Country Music Sources
| Author | : Guthrie T. Meade |
| Publisher | : NC State University Language and Life Project |
| Total Pages | : 1252 |
| Release | : 2002 |
| Genre | : Music |
| ISBN | : |
Country Music Sources: A Biblio-Discography of Commercially Recorded Traditional Music
Country Music Sources
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Country Music Culture
| Author | : Curtis W. Ellison |
| Publisher | : Univ. Press of Mississippi |
| Total Pages | : 360 |
| Release | : 1995 |
| Genre | : Country music |
| ISBN | : 9781604739343 |
A social history of country music from the 1920s to the present, discussing such artists as Patsy Cline, Grandpa Jones, Dolly Parton, and Garth Brooks.
Reading Country Music
| Author | : Cecelia Tichi |
| Publisher | : |
| Total Pages | : 434 |
| Release | : 1998 |
| Genre | : Biography & Autobiography |
| ISBN | : |
With its steel guitars, Opry stars, and honky-tonk bars, country music is an American original. The most popular music in America today, it's also big business. Amazing, then, that country music has been so little studied by critics, given its predominance in American culture. Reading Country Music acknowledges the significance of country music as part of an authentic American heritage and turns a loving, critical eye toward understanding the sweep of this peculiarly American phenomenon. Bringing together a wide range of scholars and critics from literature, communications, history, sociology, art, and music, this anthology looks at everything from the inner workings of the country music industry to the iconography of certain stars to the development of distinctive styles within the country music genre. Essays include a look at the shift from "hard-core" to "soft-shell" country music in recent years; Johnny Cash as lesbian icon; gender, class, and region in Dolly Parton's star image; and bluegrass's gothic tradition. Originally published as a special issue of South Atlantic Quarterly, this expanded book edition includes new articles on the spirituality of Willie Nelson, the legacy and tradition of stringed music, and the revival of Stephen Foster's blackface musical, among others. Contributors. Mary A. Bufwack, Don Cusic, Curtis W. Ellison, Mark Fenster, Vivien Green Fryd, Teresa Goddu, T. Walter Herbert, Christine Kreyling, Michael Kurek, Amy Schrager Lang, Charmaine Lanham, Bill Malone, Christopher Metress, Jocelyn Neal, Teresa Ortega, Richard A. Peterson, Ronnie Pugh, John W. Rumble, David Sanjek, Cecelia Tichi, Pamela Wilson, Charles K. Wolfe
The Oxford Handbook of Country Music
| Author | : Travis D. Stimeling |
| Publisher | : Oxford University Press |
| Total Pages | : 800 |
| Release | : 2017-06-01 |
| Genre | : Music |
| ISBN | : 0190683856 |
Now in its sixth decade, country music studies is a thriving field of inquiry involving scholars working in the fields of American history, folklore, sociology, anthropology, musicology, ethnomusicology, cultural studies, and geography, among many others. Covering issues of historiography and practice as well as the ways in which the genre interacts with media and social concerns such as class, gender, and sexuality, The Oxford Handbook of Country Music interrogates prevailing narratives, explores significant lacunae in the current literature, and provides guidance for future research. More than simply treating issues that have emerged within this subfield, The Oxford Handbook of Country Music works to connect to broader discourses within the various fields that inform country music studies in an effort to strengthen the area's interdisciplinarity. Drawing upon the expertise of leading and emerging scholars, this Handbook presents an introduction into the historiographical narratives and methodological issues that have emerged in country music studies' first half-century.
The Country Music Message
| Author | : Jimmie N. Rogers |
| Publisher | : Prentice Hall |
| Total Pages | : 200 |
| Release | : 1983 |
| Genre | : Music |
| ISBN | : |
The Country Music Reader
| Author | : Travis D. Stimeling |
| Publisher | : Oxford University Press |
| Total Pages | : 409 |
| Release | : 2015-01-02 |
| Genre | : Music |
| ISBN | : 0190233737 |
In The Country Music Reader Travis D. Stimeling provides an anthology of primary source readings from newspapers, magazines, and fan ephemera encompassing the history of country music from circa 1900 to the present. Presenting conversations that have shaped historical understandings of country music, it brings the voices of country artists and songwriters, music industry insiders, critics, and fans together in a vibrant conversation about a widely loved yet seldom studied genre of American popular music. Situating each source chronologically within its specific musical or cultural context, Stimeling traces the history of country music from the fiddle contests and ballad collections of the late nineteenth and early twentieth centuries through the most recent developments in contemporary country music. Drawing from a vast array of sources including popular magazines, fan newsletters, trade publications, and artist biographies, The Country Music Reader offers firsthand insight into the changing role of country music within both the music industry and American musical culture, and presents a rich resource for university students, popular music scholars, and country music fans alike.
All Music Guide to Country
| Author | : Michael Erlewine |
| Publisher | : Hal Leonard Corporation |
| Total Pages | : 644 |
| Release | : 1997 |
| Genre | : Music |
| ISBN | : 9780879304751 |
Reviews and rates the best recordings of country artists and groups, provides biographies of the artists, and charts the evolution of country music
Country Music Records
| Author | : Tony Russell |
| Publisher | : New York : Oxford University Press |
| Total Pages | : 1198 |
| Release | : 2004-10-07 |
| Genre | : Antiques & Collectibles |
| ISBN | : 0195139895 |
More than twenty years in the making, Country Music Records documents all country music recording sessions from 1921 through 1942. With primary research based on files and session logs from record companies, interviews with surviving musicians, as well as the 200,000 recordings archived at the Country Music Hall of Fame and Museum's Frist Library and Archives, this notable work is the first compendium to accurately report the key details behind all the recording sessions of country music during the pre-World War II era. This discography documents--in alphabetical order by artist--every commercial country music recording, including unreleased sides, and indicates, as completely as possible, the musicians playing at every session, as well as instrumentation. This massive undertaking encompasses 2,500 artists, 5,000 session musicians, and 10,000 songs. Summary histories of each key record company are also provided, along with a bibliography. The discography includes indexes to all song titles and musicians listed.
Hidden in the Mix
| Author | : Diane Pecknold |
| Publisher | : Duke University Press |
| Total Pages | : 391 |
| Release | : 2013-07-10 |
| Genre | : Music |
| ISBN | : 0822351633 |
Country music's debt to African American music has long been recognized. Black musicians have helped to shape the styles of many of the most important performers in the country canon. The partnership between Lesley Riddle and A. P. Carter produced much of the Carter Family's repertoire; the street musician Tee Tot Payne taught a young Hank Williams Sr.; the guitar playing of Arnold Schultz influenced western Kentuckians, including Bill Monroe and Ike Everly. Yet attention to how these and other African Americans enriched the music played by whites has obscured the achievements of black country-music performers and the enjoyment of black listeners. The contributors to Hidden in the Mix examine how country music became "white," how that fictive racialization has been maintained, and how African American artists and fans have used country music to elaborate their own identities. They investigate topics as diverse as the role of race in shaping old-time record catalogues, the transracial West of the hick-hopper Cowboy Troy, and the place of U.S. country music in postcolonial debates about race and resistance. Revealing how music mediates both the ideology and the lived experience of race, Hidden in the Mix challenges the status of country music as "the white man’s blues." Contributors. Michael Awkward, Erika Brady, Barbara Ching, Adam Gussow, Patrick Huber, Charles Hughes, Jeffrey A. Keith, Kip Lornell, Diane Pecknold, David Sanjek, Tony Thomas, Jerry Wever
