Cranbrook Art Museum
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| Author | : Laura Mott |
| Publisher | : |
| Total Pages | : 268 |
| Release | : 2019-10-22 |
| Genre | : Art |
| ISBN | : 9780989186490 |
"Landlord Colors: On Art, Economy, and Materiality reconsiders periods of economic and social collapse through the lens of artistic innovations and material-driven narratives. It examines five art scenes generated during heightened periods of upheaval: America’s Detroit from the 1967 rebellion to the present; the cultural climate of the Italian avant-garde during the 1960s-1980s; authoritarian-ruled South Korea of the 1970s; Cuba since the collapse of the Soviet Union in the 1990s to the present; and contemporary Greece since the financial crisis of 2009. Featuring more than sixty artists, Landlord Colors is a landmark exhibition, publication, and public art and performance series. While the project unearths microhistories and vernaculars specific to place, it also examines a powerful global dialogue communicated through materiality. Landlord Colors discovers textured and unexpected relationships between these artists whose investigations share themes of ingenuity, resourcefulness, and resistance." -- Cranbrook Art Museum website
| Author | : Cranbrook Academy of Art. Museum |
| Publisher | : |
| Total Pages | : 272 |
| Release | : 2004 |
| Genre | : Art |
| ISBN | : |
"Cranbrook Art Museum: 100 treasures documents the permanent collection of Cranbrook Art Museum and an exhibition presented at Cranbrook Art Museum December 13, 2003, through March 28, 2004. The exhibition launched the year-long centennial celebration of Cranbrook Educational Community, which was conceived when George Gough Booth and Ellen Scripps Booth purchased land in Bloomfield Hills on January 18, 1904"--Title page verso.
| Author | : Robert Judson Clark |
| Publisher | : Metropolitan Museum of Art |
| Total Pages | : 354 |
| Release | : 1983 |
| Genre | : Art, American |
| ISBN | : 0810908018 |
This exhibition catalog documents the emergence of modern American design in the second quarter of the 20th century. Cranbrook was one of the few institutions in the United States that offered instruction in design during the 1920s and 30s and its influence on architecture, interior design, art and crafts after World War II was crucial and extensive. The exhibition includes over 200 objects and photo-panels and surveys the history of the Cranbrook facility, as well as the achievements of the teachers and students. Presenting the history of the Cranbrook community, it covers Eliel Saarinen's contribution to architecture and urban design, interior design and furniture, metalwork and bookbinding, textiles, ceramics, sculpture and painting. ISBN 0-89558-097-7 (pbk.); ISBN 0-87099-341-0 (pbk.) : $45.00 (For use only in the library).
| Author | : Diana Greenwold |
| Publisher | : University of California Press |
| Total Pages | : 192 |
| Release | : 2019-05-24 |
| Genre | : Art |
| ISBN | : 0520299698 |
In the Vanguard: Haystack Mountain School of Crafts, 1950–1969 traces the first two decades of the Haystack Mountain School of Craft’s history and its pivotal impact on the world of art and craft practice in the United States during the mid-twentieth century. The first scholarly investigation of this internationally renowned school, the exhibition, and the accompanying catalogue will feature work made at Haystack or influenced by time spent there by some of the most highly recognized names in the fields of fiber, glass, ceramics, jewelry, and graphic arts to demonstrate the school’s significant role in debates about art, craft, industry, and pedagogy in the United States during the 1950s and 1960s. Haystack’s model of brief summer sessions and changing instructors offered new ways of thinking about the status of craft as art and the nature of accessible design in the context of communally based, process-oriented learning. Anni Albers, Toshiko Takaezu, Jack Lenor Larsen, Kay Sekimachi, Arline Fisch, Robert Arneson, Harvey Littleton, Wolf Kahn, and Dale Chihuly are just a few of the artists who taught at the school between 1950 and 1969 and who helped define Haystack’s radically open-ended approach towards art and craft. With approximately eighty objects assembled from public and private collections and archives, many rarely or never before exhibited in a museum, In the Vanguard will establish the substantial legacy of this remote community of makers in the art and education world at large. Archival material installed throughout the exhibition will include original correspondence, photographs, brochures, architectural models, posters, and early ephemera. Published in association with the Portland Museum of Art. Exhibition dates: Portland Museum of Art, Maine: May 24–September 8, 2019 Cranbrook Academy of Art, Michigan: November 15, 2019–March 8, 2020
| Author | : Ana Araujo |
| Publisher | : Chronicle Books |
| Total Pages | : 204 |
| Release | : 2021-06-22 |
| Genre | : Design |
| ISBN | : 1648960243 |
Florence Knoll (1917–2019) was a leading force of modern design. She worked from 1945 to 1965 at Knoll Associates, first as business partner with her husband Hans Knoll, later as president after his death, and, finally, as design director. Her commissions became hallmarks of the modern era, including the Barcelona Chair by Mies van der Rohe, the Diamond Chair by Harry Bertoia, and the Platner Collection by Warren Platner. She created classics like the Parallel Bar Collection, still in production today. Knoll invented the visual language of the modern office through her groundbreaking interiors and the creation of the acclaimed "Knoll look," which remains a standard for interior design today. She reinvigorated the International Style through humanizing textiles, lighting, and accessories. Although Knoll's motto was "no compromise, ever," as a woman in a white, upper-middle-class, male-dominated environment, she often had to make accommodations to gain respect from her colleagues, clients, and collaborators. No Compromise looks at Knoll's extraordinary career in close-up, from her student days to her professional accomplishments.
