Creaturely Poetics
Download Creaturely Poetics full books in PDF, epub, and Kindle. Read online free Creaturely Poetics ebook anywhere anytime directly on your device. Fast Download speed and no annoying ads. We cannot guarantee that every ebooks is available!
| Author | : Anat Pick |
| Publisher | : Columbia University Press |
| Total Pages | : 265 |
| Release | : 2011 |
| Genre | : Literary Criticism |
| ISBN | : 0231147864 |
Simone Weil once wrote that "the vulnerability of precious things is beautiful because vulnerability is a mark of existence," establishing a relationship between vulnerability, beauty, and existence transcending the separation of species. Her conception of a radical ethics and aesthetics could be characterized as a new poetics of species, forcing a rethinking of the body's significance, both human and animal. Exploring the "logic of flesh" and the use of the body to mark species identity, Anat Pick reimagines a poetics that begins with the vulnerability of bodies, not the omnipotence of thought. Pick proposes a "creaturely" approach based on the shared embodiedness of humans and animals and a postsecular perspective on human-animal relations. She turns to literature, film, and other cultural texts, challenging the familiar inventory of the human: consciousness, language, morality, and dignity. Reintroducing Weil's elaboration of such themes as witnessing, commemoration, and collective memory, Pick identifies the animal within all humans, emphasizing the corporeal and its issues of power and freedom. In her poetics of the creaturely, powerlessness is the point at which aesthetic and ethical thinking must begin.
| Author | : Anat Pick |
| Publisher | : Columbia University Press |
| Total Pages | : 266 |
| Release | : 2011-04-26 |
| Genre | : Nature |
| ISBN | : 0231147872 |
Simone Weil once wrote that "the vulnerability of precious things is beautiful because vulnerability is a mark of existence." With these words, she established a relationship among vulnerability, beauty, and existence that transcends the boundaries separating the species. Her conception of a radical ethics and aesthetics could be characterized as a new "poetics of species," that forces us to rethink the significance of the body, both human and animal. Exploring the "logic of flesh," or how art and culture use the body to mark species identity, Anat Pick reimagines a poetics that begins with the vulnerability of bodies, not the omnipotence of thought. Offering a powerful alternative to more personalist visions of morality, Pick proposes a "creaturely" approach based on the shared embodiedness of humans and animals and a postsecular perspective on human-animal relations. She turns to literature, film, and other cultural texts that prioritize the inhuman and challenge the familiar inventory of the human (consciousness, language, morality, and dignity). She reintroduces Weil's crucially important work and its elaboration of themes such as witnessing, commemoration, and collective memory, and she moves away from assumptions about animal "otherness" and nonhuman subjectivities. Pick identifies the "animal" within all humans, emphasizing the corporeal and its issues of power and freedom. In her creaturely view, powerlessness is the point at which both aesthetic and ethical thinking must begin.
| Author | : Dominic O'Key |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 216 |
| Release | : 2022-01-13 |
| Genre | : Literary Criticism |
| ISBN | : 1350189634 |
We are living through a period of planetary crisis, a time in which the mass production and consumption of some animals is made possible by the mass extinction of many others. What is the role of literature in responding to this war against animals? How might literary criticism read for animals? In Creaturely Forms in Contemporary Literature, Dominic O'Key develops the bold argument that deep attention to literary form enables us to rethink human-animal relations. Through chapters on W. G. Sebald, J. M. Coetzee and Mahasweta Devi, as well as close readings of works by Arundhati Roy and Richard Powers, O'Key reveals how literary forms can unsettle the fictions of human supremacy and craft alternative, creaturely forms of relation. An intervention into both the humanism of literary theory and the representational focus of animal studies, this provocative work makes the case for a new formalism in light of our obligation to fellow creatures.
| Author | : William Golding |
| Publisher | : Houghton Mifflin Harcourt |
| Total Pages | : 244 |
| Release | : 1962 |
| Genre | : Fiction |
| ISBN | : 9780156443791 |
A small tribe of Neanderthals find themselves at odds with a tribe comprised of homo sapiens, whose superior intelligence and agility threatens their doom.
| Author | : Dominic Pettman |
| Publisher | : U of Minnesota Press |
| Total Pages | : 244 |
| Release | : 2017-04-18 |
| Genre | : Philosophy |
| ISBN | : 1452953805 |
To our modern ears the word “creature” has wild, musky, even monstrous, connotations. And yet the terms “creaturely” and “love,” taken together, have traditionally been associated with theological debates around the enigmatic affection between God and His key creation, Man. In Creaturely Love, Dominic Pettman explores the ways in which desire makes us both more, and less, human. In an eminently approachable work of wide cultural reach and meticulous scholarship, Pettman undertakes an unprecedented examination of how animals shape the understanding and expression of love between people. Focusing on key figures in modern philosophy, art, and literature (Nietzsche, Salomé, Rilke, Balthus, Musil, Proust), premodern texts and fairy tales (Fourier, Fournival, Ovid), and contemporary films and online phenomena (Wendy and Lucy, Her, memes), Pettman demonstrates that from pet names to spirit animals, and allegories to analogies, animals have constantly appeared in our writings and thoughts about passionate desire. By following certain charismatic animals during their passage through the love letters of philosophers, the romances of novelists, the conceits of fables, the epiphanies of poets, the paradoxes of contemporary films, and the digital menageries of the Internet, Creaturely Love ultimately argues that in our utilization of the animal in our amorous expression, we are acknowledging that what we adore in our beloveds is not (only) their humanity, but their creatureliness.
