s alter egos. The sounds of a jazz LP emerge as the intimate and instructive sounds of a parent’s voice. W. E. B. Du Bois and George Eliot meet illicitly. The muscles and movements of a ballerina are spliced with those of an Olympic runner, becoming a template for what a black female body can be. The result is a wildly innovative work of depth and stirring beauty. It is defined by fractures and dissonance, longing and ecstasy, and a persistent searching. Jefferson interrogates her own self as well as the act of writing memoir, and probes the fissures at the center of American cultural life.

The Little Magazine Others and the Renovation of Modern American Poetry

The Little Magazine Others and the Renovation of Modern American Poetry
Author: Suzanne Wintsch Churchill
Publisher: Ashgate Publishing, Ltd.
Total Pages: 312
Release: 2006
Genre: Poetry
ISBN: 9780754653325

Others, an important and neglected little magazine, finally receives the attention it deserves in Churchill's superbly crafted study. In Churchill's discussions of Mina Loy, Marianne Moore, and William Carlos Williams, among others, Others serves as a framework for reassessing the scope and significance of modernist formalism. This book is an important contribution to the fields of American poetry and poetics, gender studies, queer theory, and cultural studies.

The Wallflower Avant-Garde

The Wallflower Avant-Garde
Author: Brian Glavey
Publisher: Oxford University Press
Total Pages: 231
Release: 2015-10-01
Genre: Literary Criticism
ISBN: 0190202661

The Wallflower Avant-Garde highlights a strain of formalism visible in both modernist literature and contemporary queer studies, drawing attention to an aesthetic that is as quiet and quirky as it is queer. In studies of Gertrude Stein, Djuna Barnes, Richard Bruce Nugent, Frank O'Hara, and John Ashbery, Brian Glavey argues for a recalibrated understanding of the relation between sexuality and the aesthetic, revealing a non-oppositional avant-gardism that opts out of some of the binaristic imperatives that have structured recent debates in queer theory. Refusing to decide between positive and negative affects or to side with either utopian or antisocial ambitions, The Wallflower Avant-Garde explores models of reading and writing about art that remain flexible enough to dig deep even as they gloss the surface. At the heart of this argument is a revaluation of modernist ekphrasis, a mode understood as literature's imitation or description of the visual arts. From the well-wrought urns of the New Critics onward, ekphrasis has figured prominently in the legacy of modernist literary criticism, but a tendency to read its complicated modes of relationality in terms of either autonomy or antagonism has obscured the forms of creative failure and imitation embodied in the desire to confuse poetry for pottery. Attending to mimetic and descriptive strategies without dismissing the aspirations for wholeness and closure that often animate them allows for the recognition that queerness and modernism are intertwined in unexpected and unpredictable ways, revealing new insights into the varieties of abstraction, preterition, and spatial form that stand behind modernism's investment in the aesthetic.