Queer Country

Queer Country
Author: Shana Goldin-Perschbacher
Publisher: University of Illinois Press
Total Pages: 199
Release: 2022-03-22
Genre: Music
ISBN: 0252053222

A Variety Best Music Book of 2022 A No Depression Most Memorable Music Book of 2022 A Library Journal Best Arts and Humanities Book of 2022 A Pitchfork Best Music Book of 2022 A Boot Best Music Book of 2022 A Ticketmaster Best Music Book of 2022 A Happy Magazine Best Music Book of 2022 Though frequently ignored by the music mainstream, queer and transgender country and Americana artists have made essential contributions as musicians, performers, songwriters, and producers. Queer Country blends ethnographic research with analysis and history to provide the first in-depth study of these artists and their work. Shana Goldin-Perschbacher delves into the careers of well-known lesbian artists like k.d. lang and Amy Ray and examines the unlikely success of singer-songwriter Patrick Haggerty, who found fame forty years after releasing the first out gay country album. She also focuses on later figures like nonbinary transgender musician Rae Spoon and renowned drag queen country artist Trixie Mattel; and on recent breakthrough artists like Orville Peck, Amythyst Kiah, and chart-topping Grammy-winning phenomenon Lil Nas X. Many of these musicians place gender and sexuality front and center even as it complicates their careers. But their ongoing efforts have widened the circle of country/Americana by cultivating new audiences eager to connect with the artists’ expansive music and personal identities. Detailed and one-of-a-kind, Queer Country reinterprets country and Americana music through the lives and work of artists forced to the margins of the genre's history.

Country Soul

Country Soul
Author: Charles L. Hughes
Publisher: UNC Press Books
Total Pages: 277
Release: 2015-03-23
Genre: Music
ISBN: 1469622440

In the sound of the 1960s and 1970s, nothing symbolized the rift between black and white America better than the seemingly divided genres of country and soul. Yet the music emerged from the same songwriters, musicians, and producers in the recording studios of Memphis and Nashville, Tennessee, and Muscle Shoals, Alabama--what Charles L. Hughes calls the "country-soul triangle." In legendary studios like Stax and FAME, integrated groups of musicians like Booker T. and the MGs and the Muscle Shoals Rhythm Section produced music that both challenged and reconfirmed racial divisions in the United States. Working with artists from Aretha Franklin to Willie Nelson, these musicians became crucial contributors to the era's popular music and internationally recognized symbols of American racial politics in the turbulent years of civil rights protests, Black Power, and white backlash. Hughes offers a provocative reinterpretation of this key moment in American popular music and challenges the conventional wisdom about the racial politics of southern studios and the music that emerged from them. Drawing on interviews and rarely used archives, Hughes brings to life the daily world of session musicians, producers, and songwriters at the heart of the country and soul scenes. In doing so, he shows how the country-soul triangle gave birth to new ways of thinking about music, race, labor, and the South in this pivotal period.

Americana Music

Americana Music
Author: Lee Zimmerman
Publisher: Texas A&M University Press
Total Pages: 334
Release: 2019-01-23
Genre: Music
ISBN: 1623497027

With roots in Appalachia, the Mississippi Delta, New Orleans, the Piedmont, Memphis, and the prairies of Texas and the American West, the musical genre called Americana can prove difficult to define. Nevertheless, this burgeoning trend in American popular music continues to expand and develop, winning new audiences and engendering fresh, innovative artists at an exponential rate. As Lee Zimmerman illustrates in Americana Music: Voices, Visionaries, and Pioneers of an Honest Sound, “Americana” covers a gamut of sounds and styles. In its strictest sense, it is a blanket term for bluegrass, country, mountain music, rockabilly, and the blues. By a broader definition, it can encompass roots rock, country rock, singer/songwriters, R&B, and their various combinations. Bob Dylan, Hank Williams, Carl Perkins, and Tom Petty can all lay valid claims as purveyors of Americana, but so can Elvis Costello, Solomon Burke, and Jason Isbell. Americana is new and old, classic and contemporary, trendy and traditional. Mining the firsthand insights of those whose stories help shape the sound—people such as Ralph Stanley, John McEuen (Nitty Gritty Dirt Band), Chris Hillman (Byrds, Flying Burrito Brothers), Paul Cotton and Rusty Young (Poco), Shawn Colvin, Kinky Friedman, David Bromberg, the Avett Brothers, Amanda Shires, Ruthie Foster, and many more—Americana Music provides a history of how Americana originated, how it reached a broader audience in the ’60s and ’70s with the merging of rock and country, and how it evolved its overwhelmingly populist appeal as it entered the new millennium.

The Americana Revolution

The Americana Revolution
Author: Michael Scott Cain
Publisher: Rowman & Littlefield
Total Pages: 265
Release: 2017-04-04
Genre: Music
ISBN: 1442269413

Americana is a music that defies definition. It isn’t rock, although it does encompass rock. It isn’t folk, but folk is there. It isn’t Celtic, but it is woven with Celtic threads. It is a blend of forms, music that draws on a wide range of influences. Gathering these many genres together, Americana continually reinvents itself and actively tells the story of its origins and its future. The Americana Revolution: From Country and Blues Roots to the Avett Brothers, Mumford & Sons, and Beyond is an informal social history that describes Americana as both a musical genre and a movement, showing what it is, where it came from, and where it is going. Musician and historian Michael Scott Cain examines how the idea of genre, especially Americana, affects the creation and consumption of music. He tries to discern the formulas of this slippery genre and seeks out the places where artists have broken or bent those formulas in the name of creativity. Through anecdotes and interviews, Cain provides a firsthand view into the creation of Americana to clarify how the genre can be categorized and defined. Through the stories of its creators both long gone and new to the scene, Americana music comes alive as a diverse melting pot of creative genius. With this book, Cain grants music lovers from all backgrounds an unparalleled view into the future of a music that embraces new influences but never forgets its roots.