| Author | : Christopher Kelen |
| Publisher | : Routledge |
| Total Pages | : 253 |
| Release | : 2021-10-24 |
| Genre | : Literary Criticism |
| ISBN | : 1000463613 |
Poetics and Ethics of Anthropomorphism: Children, Animals, and Poetry investigates a kind of poetry written mainly by adults for children. Many genres, including the picture book, are considered in asking for what purposes ‘animal poetry’ is composed and what function it serves. Critically contextualising anthropomorphism in traditional and contemporary poetic and theoretical discourses, these pages explore the representation of animals through anthropomorphism, anthropocentrism, and through affective responses to other-than-human others. Zoomorphism – the routine flipside of anthropomorphism – is crucially involved in the critical unmasking of the taken-for-granted textual strategies dealt with here. With a focus on the ethics entailed in poetic relations between children and animals, and between humans and nonhumans, this book asks important questions about the Anthropocene future and the role in it of literature intended for children. Poetics and Ethics of Anthropomorphism: Children, Animals, and Poetry is a vital resource for students and for scholars in children’s literature.
| Author | : Susan McHugh |
| Publisher | : Springer Nature |
| Total Pages | : 631 |
| Release | : 2020-11-25 |
| Genre | : Literary Criticism |
| ISBN | : 3030397734 |
This volume is the first comprehensive guide to current research on animals, animality, and human-animal relations in literature. To reflect the history of literary animal studies to date, its primary focus is literary prose and poetry in English, while also accommodating emergent discussions of the full range of media and contexts with which literary studies engages, especially film and critical theory. User-friendly language, references, even suggestions for further readings are included to help newcomers to the field understand how it has taken shape primarily through recent decades. To further aid teachers, sections are organized by conventions of periodization, and chapters address a range of canonical and popular texts. Bookended by sections devoted to the field’s conceptual foundations and new directions, the volume is designed to set an agenda for literary animal studies for decades to come.
| Author | : Scott M. DeVries |
| Publisher | : BRILL |
| Total Pages | : 337 |
| Release | : 2016-05-02 |
| Genre | : Literary Criticism |
| ISBN | : 9004316590 |
In Creature Discomfort: Fauna-criticism, Ethics, and the Representation of Animals in Spanish American Fiction and Poetry, Scott M. DeVries uncovers a tradition in Spanish American literature where animal-ethical representations anticipate many of the most pressing concerns from present debates in animal studies. The author documents moments from the corpus that articulate long-standing positions such as a defense of animal rights or advocacy for liberationism, that engage in literary philosophical meditations concerning mind theory and animal sentience, and that anticipate current ideas from Critical Animal Studies including the rejection of hierarchical differentiations between the categories human and nonhuman. Creature Discomfort innovates the notion of “fauna-criticism” as a new literary approach within animal studies; this kind of analysis emphasizes the reframing of literary history to expound animal ethical positions from literary texts, both those that have been considered canonical as well as those that have long been neglected. In this study, DeVries employs fauna-criticism to examine nonhuman sentience, animal interiority, and other ethical issues such as the livestock and pet industries, circuses, zoos, hunting, and species extinction in fictional narrative and poetry from the nineteenth century, modernista, Regional, indigenista, and contemporary periods of Spanish American literature.
| Author | : A. Rebecca Rozelle-Stone |
| Publisher | : Rowman & Littlefield |
| Total Pages | : 270 |
| Release | : 2017-11-08 |
| Genre | : Philosophy |
| ISBN | : 1786601338 |
Simone Weil is an often-overlooked thinker whose insights could radically reshape contemporary discourses on religion, nature, art, ethics, work, politics, and education. This collection of essays situates Simone Weil’s thought alongside prominent Continental thinkers and their philosophical concerns to show the ways in which she belongs to—but also stands outside—some of the major streams of 'Continental discourse', including phenomenology, ethics of embodied disposition and difference, and post-Marxian political thought. For the first time in a major work, intersections between the ideas of Weil and figures such as Nietzsche, Berdyaev, Foucault, Blanchot, Merleau-Ponty, Levinas, Chrétien, Agamben, Fanon, and Rancière are closely examined. The volume is authored by an international team of leading scholars in Weil studies and in contemporary Continental philosophy of religion more broadly. Simone Weil and Continental Philosophy is not only an unprecedented resource for Weil scholars who seek to read her in broader (and more current) philosophical terms, but also an important addition to the libraries of scholars and students of Continental philosophy and theology engaged in thinking about some of the most pressing questions of our time.
| Author | : Sam Ladkin |
| Publisher | : Rowman & Littlefield |
| Total Pages | : 448 |
| Release | : 2016-05-18 |
| Genre | : Social Science |
| ISBN | : 1783484918 |
Against Value in the Arts and Education proposes that it is often the staunchest defenders of art who do it the most harm, by suppressing or mollifying its dissenting voice, by neutralizing its painful truths, and by instrumentalizing its ambivalence. The result is that rather than expanding the autonomy of thought and feeling of the artist and the audience, art’s defenders make art self-satisfied, or otherwise an echo-chamber for the limited and limiting self-description of people’s lives lived in an “audit culture”, a culture pervaded by the direct and indirect excrescence of practices of accountability. This book diagnoses the counter-intuitive effects of the rhetoric of value. It posits that the auditing of values pervades the fabric of people’s work-lives, their education, and increasingly their everyday experience. The book uncovers figures of resentment, disenchantment and alienation fostered by the dogma of value. It argues instead that value judgments can behave insidiously, and incorporate aesthetic, ethical or ideological values fundamentally opposed to the “value” they purportedly name and describe. The collection contains contributions from leading scholars in the UK and US with contributions from anthropology, the history of art, literature, education, musicology, political science, and philosophy.
