Study of Counterpoint

Study of Counterpoint
Author: Johann Fux
Publisher: W. W. Norton & Company
Total Pages: 164
Release: 1965
Genre: Music
ISBN: 9780393002775

The most celebrated book on counterpoint is Fux's great theoretical work GRADUS AD PARNASSUM. Since its appearance in 1725, it has been used by and has directly influenced the work of many of the great composers, including J.S. Bach, Haydn, and Beethoven. Originally written in Latin, this work has been translated in to the principal European languages. The present translation by Alfred Mann is the first faithful rendering in English, presenting the essence of Fux's teachings.

Counterpoint in Composition

Counterpoint in Composition
Author: Felix Salzer
Publisher: Columbia University Press
Total Pages: 504
Release: 1989
Genre: Composition (Music)
ISBN: 023107039X

-- Stanley Persky, City University of New York

Counterpoint

Counterpoint
Author: Markand Thakar
Publisher: Yale University Press
Total Pages: 344
Release: 1990-01-01
Genre: Music
ISBN: 9780300046380

Counterpoint manuals have long been central to the music education of composers, historians, and theorists. In this book a conductor uses counterpoint exercises to aid musicians in becoming sensitive to the fundamental ingredients of good music making.

Counterpoint

Counterpoint
Author: Henry Martin
Publisher: Scarecrow Press
Total Pages: 152
Release: 2005
Genre: Music
ISBN: 9780810854093

"Counterpoint proceeds by developing species counterpoint in the tradition of Johann Joseph Fux and his famous Gradus ad Parnassum (1725), but with attention to Schenker's more in-depth study. Everyone from beginning music theory students to composers to graduate composition students will benefit from the methods introduced here. As emphasized in the preface, readers are presented with "exercises for composition." Rather than actually teaching a student to compose, working through these exercises will improve musicianship as it applies to both composition and understanding music theory."--BOOK JACKET.

Modal Counterpoint, Renaissance Style

Modal Counterpoint, Renaissance Style
Author: Peter Schubert
Publisher:
Total Pages: 372
Release: 2008
Genre: Language Arts & Disciplines
ISBN:

The only species counterpoint text that draws directly on Renaissance treatises, Modal Counterpoint, Renaissance Style, Second Edition, provides a conceptual framework to guide students through composition and analysis as it teaches them general structural principles. It distinguishes between technical requirements ("hard" rules) and stylistic guidelines ("soft" rules), and includes coordinated exercises that allow students to develop their skills systematically. The second edition integrates improvisation activities and new repertoire examples into many chapters; revises the chapter on three-part writing (Chapter 14) so that it pays more attention to rules and strategies; reworks the chapters on cadences (Chapter 10) and on writing two parts in mixed values (Chapter 11) to make them more accessible to students; incorporates clarified instructions throughout; and includes a summary of rules.

SchenkerGUIDE

SchenkerGUIDE
Author: Thomas Pankhurst
Publisher: Routledge
Total Pages: 298
Release: 2008-05-07
Genre: Music
ISBN: 1135871027

SchenkerGUIDE is an accessible overview of Heinrich Schenker's complex but fascinating approach to the analysis of tonal music. The book has emerged out of the widely used website, www.SchenkerGUIDE.com, which has been offering straightforward explanations of Schenkerian analysis to undergraduate students since 2001. Divided into four parts, SchenkerGUIDE offers a step-by-step method to tackling this often difficult system of analysis. Part I is an introduction to Schenkerian analysis, outlining the concepts that are involved in analysis Part II outlines a unique and detailed working method to help students to get started on the process of analysis Part III puts some of these ideas into practice by exploring the basics of a Schenkerian approach to form, register, motives and dramatic structure Part IV provides a series of exercises from the simple to the more sophisticated, along with hints and tips for their completion.

A Manual of Sixteenth-century Contrapuntal Style

A Manual of Sixteenth-century Contrapuntal Style
Author: Charlotte Smith
Publisher: University of Delaware Press
Total Pages: 162
Release: 1989
Genre: Music
ISBN: 9780874133271

This volume explores the expressive power of sixteenth-century vocal polyphony, giving special emphasis to the development of aural familiarity with the style. Every element of sixteenth-century counterpoint is defined, described, and liberally illustrated, included for analysis and singing are complete compositions and movements by Palestrina, Lasso, Victoria, Byrd, Morales, and Joaquin.