Crafting The Resistance
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| Author | : Lara Neel |
| Publisher | : Simon and Schuster |
| Total Pages | : 192 |
| Release | : 2017-08-22 |
| Genre | : Crafts & Hobbies |
| ISBN | : 1510731393 |
Knit, sew, and craft your way to self-empowerment. Are you a Nasty Woman ready to smash the patriarchy with a needle and thread? Proudly proclaim your feminism with your very own DIY Bleeding Heart T-shirt? Or stage a protest with the rest of the girls, wearing knitted Pussyhats? Be part of the revolution by reclaiming the "domestic" arts of knitting, sewing, and more—to channel your feminist rage. With pictures, step-by-step instructions, bonus patterns, and tips for crafters of all skill levels from beginner to advanced, Crafting the Resistance is the book for women’s rights activists on a DIY path to self-determination. Put your homemaking and protesting skills to the test with thirty-five girl-powered, easy-to-make, kickass projects such as: "Snowflake" knitted wristers "Bleeding Heart" T-shirt Clear vinyl protest tote bag to speed up security screenings The Pussyhat as knitted hats, holiday ornaments, throw pillows, and cat beds “Nasty Nag” zippered pouch Well read bookmarks And More! Take politics into your own hands, literally, and craft your message out into the world. Including an essay and quotes on the history and importance of craftivism, Crafting the Resistance is the ultimate book for political crafters, DIY activists, empowered protestors, and any woman—or man—who is part of the resistance.
| Author | : Tal Fitzpatrick |
| Publisher | : |
| Total Pages | : |
| Release | : 2019-08-19 |
| Genre | : |
| ISBN | : 9780464217176 |
Exhibition catalogue for 'Crafting Resistance: Six Moments in Kingston' (2019), curated by Tal Fitzpatrick and presented by Kingston Arts.
| Author | : Joan Tapper |
| Publisher | : Potter Craft |
| Total Pages | : 162 |
| Release | : 2011-09-27 |
| Genre | : Crafts & Hobbies |
| ISBN | : 0307586839 |
Join the Handmade Movement! We make to give. We make to share. We make to connect with others. Crafters all over the world are using their hands and hearts to make a statement, change the world, and build community. Craft Activism is an inspiring celebration of this growing movement. Inside, dozens of superstars of this grassroots phenomenon share their experiences, tips, and advice on living, teaching, and promoting a more meaningful DIY lifestyle. Learn to craft for your cause, connect with other crafters, think green, organize a fair, host an online exchange, create yarn graffiti, and more. The book also includes 17 creative projects from designers who challenge you to reimagine how your craft skills can be used to make a difference. Whether you knit, sew, crochet, or collage—and even if you’re not sure where to begin—this book is your guide to the incredible power of handmade.
| Author | : Michael H. Stone |
| Publisher | : Human Kinetics |
| Total Pages | : 388 |
| Release | : 2007 |
| Genre | : Health & Fitness |
| ISBN | : 9780880117067 |
Aimed at strength and conditioning specialists, health and fitness professionals, personal trainers and exercise scientists, this research-based book details the physiological and biomechanical aspects of designing resistance training programmes for improved power, strength and performance in athletes.
| Author | : Bonnie Burstow |
| Publisher | : McGill-Queen's Press - MQUP |
| Total Pages | : 345 |
| Release | : 2014-05-01 |
| Genre | : Psychology |
| ISBN | : 0773590315 |
There is growing international resistance to the oppressiveness of psychiatry. While previous studies have critiqued psychiatry, Psychiatry Disrupted goes beyond theorizing what is wrong with it to theorizing how we might stop it. Introducing readers to the arguments and rationale for opposing psychiatry, the book combines perspectives from anti-psychiatry and critical psychiatry activism, mad activism, antiracist, critical, and radical disability studies, as well as feminist, Marxist, and anarchist thought. The editors and contributors are activists and academics - adult education and social work professors, psychologists, prominent leaders in the psychiatric survivor movement, and artists - from across Canada, England, and the United States. From chapters discussing feminist opposition to the medicalization of human experience, to the links between psychiatry and neo-liberalism, to internal tensions within the various movements and different identities from which people organize, the collection theorizes psychiatry while contributing to a range of scholarship and presenting a comprehensive overview of resistance to psychiatry in the academy and in the community. Contributors include Simon Adam (University of Toronto), Rosemary Barnes University of Toronto, Peter Beresford (Brunel University), Bonnie Burstow (University of Toronto), Chris Chapman (York University), Mark Cresswell (Durham University), Shaindl Diamond (York University), Chava Finkler (Memorial University), Ambrose Kirby (therapist in private practice, Brenda A. LeFrançois (Memorial University of Newfoundland), Mick McKeown (University of Central Lancashire), Robert Menzies (Simon Fraser University), China Mills (Oxford University), Tina Minkowitz (World Network of Users and Survivors of Psychiatry), Ian Parker (University of Leicester), Susan Schellenberg, Helen Spandler (University of Central Lancashire), and AJ Withers (York University). A courageous anthology, Psychiatry Disrupted is a timely work that asks compelling activist questions that no other book in the field touches.
