Creative Keyboard Musicianship
Author | : Ruth Lloyd |
Publisher | : |
Total Pages | : 326 |
Release | : 1975-01-01 |
Genre | : Harmony, Keyboard |
ISBN | : 9780396067542 |
Download Creative Keyboard Musicianship full books in PDF, epub, and Kindle. Read online free Creative Keyboard Musicianship ebook anywhere anytime directly on your device. Fast Download speed and no annoying ads. We cannot guarantee that every ebooks is available!
Author | : Ruth Lloyd |
Publisher | : |
Total Pages | : 326 |
Release | : 1975-01-01 |
Genre | : Harmony, Keyboard |
ISBN | : 9780396067542 |
Author | : Ruth Lloyd |
Publisher | : |
Total Pages | : 326 |
Release | : 1975-01-01 |
Genre | : Improvisation (Music) |
ISBN | : 9780060440633 |
Author | : Cathy Albergo |
Publisher | : [Mississauga, Ont.] : Frederick Harris Music, c2003-c2004. |
Total Pages | : |
Release | : 2003-01-01 |
Genre | : Piano |
ISBN | : 9780887978456 |
Author | : Scott Watson |
Publisher | : Oxford University Press |
Total Pages | : 349 |
Release | : 2011-08-25 |
Genre | : Education |
ISBN | : 0199742774 |
It has never been easier or more fun for students to compose, improvise, arrange, and produce music than with today's technology. Perfect for pre- or in-service music educators, Using Technology to Unlock Musical Creativity offers both a pedagogical framework and a description of the technology tools for engaging students in creative musical projects.
Author | : Frances Clark |
Publisher | : Alfred Music |
Total Pages | : 211 |
Release | : 1999-11-30 |
Genre | : Music |
ISBN | : 1457400529 |
Here is a complete repertoire and textbook for the older or adult beginner. Starting with material appropriate for the first lesson, it moves rapidly through discoveries, music and activities equivalent to The Music Tree and Levels 1 and 2. On completing the book, the student is ready for Level 3 of the Clark Library. The book provides quantities of music, all of it selected or composed to appeal to the older student -- Studies (introducing each of 65 new subjects), Repertoire (155 solos and duets), Accompanying and Transposing (62 melodies to accompany and to transpose to all major and minor keys), Sight Reading (107 one-line pieces that review each of the new discoveries and teach sight reading skills). In addition, the 22 units in 208 pages include: Technical Exercises, Rhythm Exercises, Written Work and Improvising. A Glossary at the end defines all new signs and terms introduced throughout the book.
Author | : Professor Margaret S Barrett |
Publisher | : Ashgate Publishing, Ltd. |
Total Pages | : 329 |
Release | : 2014-12-28 |
Genre | : Music |
ISBN | : 1472415868 |
Focusing on the domain of music, the approach taken in this book falls into three sections: investigations of the people, processes, products, and places of collaborative creativity in compositional thought and practice; explorations of the ways in which creative collaboration provides a means of crossing boundaries between disciplines such as music performance and musicology; and studies of the emergence of creative thought and practice in educational contexts including that of the composer and the classroom. The volume concludes with an extended chapter that reflects on the ways in which the studies reported advance understandings of creative thought and practice.
Author | : Christopher Fisher |
Publisher | : Oxford University Press |
Total Pages | : 265 |
Release | : 2010 |
Genre | : Music |
ISBN | : 0195337042 |
Teaching Piano in Groups provides a one-stop compendium of information related to all aspects of group piano teaching. Motivated by an ever-growing interest in this instructional method and its widespread mandatory inclusion in piano pedagogy curricula, Christopher Fisher highlights the proven viability and success of group piano teaching, and arms front-line group piano instructors with the necessary tools for practical implementation of a system of instruction in their own teaching. Contained within are: a comprehensive history of group piano teaching; accessible overviews of the most important theories and philosophies of group psychology and instruction; suggested group piano curricular competencies; practical implementation strategies; and thorough recommendations for curricular materials, instructional technologies, and equipment. Teaching Piano in Groups also addresses specific considerations for pre-college teaching scenarios, the public school group piano classroom, and college-level group piano programs for both music major and non-music majors. Teaching Piano in Groups is accompanied by an extensive companion website, featuring a multi-format listing of resources as well as interviews with several group piano pedagogues.
Author | : Michael R. Rogers |
Publisher | : SIU Press |
Total Pages | : 276 |
Release | : 2004 |
Genre | : Education |
ISBN | : 9780809325955 |
Drawing on decades of teaching experience and the collective wisdom of dozens of the most creative theorists in the country, Michael R. Rogers's diverse survey of music theory--one of the first to comprehensively survey and evaluate the teaching styles, techniques, and materials used in theory courses--is a unique reference and research tool for teachers, theorists, secondary and postsecondary students, and for private study. This revised edition of Teaching Approaches in Music Theory: An Overview of Pedagogical Philosophies features an extensive updated bibliography encompassing the years since the volume was first published in 1984. In a new preface to this edition, Rogers references advancements in the field over the past two decades, from the appearance of the first scholarly journal devoted entirely to aspects of music theory education to the emergence of electronic advances and devices that will provide a supporting, if not central, role in the teaching of music theory in the foreseeable future. With the updated information, the text continues to provide an excellent starting point for the study of music theory pedagogy. Rogers has organized the book very much like a sonata. Part one, "Background," delineates principal ideas and themes, acquaints readers with the author's views of contemporary musical theory, and includes an orientation to an eclectic range of philosophical thinking on the subject; part two, "Thinking and Listening," develops these ideas in the specific areas of mindtraining and analysis, including a chapter on ear training; and part three, "Achieving Teaching Success," recapitulates main points in alternate contexts and surroundings and discusses how they can be applied to teaching and the evaluation of design and curriculum. Teaching Approaches in Music Theory emphasizes thoughtful examination and critique of the underlying and often tacit assumptions behind textbooks, materials, and technologies. Consistently combining general methods with specific examples and both philosophical and practical reasoning, Rogers compares and contrasts pairs of concepts and teaching approaches, some mutually exclusive and some overlapping. The volume is enhanced by extensive suggested reading lists for each chapter.
Author | : John Gillespie |
Publisher | : Courier Corporation |
Total Pages | : 514 |
Release | : 2013-04-09 |
Genre | : Music |
ISBN | : 0486318796 |
Gillespie discusses 350 composers and their works for harpsichord and piano, including Bach, Handel, Mozart, Beethoven, and Debussy. Includes 116 musical examples, illustrations, and a glossary of musical terms.