| Author | : Ruth Adler Schnee |
| Publisher | : Cranbrook Art |
| Total Pages | : 0 |
| Release | : 2019 |
| Genre | : Design |
| ISBN | : 9781733382403 |
The first monograph on American midcentury textile pioneer and interior designer Ruth Adler Schnee This monograph presents the work of textile and interior designer Ruth Adler Schnee (b. 1923), still in active practice at age 96, affirming her pivotal role in the development of the modern interior. At the core of this volume, published to accompany the first major museum retrospective of Adler Schnee's work, is the body of textile patterns she has created over the course of her prolific seven-decade career, including the screen-printed fabrics that helped define midcentury American modernism as well as their later iterations as woven textiles. One of the first women to receive an MFA in Design from the Cranbrook Academy of Art, these designs have been the thread that connects Adler Schnee's diverse production and many professional networks, crossing between her and her husband's retail entrepreneurship and her interior design commissions and architectural collaborations (Adler Schnee is also famed for her collaborations with Alexander Girard, Minoru Yamasaki and Frank Lloyd Wright). With more than 80 color plates, an illustrated chronology and three critical essays, Ruth Adler Schnee: Modern Designs for Living presents the definitive narrative of the designer's oeuvre. Contributors include Susan Brown, who provides a survey of Adler Schnee's textile designs and production, Deborah Lubera Kawsky, who narrates a biographical sketch of the designer's life and business, and Ian Gabriel Wilson, who presents a historical analysis of Adler Schnee's interior design commissions and architectural collaborations. A history of midcentury modern American design through the work of one of its under-recognized protagonists, Ruth Adler Schnee: Modern Designs for Living is an essential, long-overdue volume.
| Author | : Brian D. Conway |
| Publisher | : |
| Total Pages | : 300 |
| Release | : 2018-03-06 |
| Genre | : |
| ISBN | : 9780997548976 |
Michigan Modern: An Architectural Legacy takes readers on a privileged tour of iconic buildings and interiors designed by some of the world¿s most renowned and celebrated architects and interior designers. Each of the 34 selected projects is carefully documented to record its place in art history and the story behind both its architect and client.
| Author | : Jim Dine |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 1993 |
| Genre | : Art, Classical, in art |
| ISBN | : 9781555950972 |
Jim Dine, originally linked with Pop art, has developed into one of the most remarkable draftsmen and preeminent artists of our time.
| Author | : Anna Walker |
| Publisher | : |
| Total Pages | : 144 |
| Release | : 2020 |
| Genre | : Fiberwork |
| ISBN | : 9783897905962 |
"Traces the career of Colombian artist Olga de Amaral (born 1932). Drawing on techniques like plaiting and wrapping and materials such as horsehair and gold leaf, Amaral's transformative woven sculptures result from a lifetime of experimentation. This book provides new scholarship by contextualizing Amaral's work within contemporary and fiber arts"--
| Author | : Danielle Aubert |
| Publisher | : Inventory Press |
| Total Pages | : 224 |
| Release | : 2019-11-19 |
| Genre | : Art |
| ISBN | : 9781941753255 |
A timely exploration of political organizing, publishing, design and distribution in 1970s Detroit In 1969, shortly after moving to Detroit with wife and partner Lorraine Nybakken, Fredy Perlman and a group of kindred spirits purchased a printing press from a Chicago dealer, transported it, in parts, back to Detroit in their cars and the Detroit Printing Co-op was born. Operating between 1969 and 1980 out of southwest Detroit, the Co-op was the site for the printing of the first English translation of Guy Debord's Society of the Spectacle and journals like Radical America, produced by the Students for a Democratic Society; books such as The Political Thought of James Forman printed by the League of Revolutionary Black Workers; and the occasional broadsheet, such as Judy Campbell's stirring indictment, "Open letter from 'white bitch' to the black youths who beat up on me and my friend." Fredy Perlman was not a printer or a designer by training, but was deeply engaged in the ideas, issues, processes and materiality of printing. While at the Detroit Printing Co-op, he radically rethought the possibilities of print by experimenting with overprinting, collage techniques, different kinds of papers and so on. Behind the calls to action and class consciousness written in his publications, there was an innate sense of the politics of design, experimentation and pride of craft. Building on research conducted by Danielle Aubert, a Detroit-based designer, educator and coauthor of Thanks for the view, Mr. Mies, The Politics of the Joy of Printing explores the history, output and legacy of the Perlmans and the Co-op in a highly illustrated testament to the power of printing, publishing, design and distribution.