| Author | : Emily Hayes Breeding |
| Publisher | : |
| Total Pages | : 66 |
| Release | : 2012 |
| Genre | : |
| ISBN | : |
| Author | : Jackie Goode |
| Publisher | : Taylor & Francis |
| Total Pages | : 288 |
| Release | : 2023-05-11 |
| Genre | : Psychology |
| ISBN | : 1000886115 |
This collection explores how autoethnography is made. Contributors from sociology, education, counselling, the visual arts, textiles, drama, music, and museum curation uncover and reflect on the processes and practices they engage in as they craft their autoethnographic artefacts. Each chapter explores a different material or media, together creating a rich and stimulating set of demonstrations, with the focus firmly on the practical accomplishment of texts/artefacts. Theoretically, this book seeks to rectify the hierarchical separation of art and craft and of intellectual and practical cultural production, by collapsing distinctions between knowing and making. In relation to connections between personal experience and wider social and cultural phenomena, contributors address a variety of topics such as social class, family relationships and intergenerational transmission, loss, longing and grief, the neoliberal university, gender, sexuality, colonialism, race/ism, national identity, digital identities, indigenous ways of knowing/making and how these are ‘storied’, curated and presented to the public, and our relationship with the natural world. Contributors also offer insights into how the ‘crafting space’ is itself one of intellectual inquiry, debate, and reflection. This is a core text for readers from both traditional and practice-based disciplines undertaking qualitative research methods/autoethnographic inquiry courses, as well as community-based practitioners and students. Readers interested in creative practice, practitioner-research and arts-based research in the social sciences and humanities will also benefit from this book.
| Author | : Jenny Tone-Pah-Hote |
| Publisher | : UNC Press Books |
| Total Pages | : 163 |
| Release | : 2019-01-10 |
| Genre | : History |
| ISBN | : 1469643677 |
In this in-depth interdisciplinary study, Jenny Tone-Pah-Hote reveals how Kiowa people drew on the tribe's rich history of expressive culture to assert its identity at a time of profound challenge. Examining traditional forms such as beadwork, metalwork, painting, and dance, Tone-Pah-Hote argues that their creation and exchange were as significant to the expression of Indigenous identity and sovereignty as formal political engagement and policymaking. These cultural forms, she argues, were sites of contestation as well as affirmation, as Kiowa people used them to confront external pressures, express national identity, and wrestle with changing gender roles and representations. Combatting a tendency to view Indigenous cultural production primarily in terms of resistance to settler-colonialism, Tone-Pah-Hote expands existing work on Kiowa culture by focusing on acts of creation and material objects that mattered as much for the nation's internal and familial relationships as for relations with those outside the tribe. In the end, she finds that during a time of political struggle and cultural dislocation at the turn of the twentieth century, the community's performative and expressive acts had much to do with the persistence, survival, and adaptation of the Kiowa nation.
| Author | : Sandra Alfoldy |
| Publisher | : McGill-Queen's Press - MQUP |
| Total Pages | : 309 |
| Release | : 2005-07-26 |
| Genre | : Art |
| ISBN | : 0773572643 |
By contrasting American experience with the Canadian context, which includes a unique Quebec identity and a Native dimension, Sandra Alfoldy argues that the development of organizations, advanced education for craftspeople, and exhibition and promotional opportunities have contributed to the distinct evolution of professional craft in Canada over the past forty years. Alfoldy focuses on 1964-74 and the debates over distinctions between professional, self-taught, and amateur craftspeople and between one-of-a-kind and traditional craft objects. She deals extensively with key people and events, including American philanthropist Aileen Osborn Webb and Canadian philanthropist Joan Chalmers, the foundation of the World Crafts Council (1964) and the Canadian Crafts Council (1974), the Canadian Fine Crafts exhibition at Expo 67, and the In Praise of Hands exhibition of 1974. Drawing upon a wealth of previously unexploited materials, this richly documented survey includes descriptions and illustrations of significant works and identifies the challenges that lie ahead for professional crafts in Canada.
| Author | : Dorinne K. Kondo |
| Publisher | : University of Chicago Press |
| Total Pages | : 362 |
| Release | : 2009-02-20 |
| Genre | : Social Science |
| ISBN | : 022609815X |
"The ethnography of Japan is currently being reshaped by a new generation of Japanologists, and the present work certainly deserves a place in this body of literature. . . . The combination of utility with beauty makes Kondo's book required reading, for those with an interest not only in Japan but also in reflexive anthropology, women's studies, field methods, the anthropology of work, social psychology, Asian Americans, and even modern literature."—Paul H. Noguchi, American Anthropologist "Kondo's work is significant because she goes beyond disharmony, insisting on complexity. Kondo shows that inequalities are not simply oppressive-they are meaningful ways to establish identities."—Nancy Rosenberger, Journal of Asian Studies