Woman Walk the Line

Woman Walk the Line
Author: Holly Gleason
Publisher: University of Texas Press
Total Pages: 233
Release: 2017-09-20
Genre: Music
ISBN: 1477314903

Full-tilt, hardcore, down-home, and groundbreaking, the women of country music speak volumes with every song. From Maybelle Carter to Dolly Parton, k.d. lang to Taylor Swift—these artists provided pivot points, truths, and doses of courage for women writers at every stage of their lives. Whether it’s Rosanne Cash eulogizing June Carter Cash or a seventeen-year-old Taylor Swift considering the golden glimmer of another precocious superstar, Brenda Lee, it’s the humanity beneath the music that resonates. Here are deeply personal essays from award-winning writers on femme fatales, feminists, groundbreakers, and truth tellers. Acclaimed historian Holly George Warren captures the spark of the rockabilly sensation Wanda Jackson; Entertainment Weekly’s Madison Vain considers Loretta Lynn’s girl-power anthem “The Pill”; and rocker Grace Potter embraces Linda Ronstadt’s unabashed visual and musical influence. Patty Griffin acts like a balm on a post-9/11 survivor on the run; Emmylou Harris offers a gateway through paralyzing grief; and Lucinda Williams proves that greatness is where you find it. Part history, part confessional, and part celebration of country, Americana, and bluegrass and the women who make them, Woman Walk the Line is a very personal collection of essays from some of America’s most intriguing women writers. It speaks to the ways in which artists mark our lives at different ages and in various states of grace and imperfection—and ultimately how music transforms not just the person making it, but also the listener.

Collecting American Country

Collecting American Country
Author: Mary Ellisor Emmerling
Publisher: Crown Pub
Total Pages: 276
Release: 1983
Genre: Antiques & Collectibles
ISBN: 9780517549575

Gives practical advice on collecting and decorating with antiques, folk art, and Americana, including dolls, quilts, baskets, furniture, trunks, and rugs

The Americana Guitar Book

The Americana Guitar Book
Author: Stuart Ryan
Publisher: WWW.Fundamental-Changes.com
Total Pages: 84
Release: 2020-05-07
Genre:
ISBN: 9781789332025

The Americana Guitar Book introduces you to every essential technique that will enhance your musical palette on both acoustic and electric guitar... from Travis and Carter picking, to slide licks and raucous electric guitar work.

Americana

Americana
Author: Bhu Srinivasan
Publisher: Penguin
Total Pages: 578
Release: 2018-12-04
Genre: History
ISBN: 0399563814

An absorbing and original narrative history of American capitalism NAMED A BEST BOOK OF 2017 BY THE ECONOMIST From the days of the Mayflower and the Virginia Company, America has been a place for people to dream, invent, build, tinker, and bet the farm in pursuit of a better life. Americana takes us on a four-hundred-year journey of this spirit of innovation and ambition through a series of Next Big Things -- the inventions, techniques, and industries that drove American history forward: from the telegraph, the railroad, guns, radio, and banking to flight, suburbia, and sneakers, culminating with the Internet and mobile technology at the turn of the twenty-first century. The result is a thrilling alternative history of modern America that reframes events, trends, and people we thought we knew through the prism of the value that, for better or for worse, this nation holds dearest: capitalism. In a winning, accessible style, Bhu Srinivasan boldly takes on four centuries of American enterprise, revealing the unexpected connections that link them. We learn how Andrew Carnegie's early job as a telegraph messenger boy paved the way for his leadership of the steel empire that would make him one of the nation's richest men; how the gunmaker Remington reinvented itself in the postwar years to sell typewriters; how the inner workings of the Mafia mirrored the trend of consolidation and regulation in more traditional business; and how a 1950s infrastructure bill triggered a series of events that produced one of America's most enduring brands: KFC. Reliving the heady early days of Silicon Valley, we are reminded that the start-up is an idea as old as America itself. Entertaining, eye-opening, and sweeping in its reach, Americana is an exhilarating new work of narrative history.

Rednecks, Queers, and Country Music

Rednecks, Queers, and Country Music
Author: Nadine Hubbs
Publisher: Univ of California Press
Total Pages: 241
Release: 2014-03-18
Genre: Music
ISBN: 0520958349

In her provocative new book Rednecks, Queers, and Country Music, Nadine Hubbs looks at how class and gender identity play out in one of America’s most culturally and politically charged forms of popular music. Skillfully weaving historical inquiry with an examination of classed cultural repertoires and close listening to country songs, Hubbs confronts the shifting and deeply entangled workings of taste, sexuality, and class politics. In Hubbs’s view, the popular phrase "I’ll listen to anything but country" allows middle-class Americans to declare inclusive "omnivore" musical tastes with one crucial exclusion: country, a music linked to low-status whites. Throughout Rednecks, Queers, and Country Music, Hubbs dissects this gesture, examining how provincial white working people have emerged since the 1970s as the face of American bigotry, particularly homophobia, with country music their audible emblem. Bringing together the redneck and the queer, Hubbs challenges the conventional wisdom and historical amnesia that frame white working folk as a perpetual bigot class. With a powerful combination of music criticism, cultural critique, and sociological analysis of contemporary class formation, Nadine Hubbs zeroes in on flawed assumptions about how country music models and mirrors white working-class identities. She particularly shows how dismissive, politically loaded middle-class discourses devalue country’s manifestations of working-class culture, politics, and values, and render working-class acceptance of queerness invisible. Lucid, important, and thought-provoking, this book is essential reading for students and scholars of American music, gender and sexuality, class, and pop culture.